BPM 160:  Edvard Grieg's instantly recognizable 1876 orchestral masterpiece, In the Hall of the Mountain King from the famous Peer Gynt Suite No. 1. A thrilling dream fantasy that slowly accelerates into a dramatic ending with bombastic timpani and brass. Perfect for Halloween, comedy and commercials.

Air on the G String, the second movement from Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068. Stirring, classical, flowing, elegant, and refined.

A beautiful string quartet rendition of Johann Sebastian Bach's famous "Jesu, Joy Of Man's Desiring," the 10th movement of the cantata Herz und Mund und Tat und Leben, BWV 147. Calm, serene, meditative, elegant, and classical.

A beautiful string trio (2 violins & cello) performance of Johann Pachelbel's famous Canon in D Major. Immediately recognizable and appropriate for weddings. Stirring, soft, flowing, classical, and inspirational.

Oscar Ahnfelt's classic 1872 hymn, Day By Day, And With Each Passing Moment (Blott en dag, ett ögon­blick i sän­der), arranged for String Quartet. Spiritual, sacred, warm, and serene.

The first movement, Allegro ma non tanto, from Ludwig van Beethoven's Cello Sonata No. 3 in A major, Opus 69, written in 1808. Classical, beautiful, expansive and elegant.

Niccolò Paganini's Sonata a Preghiera (Moses Fantasy) written in 1818-19, M.S. 23. Performed by Solo Cello and Piano. Variations for the fourth string on the theme "Dal tuo stellato soglio" from the opera Mosè by Giacomo Rossini.

Prelude from Johann Sebastian Bach's Suite No. 3 in C major (BWV 1009), part of the Six Suites for Unaccompanied Cello. Dynamic, elegant and uplifting.

The first movement, Allegro Moderato, from Franz Peter Schubert's 1824 Sonata in A minor for Arpeggione and Piano (D. 821), performed by solo cello and piano. Romantic, exciting, and virtuosic.

A virtuosic and romantic piece in Theme and Variations form, performed by solo cello and piano. Opus 33. Lively and elegant.

The Finale or fourth movement of Sir Edward William Elgar's Cello Concerto in E minor, Op. 85. Solo cello and piano. Noble, dramatic, romantic, and emotional.

Gigue from Johann Sebastian Bach's Suite No. 2 in D Minor (BWV 1008), part of the Six Suites for Unaccompanied Cello. Beautiful, flowing, and emotional.

Menuetto from Johann Sebastian Bach's Suite No. 2 in D Minor (BWV 1008), part of the Six Suites for Unaccompanied Cello. Energetic and expressive.

Sarabande from Johann Sebastian Bach's Suite No. 2 in D Minor (BWV 1008), part of the Six Suites for Unaccompanied Cello. Dramatic, serious, baroque.

Courante from Johann Sebastian Bach's Suite No. 2 in D Minor (BWV 1008), part of the Six Suites for Unaccompanied Cello. Lively, expressive, classical.

Allemande from Johann Sebastian Bach's Suite No. 2 in D Minor (BWV 1008), part of the Six Suites for Unaccompanied Cello. Dynamic, emotional, introspective.

Prelude from Johann Sebastian Bach's Suite No. 2 in D Minor (BWV 1008), part of the Six Suites for Unaccompanied Cello. Contemplative, flowing, soft, intimate and classical.

The first movement of Antonín Dvorak's Cello Concerto in B minor, Op. 104, B. 191. Solo cello and piano. Romantic, emotional, intense.

Bach - Double Presto from Johann Sebastian Bach's Partita No. 1 in B Minor (BWV 1002) for solo violin. Dynamic, invigorating, and exciting.

Bach - Corrente from Johann Sebastian Bach's Partita No. 1 in B minor (BWV 1002) for solo violin. Elegant, emotional, and expressive.