As low cost cinema cameras dominate the independent film scene, high level filmmaking has never been more accessible than it is today. That said, it takes a lot more than the right camera and gear to actually make a film that is worth watching.
It’s easier than ever to make a low-budget film with high production value, yet so many filmmakers still create films that look unpolished. Here are 5 tips that are often overlooked on smaller-scale films.
Your script is finally done, ready to be seen and (hopefully) sold. After pouring your blood, sweat and tears into your baby, it seems that the hard part is over and done with, but in many ways the work has just begun.
Most DPs are trained early on in their careers to learn the basics of a three point lighting setup. However, in this post I’ll make a case for why reducing your lighting setup can actually be more conducive to a cinematic look.
For the last few years full frame cameras have been all the rage in independent level film production, but crop sensor cameras offer some huge advantages over their full frame counterparts that are hard to deny. With the recently released crop sensor GH4 turning heads all over the indie film world, the issue is now more relevant than ever.
Prepping your film for a festival run? Consider these 5 tips for your best chance of acceptance and success.
One of the most important things you can do when starting out in the film industry, is learn to abide by the unwritten rules of the set.
Indie film directors today have largely become more concerned with gear, effects, and post-production than with story and acting, which is one reason so many indie films fail to have any success. While the technical side of filmmaking is critical in today’s filmmaking environment, it is raw performance that will always be what captivates audiences most.
It seems like every filmmaker these days likes to throw a 2.35:1 letterbox on their footage to give it a more ‘filmic look’. The truth is though, this ratio is not right for all projects and what’s more pertinent for a cinematic look is choosing the most appropriate aspect, not necessarily the widest.