Don’t let needless searching for clips slow you down! Master the intuitive organization and searching features in Final Cut Pro X. In this two-part tutorial, we’ll take a look at keywords, ratings, folders and filters. This post (Part 2) will explore how to isolate user data by creating folders and filters.
Don’t let needless searching for clips slow you down! Master the intuitive organization and searching features in Final Cut Pro X. In this two-part tutorial, we’ll take a look at keywords, ratings, folders and filters. This post (Part 1) will explore how to assign keywords and ratings to your clips to prepare for powerful searches.
In Final Cut Pro X, Apple has changed the ways you can access and add video transition to your projects. In this post, we’ll explore the different ways of adding transitions, how you can modify their duration and ways to customize the cross dissolve using new FCPX settings!
Learn the fastest way to change the volume levels of clips in Final Cut Pro X! Make precise decibel adjustments to a clip, or group of clips, during playback in the timeline. This shortcut works with FCPX as well as earlier versions of Final Cut Pro.
In this post, we’ll take a look at the new color matching tool in Final Cut Pro X… a handy feature allows you to quickly copy the native color properties of one shot and paste it on to another! This feature can help match footage shot on multiple cameras or with different lighting setups. Gain shot consistency in your video projects with the FCPX color matching tool!
One advantage of installing the new FCP X (as well as Motion 5 and Compressor 4) o is that you can simultaneously run FCP 7 and the Final Cut Studio 3 suite. However, it’s not quite as cut and dry as you might think. There are quite a few considerations and limitations you’ll need to be aware of if you want to effectively run both groups of applications, especially in terms of round-tripping. Watch this video tutorial to find out more.
Although the Final Cut Pro X magnetic timeline may prove beneficial in streamlining edits, there may be instances when you will want to override it. In this quick tip, we’ll learn the shortcut to quickly turn off the magnetic timeline using the Position tool. In doing so, the FCPX timeline will behave more similarly to past versions of Final Cut Pro.
Avid Media Composer contains many complex manual color correction tools that require deep knowledge of various video scopes and proper color correction workflow. It also contains several useful automatic color correction tools that can help you arrive at correct luma and chroma levels. Check out this tutorial for tips on how to use these automatic color correction controls.
In the fourth part of our series on working with audio in FCPX, we’ll take an in-depth look at the new enhancement and EQ tools within the application. Learn how you can quickly take out background noise, reduce hum and create a custom EQ right from within Final Cut Pro X!
Apple updates FCP enterprise users about the future of Final Cut Pro X. Learn what features will and won’t be included to future versions of FCPX!
Working in today’s world of dozens of different video formats can often be a difficult business; you’re constantly having to negotiate different video sizes and aspect ratios when combining them in the same project. This video tutorial will discuss several of the various reformat effects—the 16:9 and 4:3 letterbox effects, as well as the Pan and Scan effect—which you can use to bring all the clips in your sequence to a single aspect ratio.
Being a version 1.0 product, Apple’s Final Cut Pro X editing application is not without it’s quirks and bugs. In this post, we’ll take a look at online resources for learning about known FCPX quirks, how to report those you find and ways to avoid and recover from these usability errors.