Video tutorials covering filmmaking, production and post. Software covered includes Avid, After Effects and Final Cut Pro.
Secondary color correction allows you to isolate a very narrow hue spectrum and affect it without changing the rest of the image. Watch this video tutorial to find out how to perform single and multiple secondary color corrections in Final Cut Pro X!
The way in which you perform ripples, rolls, slips and slides has changed from Final Cut Pro 7 to Final Cut Pro X. Rather than needing to use four separate tools—each of which performs the techniques in isolation—you instead use only two separate tools. And depending on how you use these tools, you can easily perform each of the four maneuvers of ripple, roll, slip and slide.
Final Cut Pro X’s new Audition feature allows you to easily try out multiple clips while you’re deciding on how you’d like to execute the edit. It’s a great way to see how different shots look in the context of your storyline, without needing to physically go through the process of editing each shot into the sequence. Watch this video tutorial to find out all about Auditions!
Create hundreds of titles in just moments by tapping into the extreme power of Avid Marquee’s AutoTitler. Using just a simple title template and an external text document, you can streamline this otherwise tedious process of lower third creation.
The arrival of FCP X has brought about massive changes in editing on the Final Cut platform. Even the simplest of procedures, like marking clips and editing them into the Timeline have seen significant transformations. This video tutorial will show you what you need to know in order to get started editing in FCP X.
In Final Cut Pro X, Apple has changed the ways you can access and add video transition to your projects. In this post, we’ll explore the different ways of adding transitions, how you can modify their duration and ways to customize the cross dissolve using new FCPX settings!
One advantage of installing the new FCP X (as well as Motion 5 and Compressor 4) o is that you can simultaneously run FCP 7 and the Final Cut Studio 3 suite. However, it’s not quite as cut and dry as you might think. There are quite a few considerations and limitations you’ll need to be aware of if you want to effectively run both groups of applications, especially in terms of round-tripping. Watch this video tutorial to find out more.
Working in today’s world of dozens of different video formats can often be a difficult business; you’re constantly having to negotiate different video sizes and aspect ratios when combining them in the same project. This video tutorial will discuss several of the various reformat effects—the 16:9 and 4:3 letterbox effects, as well as the Pan and Scan effect—which you can use to bring all the clips in your sequence to a single aspect ratio.
FCP X Audio Tutorial Part 3: How to Create Keyframes and Use the Range Selection Tool to Adjust Sound Levels
In the third part of our series on working with audio in FCPX, we’ll explore how to use the range tool to automate the fading in and out of sound clips in the timeline. We’ll also look at manually adding and adjusting audio keyframes during playback, a nice improvement to Final Cut Pro X!
If you’ve ever been left with an imported image that doesn’t look quite the way it did before you brought it into Avid Media Composer, you may be interested to learn more about specific Import Settings that help preserve the integrity of your image’s size and aspect ratio. Watch this video tutorial for a step-by-step glimpse at how image size and pixel aspect ratio play a part in successful imports.
In this post we’ll take a quick look at the public backlash against Final Cut Pro X, specifically in videos that have spread like wildfire around the ‘net. Weight in and let us know what you think of the new application!