The a7S vs a7S II: is the new model better than the old? Our team had a chance to compare these low-light monsters.
Adding dolly movement to a film or video can really enhance your project. Let’s take a look at some dolly options that come in under $500.
Do you need to transcode your AVCHD media when editing in Premiere Pro? Let’s discuss this highly debated topic.
Video editors will often find that they need to share files between a PC and a Mac. Use these steps to format external hard drives for both operating systems.
Painterly staging and framing of a tableau shot, as seen in the work of Wes Anderson and Peter Greenaway, can give your movie a striking visual quality. Let’s look at some examples.
When digital cinematography first hit the scene, most pro DPs wouldn’t go near it — and for good reason. But now digital cinema cameras offer a viable (and sometimes stronger) alternative to film cameras. Let’s look at some of the advantages of digital over film.
There’s no subject too big for this lighting rig. Learn how to create an ultra-bright LED panel with this crazy DIY tutorial.
‘Tis the season for turkey, stuffing, and awesome Black Friday and Cyber Monday deals. Let’s take a look at what’s out there for filmmakers and videographers.
The Sony a7S II adds some welcome improvements to the already incredible a7S. So, the camera is perfect… right?
Do you have an issue with noisy video? Follow these steps in Premiere Pro and your video will be cleaned up in no time!
Shooting product shots on a seamless white backdrop calls for a very specific approach to lighting. Here are some tips on how to get it right next time you’re in the studio.
Illustrating a sense of scale is something that filmmakers still often have difficulty with today. These resources should give you a better understanding of how to magnify your subjects.