Be prepared! When you’ve got a color session looming, do yourself a favor and take these steps to set yourself up for success!
If you find yourself forced to go it alone, here’s all the gear you’ll need to get the job done as a one man documentary crew.
Make your footage the right kind of messy! These 8 tools are a great way to add digital distortion in After Effects.
William Goldenberg’s panel at the annual Sight, Sound and Story event was full of film editing insight and anecdotes. Here’s some of the highlights.
The FS700 price drop can mean one of two things… Either the market has caught up to the device or it’s obsolete. We think we might know which one it is.
Interviews are a great place to sharpen color grading skills. Let’s look at some ways we can push and improve upon this common setup in DaVinci Resolve.
Great locations can make even the lowest budget production look like a million bucks. Learn how to to land awesome film locations without breaking the bank.
Doing an involved motion graphics piece? Use Illustrator to create your storyboards and style frames, setting you up to easily move to After Effects!
Inception horns or no Inception horns? Creating an awesome trailer is much more difficult than it looks. Let’s explore the best way to put together footage and music for trailers.
Working with a sound recordist is best, but sometimes you need to multi-task and record location audio yourself. These tips will help you do it right.
Find out what the industry is talking about with this collection of recent must-read filmmaking articles.
The new OxygenTec ProPanel is aimed at the traveling colorist or the beginning colorist on a budget. Is it the right device for you? Let’s take a look.