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Although the cinematographer and editor work in different phases of projects, by collaborating early, their synched efforts will result in a better final film.
Blackmagic once again drops a big product at NAB – their new “future proof” URSA camera boasts 4K recording, a global shutter, and 2 LCD monitors.
Check out this free webinar to learn how to calibrate your color grading monitor.
Make the most of FCPX in a collaborative workflow with these useful guides to shared editing.
Test footage from Apertus° shows a promising future for the Axiom Alpha Prototype camera.
Download these free film print emulation LUTS and learn more about how to use them in your video projects.
Baselight is a powerful color grading platform used in professional film, commercial and TV work. In this post, we share a workflow for achieving a dramatic color look using Baselight.
FilmConvert is a powerful post production tool that can quickly give your digital footage an organic film look. In this post we take a look at FilmConvert, it’s capabilities and how to integrate it into your video editing or color grading workflow.
Every director of photographer should be skilled at color grading. In this post, we make the case for a multi-faceted approach to cinematography.
Need to prepare your RAW footage for video editing? ClipHouse is a multi-function app that gets the job done quickly and simply.
The new Mac Pros are decked out for creative professionals and video editors, but can today’s software actually take full advantage of these systems? In this post we compare a few popular apps and how they perform on the new Mac Pros.
One of the best ways to refine your color grading skills is to study the work of other pro colorists. In this post, we share a few breakdown videos that will give you detailed insight into how shots were graded.