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We interviewed pro colorist Alexis Van Hurkman and asked him to share how an aspiring colorist can tap into the competitive world of color grading.
Do you need to transcode your AVCHD media when editing in Premiere Pro? Let’s discuss this highly debated topic.
HitFilm 4 Pro is a hybrid editing and compositing software that could change the video editing industry. Here’s our review of this awesome new program.
For video editors looking for an alternative to their Adobe Creative Cloud subscription, these apps offer similar functionality at a much lower price point.
DCPs are in higher demand than ever before, but they are also far more accessible than ever. You now have several options for creating a full fledged Digital Cinema Package right from your own computer at a fraction of the cost of a post-house.
Let’s wrap our heads around the good, the bad and the ugly of this season’s Premiere Pro updates and issues.
Learn to properly dump your footage like a professional Digital Imaging Technician. It’s the best way to verify that all your footage copied correctly.
Lookup tables are one of the most useful tools for editors, colorists, and DPs alike. Here’s how you can generate LUTs in Photoshop in a pinch.
Want to take your video editing skills from beginner to pro? These tips and techniques can help you become a great video editor.
Managing your memory cards can help you avoid formatting and deleting any footage prematurely. Here are four simple ways to keep track of your memory cards.
It’s been five years since Apple last updated Final Cut Pro 7. Let’s take a look at how video production and other NLEs have changed since.
Get the scoop on the new RED RAVEN camera, URSA Mini footage, the a7S II price, lenses, gear, free stuff and more in this industry news roundup.