In this post we take a look at Kollaborate, a cloud based client review app for video editors.
Control the stacking order of your timeline when Dynamic Linking from Premiere Pro to After Effects – a quick way to customize your project organization.
In this post, we give the complete rundown on importing and organizing Photoshop files for use in Autodesk Smoke – essential knowledge for Smoke video editors!
In this video tutorial we show you a simple trick for adding drama to your project. The flip shot adds discomfort/disorientation to any scene and is ideal to use when action is passing ‘through’ the camera.
Discover an efficient multicam workflow in Final Cut Pro X. In this live demo you’ll see a FCPX workflow from ingest to delivery.
Don’t neglect audio in your video production and filmmaking projects! We’ve rounded up a few resources to keep your audio sounding great, from on-set through final deliverables.
In this film/video production tutorial we show you a few techniques for using a camera dolly/slider with your DSLR. Sliders are an inexpensive way to make your shots more engaging and dynamic!
Save time and hard drive space by creating approval videos in After Effects CC by sending your projects to the Media Encoder queue. In this post we’ll show you how!
In this post, we dig into Luca’s Visual FX – an assortment of visual effects, transitions and filters for video editors. More than just a review of the effects, we’ll show you how to install and tweak them in your video editing projects!
In this video editing tutorial, we show you how to combine the tools in Adobe Speedgrade and Premiere Pro to create a customized vignette you can save for use in multiple projects in the future!
What are LUTs and how can they improve your color grading workflow? In this post, we take a look at how LUTs are used in high end color grading work and share a tutorial for getting started with LUTs in DaVinci Resolve!
All too often directors, producers and even lowly editors get too attached to their temp music. Here are a few thoughts on how to avoid that trap. Photo from Flickr Temp music, or temporary music, is the score you’re editing with until the final or ‘real’ music replaces it. Many editors get into the trap