Posts Tagged ‘DaVinci Resolve’
Fixing color issues when working with mixed color temperature footage can be simplified utilizing color keys in DaVinci Resolve.
Removing unused clips from a large media pool makes any DaVinci Resolve project easier to manage, but how do you know what’s being used and what isn’t?
Working with color takes more than just the right software. Here are three tips for building a color correction suite that will improve your output.
When shooting directly at the sun, some digital cinema cameras suffer from the “black sun effect,” which can leave a nasty-looking hole in your image. Here’s how to fix it in DaVinci Resolve.
Keeping an eye on the industry and staying refreshed is a great way to improve your video editing game. These must-read video editing articles have something helpful for pros and amateurs alike.
We sat down with colorist Patrick Inhofer to discuss his color grading process and how new colorists can jump into the color industry.
When attempting to warm up footage in post, many inexperienced colorists will take a wrong turn and wind up giving their footage a sepia look. Here’s how to avoid that issue entirely.
Increasingly, video editors are color grading on laptops and desktops instead of utilizing accurate, calibrated displays. Here’s how to make this reality work for you.
We interviewed pro colorist Alexis Van Hurkman and asked him to share how an aspiring colorist can tap into the competitive world of color grading.
Compound clips are a great way to group multiple clips together in DaVinci Resolve. Here’s how to use them.
For long-form DaVinci Resolve projects, one of the easiest ways to get up and running involves using the powerful scene cut detection feature.
DaVinci Resolve may be known as one of the world’s best color grading platforms, but its compositing/chroma key tools are just as impressive.