BPM 105: A warm and inspirational African groove with kora (African harp), kalimba, acoustic guitars and gentle percussion. Soothing, tribal and bright. A great piece for underscoring creativity and art with an ethnic light.
BPM 100: A taste of Africa with acoustic guitar, electric guitar and percussion. Warm, comforting and inspirational. This track can be used for world beat, ethnic and cultural focused content.
BPM 90: Playful, quirky, and lively. This track gives the sense of summer, warmth and fun in the sun. Perfect for branding promos. Marimba, xylophone, acoustic guitar, strings, music box and various percussion instruments fill out the arrangement.. Positive, light hearted and kind.
BPM 95: This track features traditional African instruments mixed with a live band. Glorious, celebratory and uplifting. A very peaceful track suitable for a wide variety of projects.
BPM 130: Ethnic instrumental music with flute, strings and various percussions. Gentle and slow flute sound and smooth background strings with rhythmic percussions make natural and dramatic mood.
BPM 100: An exotic track full of African vocals and instruments. This song paints a picture of sunny days and trees blowing in the wind.
BPM 201: An uplifting, catchy, indie-rock piece geared towards summer with world beats, sparkling guitar, bouncing bass and Caribbean steel drums. Light-hearted, happy, hip and fun. Perfect for all ages, especially a younger audience.
BPM 120: Ethnic instrumental music with bawu, flute and various percussions. Rhythmic percussive sound with hush sound of bawu and nay flute make exotic and native mood.
BPM 160: This song features many different african instruments like balafon that sound a bit like xylophone, djembe, krin, dunum and calabash. This song is happy and perfect for safaris, adventures, traveling, world documentaries and corporate projects.
BPM 115: A percussive atmospheric African groove. Rhythmic, interesting and intriguing. Perfect for documentaries, safaris and adventures.
BPM 115: A world beat modern track with multi-ethnic styles such as African, American, Indian and Asian. Acoustic guitars, percussion, kalimba, mandolin and Asian strings work together to create a hybrid world ambiance. Perfect for traveling, safari, hunting or world documentaries.
BPM 72: An upbeat African groove with xylophones joined by drums and shakers. Rhythmic, playful and fun. This track could easily be used in a documentary or a TV advertisement.
An ambient, dreamlike African soundscape with ethnic flute, wordless vocals and lush strings. Evocative, spacey, and mysterious. A great track for introducing a characters to foreign lands, or exotic and mysterious places.
BPM 120: A victorious march and a joyful dance. Going around the world. A colorful orchestral piece with tribal flavors and a cinematic touch. The different instruments step in to form a vivid crescendo. Harp, Balafon, Strings, Horns, Guitar and Percussion.
BPM 116: Nostalgic, sad and mournful feeling. Played by live duduk and a ambient drone of moving background voices. Could fit a mellow film scene or intro to some dark, painful and bitter video or ethnic world project.
BPM 110: This ethnic track features ngoni, strings and a wide variety of other exotic percussion instruments. Cheerful, tribal and cultural. This piece would underscore a documentary or travel project quite well.
Give your project a dramatic, tribal feeling with this hypnotic track. Mystical, enigmatic and rhythmic. This track is all percussion.
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BPM 120: This ethnic instrumental piece features flute and drums. Light, fast and rhythmic. The piece is perfect for creating a tribal/natural vibe or tone.
BPM 85: Driving percussion and harsh flute create a very wild and natural sounding mood. Great music for exploring the heart of jungles or the depths of ruins. Exciting, moving, and tribal.
BPM 110: A track that makes you feel lost in a foreign country in Asia. Filled with tones of discovery, exploration and mystery, this piece would underscore projects focused on travel or nature very well. A versatile piece that is both rhythmic and tribal.