BPM 108: A medium tension cue fitting crime scenes, investigations, montages. Breakdown and rises give the whole cue a "story telling" feel.
BPM 73: A reflective and thoughtful piano track with a repetitive phrase that is backed up by a warm and evocative string section. A perfect piece for communicating connection, time and loving memories. Great for wedding projects and documentaries.
BPM 64: Dramatic, Strong, Moving. A piano track with a soaring pads undercurrent. Movie trailer or underscore, this song tells a tail of braveness, conquering and making it through hard times. Can be used for documentaries or even worldly news.
BPM 130: Epic orchestral piece with small intro that builds into a triumphant dubstep orchestral hybrid finish.
BPM 65: A poignant and reflective piano track with a subtle bed of sound, accompanied by an emotive string section. Heartfelt, emotional and romantic. Well suited for underscoring the more tender moments in a drama or documentary.
BPM 118: Uplifting and emotional with a touch of happiness. Acoustic piano, strings and mandolin create a comforting mood with light electronic drums. Gentle, elevating and warm. Perfect for emotional trailers or TV ads.
BPM 130: This track is for the big blockbuster Hollywood production. Perfect for building epic tension in any project. Massive, explosive and intense.
BPM 128: Awe-inspiring indie rock with a dramatic, evolving crescendo. Rich piano and atmospheric guitar are coupled with a hypnotic melody that grows in intensity. Pounding percussion, syncopated snares, spacey pads, and growly bass further develop the texture. Cinematic and powerful.
BPM 126: A happy and light-hearted track in which several orchestral instruments interweave various playful melodies, to a backdrop of pizzicato strings, double bass and glockenspiel. This uplifting track would be perfect for feel good TV adverts and sitcoms. dynamic, compelling and cute.
BPM 107: A poignant yet positive and hopeful track, with a piano lead, backed up by pizzicato strings and glockenspiel. Gentle and reflective.
BPM 90: A light tension cue fitting crime scenes, investigations, montages. A rich harmonic environment gives bed to a lonely solo cello on top.
BPM 125: A playful and quirky track with a marimba sequence, pizzicato strings, glockenspiel and solid percussion. Upbeat, lively and fun with a touch of satire. This track is well suited for scoring television shows.
BPM 86: A big hitting orchestral track with lots of percussion, brass and strings, which combine to create an epic and rousing sound. Powerful, cinematic, and moving. Great for trailers, inspirational and heroic themes.
BPM 97: A big hitting orchestral movie soundtrack with massive percussion hits, bold brass, choirs and strings. Great for film trailers and productions looking for that epic feel. Powerful, intense, and dramatic.
BPM 110: Intense, captivating and powerful. This epic piece is great for underscoring adventure, games and film trailers. Orchestral and pop rock instrumentation is mixed together. Strings, drums, bass, electric guitar and brass fill out the arrangement.
BPM 88: A cutting edge soundtrack piece full of tension and suspense. Similar in style to the build up scene to a ransom payoff, navy seal incursion or clandestine midnight meeting between an undercover cop and his handler. This track would work well for any suspense narrative project.
BPM 105: A light hearted folk track. Slow intro with the rest of the track being more energetic. Very organic feel throughout. Grows throughout. Vocal version available too.
BPM 123: A motivational, uplifting and positive orchestral track with strings, piano and electronic drums. Energetic, triumphant and emotional. Can be used for underscoring motivational purposes, successful people, victory, triumph, sports, business and achievement.
BPM 143: Uplifting and dynamic orchestral track with percussions, pizzicato strings and contemporary synths. Perfect for high technology, news and data transmissions.
BPM 74: Contemplative cue featuring sparse piano melodies, backed up by soft strings (full and sordino) and subtle synth drones and effects. Emotional swelling in the second third before a sparser and darker ending. Well suited to set a scene or to underscore the emotional aspect of an interaction between two people.