BPM 120: This piece features epic percussion that is aggressive, dark and powerful. Underpinned with synthesizer bass, buzzes and drones, the track communicates strong feels of tension and danger. Thrilling, engaging, and industrial.
BPM 120: Superhero movie trailer music, with distorted horns, majestic trumpets and strings. This song unfolds into an urban gritty trap / hip hop orchestral mixture, always evolving and growing and finishing on a strong exclamation point. Dark, intense and new.
An engaging news theme featuring drums, strings and brass. Urgent, dire, and exciting. This track works well for underscoring sports highlights and giving a project energy.
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Huge orchestra, percussion, brass and choir make up this impactful trailer underscore piece. The track builds throughout to a climactic end. Epic, high impact and high energy.
BPM 120: An exciting rock track with driving drums and hypnotizing guitars. Eerie and intriguing, luring you into a world you know you shouldn’t enter. Tense, thrilling and mysterious.
BPM 170: An intense and chaotic track full of energy. The piece features strong rhythmic brass and staccato string lines. Powerful, dramatic and aggressive.
BPM 90: Dramatic, intense and suspenseful. This track mixes electronic elements with massive orchestral parts. Synthesizers weave in and out of strings and drums, creating a pounding and grand sound. Strong, dynamic and epic.
BPM 160: A cinematic action track. Heroic, proud, uplifting, intense and high energy. Orchestral and electronic elements build up a sustained crescendo to create an atmosphere of preparation for something big.
BPM 120: An atmospheric, dramatic and suspenseful track that builds gradually. The song evolves in a more intense way and has rhythmic elements coms in. Synth sounds, piano, acoustic and electronic drums fill out the arrangement.
BPM 138: Dark, epic and mysterious with an intensive and progressive build up. This track is a perfect blend of heavy rock band and symphonic orchestra. Perfect for trailers, action and battle scenes. Instruments include: guitar, bass, drums, violin, cello, double bass, percussion, a full brass section and a symphonic choir.
BPM 120: Futuristic and Sci-Fi inspired track - an arpeggiating synth introduction portrays approaching fighters. Features electronic elements, low brass and thunderous percussion - Intense and Epic.
BPM 120: A brutal battle looms ahead. War drums and trumpets are heard all around. It's time to fight! Orchestra, drums, electric guitar, duduk and piano round out the arrangement.
BPM 125: An adrenaline and suspense filled piece. This track takes us back to where it all began, the mysterious Area 51. This fast paced action theme features edgy distorted syncopated bass with hard driving drums.
BPM 86: This is an intense and epic hip-hop instrumental . The track is driven by deep pianos and an orchestra. Strong, powerful and confident.
BPM 112: A cinematic cue that depicts a dark and foreboding insane asylum. This piece is evocative of a dark and sinister location. Features creepy atmosphere, big drums, strings, brass and a underlying electronic backing.
BPM 140: A percussive orchestral piece, featuring huge brass, an active string section, and powerful themes. Intense, broad, and serious. This track carries with it a meaningful sense of urgency as if underscoring an imperative action or scene.
BPM 110: A dramatic, positive track perfect for a sports, city-scapes or a success-story driven short-form piece. Featuring epic string melodies and percussion. A solo piano break followed by an explosive final act guides the structure.
BPM 96: Heavy, dark and aggressive. This track is well suited for combat games, first person shooters or action scenes! Instruments include guitar, bass and drums.
BPM 120: Percussive action track blending rhythmic electronic elements with orchestration. Big, Bold and Powerful.
BPM 120: Inspired by Cronus, a Greek mythology titan leader. This powerful and aggressive track features low brass, distorted guitar, cello and percussion. Heavy, dangerous, and epic sounding.