BPM 95:  Ethnic and choir voices over a hip hop beat, with mellow acoustic guitars. Spiritual, elevating and dynamic. Can be used for religion, spiritual, meditation with a modern feel.

BPM 90:  Traditional Afro-Cuban Bolero Quintet. Easy, breezy and laid back with a tasteful acoustic guitar lead. Bass, Cuban percussion, piano and guitar provide the rhythm. Romantic, sexy & tropical

BPM 120:  Beautiful, meditative and reflective. Starts with a Kalimba and a Hang Drum playing interwoven melodies. With an almost primordial rhythm section locked down by a heartbeat like kick drum and bass, giving the track an upbeat and positive groove.

BPM 142:  A theatrical, uptempo track - ideal for reality television, visuals of puppetry, drama, animations, silent movies, fairgrounds or even a fashion show. Instruments used include the organ, glockenspiel, bells and the accordion. European, Mysterious, Sinister, Playful, Edgy.

Traditional Irish song melody arranged for solo Clarsach (Celtic harp).

BPM 120:  Lovely folk waltz played on traditional keyed fiddle. Starts solo, then joined by piano accordion, then by live violins

BPM 80:  Evocation of Paris with a touch of worldbeat, Accordion, piano, string orchestra, bass and drums.

BPM 110:  Ethnic instrumental music with ngoni, strings and various percussions. Gentle pluck sound of ngoni and violin with oriental style strings sound and rhythmic percussions make active mood. Great for native ceremony scene, demonstrating martial arts, asian group dance. Tribal, dacumentary, wild, natural, jungle, oriental and cultural.

BPM 85:  Ethnic instrumental music with ngoni and various percussions. Fast rhythmic percussion and ngoni arrpegio make dynamic mood. Ethnic, native, traditional, natural, african, tribal and indian.

Chilled-out sultry Bollywood instrumental with sitar and tabla.

A medley of 3 sentimental, old-time ballads arranged for solo piano accordion: The Last Rose of Summer (pub.1810)/The Rose of Tralee(pub.19th century)/Roses of Picardy(pub.1916)

Mournful, desolate ambience featuring Middle Eastern influenced vocals. A piece full of anguish, very fitting for dramatic, moody scenes.

BPM 88:  A delicate and emotional piece with vibraphone, piano, melodica and percussions. Cinematic, gorgeous and intimate. Brings instant emotional impact to any project.

BPM 129:  A fresh and exotic groove highlighting upbeat Latin rhythms peppered with Salsa, Merengue and Bachata elements seasoned with a healthy dose of dance, house and coolness.

BPM 120:  A nice, easy Tex-Mex style track featuring accordion as the lead instrument with Mexican-style percussion. Perfect for southern travel scenes, commercial spots or any laid back music needs.

BPM 85:  Ethnic instrumental music with flute and various percussions. Rhythmic percussions and harsh flute sound make wild natural mood. Ethnic, wild, natural, tribal, native, and africa.

Three traditional Welsh folk songs arranged for solo accordion: All Through the Night/ Men of Harlech/ Cum Rhondda

Three traditional Irish slip jigs played on solo fiddle.

BPM 180:  A waltz with a french feel, using multi layered piano tracks with some strings and organ used sparingly to add texture. Evocative, dreamy, sparkling.

BPM 110:  Positive, solemn, Irish mood, Epic, Symphonic Orchestra, big drums, percussion, Sopranos choir, mandolin, banjo.