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Learn how to change the speed of your video projects in DaVinci Resolve — and more.
DaVinci Resolve 12.5 is a non-linear editing powerhouse. Streamline your workflow with these quick tips.
Switch between EF, PL, and B4 mounts with the new URSA Mini Pro video camera, and grade footage on the go with the two new DaVinci Resolve panels.
Plenty can go wrong when you’re trying to capture a perfectly exposed shot of the sky. Fortunately, DaVinci Resolve makes it easy to nail your desired look in post.
Composite Modes make it incredibly easy to edit overlay effects and elements in DaVinci Resolve. Just follow these three simple steps!
Color grading long, extensive projects is made easy with this simple solution for moving from Premiere Pro to DaVinci Resolve without rendering.
DaVinci Resolve is more than just the world’s best color grading platform — it’s a professional video editing software too. Editors are making the switch. Here’s why.
Fixing color issues when working with mixed color temperature footage can be simplified utilizing color keys in DaVinci Resolve.
Removing unused clips from a large media pool makes any DaVinci Resolve project easier to manage, but how do you know what’s being used and what isn’t?
When shooting directly at the sun, some digital cinema cameras suffer from the “black sun effect,” which can leave a nasty-looking hole in your image. Here’s how to fix it in DaVinci Resolve.
Color correction can be a very frustrating process for those without much post-production experience, but using a color chart on set can make things much easier in DaVinci Resolve.
Compound clips are a great way to group multiple clips together in DaVinci Resolve. Here’s how to use them.