We interviewed pro colorist Alexis Van Hurkman and asked him to share how an aspiring colorist can tap into the competitive world of color grading.
Mixing and matching ADR with location audio can be very challenging, but these audio editing tips will help you get much better results every time.
Got a video project looming, but you’re just not feeling it? Get out of that rut with these ten sources of video inspiration!
Corporate video demands a certain look and approach. Let’s take a good look at the best lenses for corporate video interviews.
Polish your script and learn the secrets of Hollywood storytelling from three professional story consultants.
Every filmmaker can learn from these amazing compilations and supercuts. Here are the video essay editors who are creating the best clips.
The a7S vs a7S II: is the new model better than the old? Our team had a chance to compare these low-light monsters.
Adding dolly movement to a film or video can really enhance your project. Let’s take a look at some dolly options that come in under $500.
Do you need to transcode your AVCHD media when editing in Premiere Pro? Let’s discuss this highly debated topic.
Video editors will often find that they need to share files between a PC and a Mac. Use these steps to format external hard drives for both operating systems.
Painterly staging and framing of a tableau shot, as seen in the work of Wes Anderson and Peter Greenaway, can give your movie a striking visual quality. Let’s look at some examples.
When digital cinematography first hit the scene, most pro DPs wouldn’t go near it — and for good reason. But now digital cinema cameras offer a viable (and sometimes stronger) alternative to film cameras. Let’s look at some of the advantages of digital over film.