No filmmaker wants to find themselves going into overtime on set. These five production tips will help you avoid going over time and over budget.
Top Hollywood directors like J.J. Abrams, Spielberg, and Tarantino sound off in this collection of compelling interviews.
A well-composed frame within a frame can fracture screen space, add depth, and create visual interest in your cinematic compositions.
Fog machines and hazers are some of the most widely used tricks of the trade on film sets, but they certainly aren’t the only way to give your footage a soft hazy look. Here are a few other ways to pull it off.
Every artist has their go-to tools that help them express their vision. Let’s take a look at the gear of choice for 2016’s cinematography Oscar nominees.
Before Christopher Nolan was a blockbuster director, he was a kid who loved movies. Here are the five films he identifies as his biggest influences.
Anamorphic footage has become synonymous with the “Hollywood” look, which has many independent filmmakers using anamorphic lenses as a means to add production value to their projects. Here’s how you can too.
Noise happens. When it’s time to get into the studio and dub some dialogue, here’s how to nail down your ADR with Audition.
Learn from Mission Impossible: Rogue Nation editor Eddie Hamilton as the ins and outs of his Avid workspace are revealed.
The Sony a7S II is one of the most popular mirrorless cameras on the market for video, but it calls for some extra color grading in post to get the footage looking just right. Here’s how you can get great results.
An Internet frenzy ensues after PremiumBeat’s Golden Skies is featured as the soundtrack to Paul Ryan’s Snowmageddon livestream.
Add some day-to-day reality into your next video project by including eye-catching on-screen text message visuals. Here’s how to do it the right way.