Ernie Gilbert opens up about his journey from acclaimed Hollywood editor to director — and his new sci-fi short film Nine Minutes.
Much of a movie’s tone, narrative, and look are decided long before scheduling shooting, and often before writing the script — but not always.
From The Man in the High Castle to Happy!, Cinematographer Gonzalo Amat shares the who, what, and why behind the production’s creative choices.
Pocket 4K vs. Pocket 6K? This article discusses the relevancy of both — as well as the price points and specs related to each.
There’s nothing more cinematic than a great dolly shot, but they’re not always easy to pull off. Learn how dolly shots work technically and for storytelling, and …
Composer Chad Cannon talks about his work, including the first project from Barack and Michelle Obama’s Higher Ground Productions, American Factory.
Let’s take a look at what makes the Dana Dolly such a great piece of equipment — and why you might find it on the set of …
Strippers as athletes, sexuality as a means to power — dynamic cinematographer, Todd Banhazl, discusses crafting the look of STX Entertainment’s “Hustlers.”