What is Lossless Audio vs. Lossy Audio?
In the perpetual struggle between audio quality and file size, here’s what you need to know to choose between lossless and lossy audio.
How to Pitch Your Services to Advertising Agencies and Clients
Bouncing from videography gig to gig is a slog. Try a few tips and tricks for getting in on that steady and lucrative advertising work.
Virtual Production is Great But it Doesn’t Beat the Real Thing
The English episodic is a cinematic homage to the Spaghetti Westerns of the late last century. It also posits how the cinematographers of that era might now …
What if Die Hard Isn’t Actually a Christmas Film After All?
Everyone’s favorite debate might not hold up as well as you’d think. Ok, so let’s start at the very top here. What makes a film a Christmas …
Music Showcase: Royalty Free Classic Christmas Songs
Give your media project a classic holiday feeling with these timeless royalty free Christmas tracks!
Going Viral on TikTok with CG
Already Been Chewed explains their animated Supra Boats spot that went viral in the first week.
The Best Film Adaptations of Books
Ranking the best film adaptations to help you develop your projects.
Create Real-World 3D Terrain in C4D with DEM Earth
Animating maps can be a difficult and tedious process. Let’s learn how to expedite the process.
Netflix’s 1899 Evolves Virtual Production
The streamer’s mysterious boat fantasy series featured heavy use of virtual production techniques, especially ‘the volume.’ But the episodic also looked to evolve the use of new …
3D Object Tracking in a Custom Video Clip — Part II
Let’s pick up where we left off! This time we’ll be showing some improvements in the 3D integration and completing our custom video clip.
The Mic Picker: How to Find the Right Microphone
From stereo to lavalier, let’s explore the different types of microphones to discover which one works best for your creative needs.
“Sound is the Story Behind the Story”: An Interview with ‘Bardo’ Sound Designer Martín Hernández
Two-time Academy Award-nominated sound editor Martín Hernández on working with Alejandro G. Iñárritu on his latest — and most ambitious — film yet.