Posts Tagged ‘color correction’
When attempting to warm up footage in post, many inexperienced colorists will take a wrong turn and wind up giving their footage a sepia look. Here’s how to avoid that issue entirely.
Increasingly, video editors are color grading on laptops and desktops instead of utilizing accurate, calibrated displays. Here’s how to make this reality work for you.
Although many software platforms have the capability to edit and color RAW media natively, sometimes Photoshop might be the best tool for the job.
We interviewed pro colorist Alexis Van Hurkman and asked him to share how an aspiring colorist can tap into the competitive world of color grading.
Compound clips are a great way to group multiple clips together in DaVinci Resolve. Here’s how to use them.
For video editors looking for an alternative to their Adobe Creative Cloud subscription, these apps offer similar functionality at a much lower price point.
For long-form DaVinci Resolve projects, one of the easiest ways to get up and running involves using the powerful scene cut detection feature.
Need to apply a LUT to your footage? No problem. Here’s how it’s done in Premiere Pro.
Learn from filmmaking’s best mixers and sound designers with these interviews from Dolby Insider.
DaVinci Resolve 12 debuts the Smooth Cut transition, mimicking Premiere’s Morph Dissolve tool. Interview editing has never been easier.
Learn how to use FCPX’s powerful built-in color grading tools with these helpful tutorials from around the web.
Power windows can now be converted to Bezier curves in DaVinci Resolve 12. Learn how to use this timesaving feature.