Posts Tagged ‘DaVinci Resolve’
When attempting to warm up footage in post, many inexperienced colorists will take a wrong turn and wind up giving their footage a sepia look. Here’s how to avoid that issue entirely.
Increasingly, video editors are color grading on laptops and desktops instead of utilizing accurate, calibrated displays. Here’s how to make this reality work for you.
We interviewed pro colorist Alexis Van Hurkman and asked him to share how an aspiring colorist can tap into the competitive world of color grading.
Compound clips are a great way to group multiple clips together in DaVinci Resolve. Here’s how to use them.
For long-form DaVinci Resolve projects, one of the easiest ways to get up and running involves using the powerful scene cut detection feature.
DaVinci Resolve may be known as one of the world’s best color grading platforms, but its compositing/chroma key tools are just as impressive.
The duotone color style can work really well as a more experimental look. Achieving great results only takes two very simple steps.
Want to become a Resolve master? Check out these five great places to learn the ins and outs of Blackmagic Resolve.
It’s been five years since Apple last updated Final Cut Pro 7. Let’s take a look at how video production and other NLEs have changed since.
DaVinci Resolve 12 debuts the Smooth Cut transition, mimicking Premiere’s Morph Dissolve tool. Interview editing has never been easier.
In a fast-paced session, it’s easy to lose track of each node’s function in the tree. DaVinci Resolve 12’s compound nodes offer a solution.
Blackmagic updates DaVinci Resolve with incredible features for ingesting footage.