{"version":"1.0","provider_name":"The Beat: A Blog by PremiumBeat","provider_url":"https:\/\/www.premiumbeat.com\/blog","author_name":"Ashley Kennedy","author_url":"https:\/\/www.premiumbeat.com\/blog\/author\/ashleykennedy\/","title":"Managing Transition Behavior in Final Cut Pro X","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ux10NPXnhC\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/managing-transition-behavior-in-final-cut-pro-x\/\">Managing Transition Behavior in Final Cut Pro X<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.premiumbeat.com\/blog\/managing-transition-behavior-in-final-cut-pro-x\/embed\/#?secret=ux10NPXnhC\" width=\"600\" height=\"338\" title=\"&#8220;Managing Transition Behavior in Final Cut Pro X&#8221; &#8212; The Beat: A Blog by PremiumBeat\" data-secret=\"ux10NPXnhC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/vip-go.premiumbeat.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"When you add transitions in Final Cut Pro X, the default behavior is to use material already edited in the Timeline, rather than to use material from your shots' handles. This makes the duration of your A-side and B-side shots\u2014as well as the entire sequence\u2014shorter with each transition you apply. Check out this tutorial to discover why this probably isn't the best workflow, as well as how to switch this behavior back to traditional methods.","thumbnail_url":"http:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2011\/10\/pre-transition2.jpg"}