{"id":100178,"date":"2018-03-15T06:00:08","date_gmt":"2018-03-15T11:00:08","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=100178"},"modified":"2018-03-14T15:47:54","modified_gmt":"2018-03-14T20:47:54","slug":"secret-editing-shooting-interview","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/secret-editing-shooting-interview\/","title":{"rendered":"Invisibility: The Secret to Editing and Shooting an Interview"},"content":{"rendered":"

Here’s how you can avoid disrupting the flow of your interview edit \u2014 as well as how to avoid jarring camera angles during the shoot.<\/h2>\n

Top image via Netflix<\/a>.<\/em><\/p>\n

One of the most challenging tasks\u00a0for video content creators is shooting, editing, and producing interviews. Not for any artistically challenging reason, but because of how boring and clean-cut they are by nature. Of all the camera tricks, lighting hacks, and editing flourishes we can add to them, interviews need to follow a strict set of visual and auditory rules, even if we’re not sure what those rules are. In Thomas Flight’s latest editing breakdown, we look at David Letterman’s latest interview show and how the editing and camerawork distract the viewer from the central theme of the show: the guests’ stories.<\/p>\n