{"id":100309,"date":"2018-03-21T10:24:27","date_gmt":"2018-03-21T15:24:27","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=100309"},"modified":"2018-03-21T10:24:27","modified_gmt":"2018-03-21T15:24:27","slug":"video-lighting-shot-with-fire","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/video-lighting-shot-with-fire\/","title":{"rendered":"Video Tutorial: The Secrets Behind Lighting a Shot with Fire"},"content":{"rendered":"<h2 id=\"fire-looks-great-on-camera-but-capturing-it-effectively-is-more-difficult-than-igniting-something-and-pressing-record-heres-what-you-need-to-know\">Fire looks great on camera, but capturing it effectively is more difficult than igniting something and pressing record. Here&#8217;s what you need to know.<\/h2>\n<p>As the DP on <em><a href=\"https:\/\/www.imdb.com\/title\/tt2963254\/?ref_=fn_al_tt_1\" target=\"_blank\" data-wpel-link=\"external\">Salem<\/a><\/em> for three years, I gained a ton of experience working with fire as lighting sources on a daily basis. In this video, \u201cLighting with Fire,\u201d I\u2019ll share one of the most surprising aspects of using fire on the TV series. And that is . . . how <em>dim<\/em> fire actually is.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/e-ImMCn8jTU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Fire is\u00a0very bright to the eye, but it doesn\u2019t project very far because of the unstructured nature of its light rays.\u00a0As a result, you need fast lenses and a high ISO setting to get a reasonable exposure. Fortunately, we had both. Panavision \u201cP Vintage\u201d high speed lenses and the incomparable ARRI Alexa HD camera system. There were many times we shot at f 1.4 at 1600 ISO with a 270-degree shutter angle. That\u2019s a setup for a dark world! The other challenge was to create an ambient base that didn\u2019t feel too modern. My Gaffer Peter Clarson and I designed super soft, snooted boxes that used household incandescent bulbs that we then projected through muslin diffusion cloth. These worked great, and we made several of them of various intensities.<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100406 size-full\" title=\"Video Tutorial: The Secrets Behind Lighting a Shot with Fire \u2014 Barry Lyndon\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg\" alt=\"Video Tutorial: The Secrets Behind Lighting a Shot with Fire \u2014 Barry Lyndon\" width=\"755\" height=\"454\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg?resize=300,180 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg?resize=277,167 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg?resize=359,216 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg?resize=543,327 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg?resize=560,337 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/barry-lyndon1.jpg?resize=150,90 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via Warner Bros.<\/em><\/p>\n<p>In the video, I also\u00a0spend some time revealing the techniques used to photograph Stanley Kubrick\u2019s <a href=\"https:\/\/www.imdb.com\/title\/tt0072684\/?ref_=nv_sr_1\" target=\"_blank\" data-wpel-link=\"external\"><em>Barry Lyndon<\/em><\/a>. Film stocks were still slow in 1975, so DP John Alcott, BSC pushed his 100 ISO color negative one stop in the lab. By today&#8217;s standard, 200 ISO is considered very slow, but Alcott also had a revolutionary f .7 50mm spherical lens! (For a quick reminder,\u00a0here is the progression of f stops from f 5.6 on down: 5.6, 4, 2.8, 2, 1.4, 1, 0.7.)\u00a0 Shooting at f .7 at 200 ISO is equal to f 1.4 at 800 ISO. They also used multiple-wick candles \u2014 far brighter than the usual store-bought ones.<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/03\/collimate.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100409 size-full\" title=\"Video Tutorial: The Secrets Behind Lighting a Shot with Fire \u2014 Collimate\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/03\/collimate.jpg\" alt=\"Video Tutorial: The Secrets Behind Lighting a Shot with Fire \u2014 Collimate\" width=\"755\" height=\"432\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/collimate.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/collimate.jpg?resize=300,172 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/collimate.jpg?resize=277,158 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/collimate.jpg?resize=359,205 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/collimate.jpg?resize=543,311 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/collimate.jpg?resize=560,320 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/collimate.jpg?resize=150,86 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>I also spend some time on how fresnel lenses add power to lanterns in lighthouses by \u201ccollimating\u201d the light rays. You can demonstrate this with an old brass \u201cboat signal\u201d fitted with a simple Fresnel lens. Fresnel lenses have been the integral optical component to movie lights for 100 years.<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100410 size-full\" title=\"Video Tutorial: The Secrets Behind Lighting a Shot with Fire \u2014 Flicker Box\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg\" alt=\"Video Tutorial: The Secrets Behind Lighting a Shot with Fire \u2014 Flicker Box\" width=\"755\" height=\"438\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg?resize=300,174 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg?resize=277,161 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg?resize=359,208 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg?resize=543,315 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg?resize=560,325 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/03\/flicker-fireplace.jpg?resize=150,87 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>Finally, I talk about how we used flicker boxes and 3 small 150W fresnel lamps to substitute the fire light when the fireplace is off camera. The quality of the light is superior, it\u2019s quiet, and the set stays much cooler.<\/p>\n<p>If you haven\u2019t filmed with fire as a light source, don\u2019t be surprised by how dim\u00a0it is. It\u2019s why I stress shooting some tests before you begin your project.<\/p>\n<p>Good Luck, and don&#8217;t forget a fire extinguisher!<\/p>\n<hr \/>\n<p>Looking for more video tutorials? Check these out.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/create-shootout-scene-after-effects\/\" target=\"_blank\" data-wpel-link=\"internal\">Create A Shootout Scene In After Effects + Free Muzzle Flashes and Sparks<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/video-tutorial-360-footage-effects\/\" target=\"_blank\" data-wpel-link=\"internal\">Video Tutorial: How to Stitch 360 Footage in After Effects<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/video-tutorial-build-camera-dolly\/\" target=\"_blank\" data-wpel-link=\"internal\">DIY Filmmaking: How to Build Your Own Dolly for $50<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/better-faster-stronger-editing-tips\/\" target=\"_blank\" data-wpel-link=\"internal\">Video Tutorial: Better, Faster, Stronger Editing Tips<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/tutorial-loop-animation-adobe-effects\/\" target=\"_blank\" data-wpel-link=\"internal\">Video Tutorial: How to Loop an Animation in Adobe After Effects<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Fire looks great on camera, but capturing it effectively is more difficult than igniting something and pressing record. Here&#8217;s what you need to know.<\/p>\n","protected":false},"author":89,"featured_media":100413,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4519,3843,583],"tags":[1093,536,306,472],"class_list":["post-class-post-100309","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-filmmaking-2","post-class-category-video-production-2","post-class-tag-cinematography","post-class-tag-filmmaking","post-class-tag-lighting","post-class-tag-video-production"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Video Tutorial: The Secrets Behind Lighting a Shot with Fire<\/title>\n<meta name=\"description\" content=\"Fire looks great on camera, but capturing it effectively is more difficult than igniting something and pressing record. 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