{"id":100691,"date":"2018-04-06T11:53:16","date_gmt":"2018-04-06T16:53:16","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=100691"},"modified":"2018-04-06T11:53:16","modified_gmt":"2018-04-06T16:53:16","slug":"best-lenses-gimbal-cinematography","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/best-lenses-gimbal-cinematography\/","title":{"rendered":"Video Tutorial: The Best Lenses for Gimbal Cinematography"},"content":{"rendered":"<h2 id=\"when-it-comes-to-gimbal-cinematography-which-lenses-should-you-use-for-which-shots-learn-to-cover-all-your-bases-in-this-video-tutorial\">When it comes to gimbal cinematography, which lenses should you use for which shots? Learn to cover all your bases in this video tutorial.<\/h2>\n<p>There is a\u00a0variety of shots you can capture using a gimbal, and different lens choices yield different results. So which lenses should you use?<\/p>\n<p>Below, I\u2019ve\u00a0listed my top three go-to lenses for gimbal cinematography \u2014\u00a0with a note about cost. You\u2019ll find that each lens serves a completely different purpose based on what you\u2019re capturing. Let&#8217;s take a look.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7iiMIVXdKwc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"establish-the-space-with-a-wide-angle\">Establish the Space with a Wide Angle<\/h3>\n<p>A 16-35 Canon or Sony wide angle lens is a great focal length\u00a0for capturing grand establishing shots. This is perfect for event coverage or travel videography that requires developing a sense of scope.<\/p>\n<h4 id=\"canon-expensive\">Canon (expensive)<\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100754 size-full\" title=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Canon 16-35\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg\" alt=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Canon 16-35\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-16-35.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via <a href=\"https:\/\/shop.usa.canon.com\/shop\/en\/catalog\/ef-16-35mm-f-28l-iii-usm?cm_mmc=GA-_-EOS-_-160830Brand%20Paid%20Search-_-canon%20lens%20EF%2016-35mm%20f\/2.8L%20III%20USM&amp;Ap=Camera%20Lenses&amp;gclid=EAIaIQobChMIrOybrYOm2gIVgrXACh2uIwX-EAAYAiAAEgJK7_D_BwE\" target=\"_blank\" data-wpel-link=\"external\">Canon<\/a>.<\/em><\/p>\n<h4 id=\"sony-expensive\">Sony (expensive)<\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100755 size-full\" title=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Sony FE 16-35\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg\" alt=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Sony FE 16-35\" width=\"755\" height=\"396\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg?resize=300,157 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg?resize=277,145 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg?resize=359,188 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg?resize=543,285 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg?resize=560,294 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-fe-16-35.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via <a href=\"https:\/\/www.sony.com\/electronics\/camera-lenses\/sel1635gm\" target=\"_blank\" data-wpel-link=\"external\">Sony<\/a>.<\/em><\/p>\n<h4 id=\"tokina-cheap\">Tokina (Cheap)<\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100756 size-full\" title=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Tokina AF 11-20\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg\" alt=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Tokina AF 11-20\" width=\"755\" height=\"574\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg?resize=300,228 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg?resize=277,211 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg?resize=359,273 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg?resize=543,413 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg?resize=560,426 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/tokina-af-11-20.jpg?resize=150,114 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via <a href=\"https:\/\/www.vistek.ca\/store\/CameraLenses\/280478\/tokina-af-1120mm-f28-pro-dx-zoom-lens-for-canon.aspx?gclid=Cj0KCQjwzIzWBRDnARIsAAkc8hGDInJClEjPif8gxqUoM0oPY13MhXMjBjauwy91CkSMEvkGfJoe72kaAk3GEALw_wcB\" target=\"_blank\" data-wpel-link=\"external\">Tokina<\/a>.<\/em><\/p>\n<hr \/>\n<h3 id=\"versatility-in-your-tool-kit\">Versatility in Your Tool Kit<\/h3>\n<p>My favorite go-to lens for gimbal work is my 18-105 G Series lens. This is perfect for run-and-gun filmmaking. If I need a wide shot, I can zoom out to a wide 18mm.\u00a0Or, on the opposite end, I can zoom in and capture close details on a 70-105mm. Filming\u00a0with a longer focal length on a gimbal creates some beautiful movement in the frame. Since you\u2019re condensing the shot with more detail in the background and foreground, the gimbal movement becomes much more dynamic.<\/p>\n<h4 id=\"sony\">Sony<\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100757 size-full\" title=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Sony E PZ 18-105\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg\" alt=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Sony E PZ 18-105\" width=\"755\" height=\"396\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg?resize=300,157 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg?resize=277,145 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg?resize=359,188 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg?resize=543,285 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg?resize=560,294 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/sony-e-pz-18-105.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via <a href=\"https:\/\/www.sony.com\/electronics\/camera-lenses\/selp18105g\" target=\"_blank\" data-wpel-link=\"external\">Sony<\/a>.<\/em><\/p>\n<h4 id=\"canon\">Canon<\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100758 size-full\" title=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Canon EF 24-105\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg\" alt=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Canon EF 24-105\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-ef-24-105.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via <a href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/products\/details\/lenses\/ef\/standard-zoom\/ef-24-105mm-f-4l-is-usm\" target=\"_blank\" data-wpel-link=\"external\">Canon<\/a>.<\/em><\/p>\n<hr \/>\n<h3 id=\"get-nifty-with-a-50\">Get Nifty with a 50:<\/h3>\n<p>Using a 50mm portrait lens is also a great way to\u00a0get cinematic coverage. If you don\u2019t have follow-focus capabilities, just monitor the distance between your camera and your subject.<\/p>\n<h4 id=\"canon-2\">Canon<\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/canon-50.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100759 size-full\" title=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Canon 50 mm\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/canon-50.jpg\" alt=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Canon 50mm\" width=\"755\" height=\"391\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-50.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-50.jpg?resize=300,155 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-50.jpg?resize=277,143 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-50.jpg?resize=359,186 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-50.jpg?resize=543,281 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-50.jpg?resize=560,290 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/canon-50.jpg?resize=150,78 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via <a href=\"https:\/\/estore.canon.ca\/en-CA\/catalog\/ef-50mmf-1-8-stm?gclid=Cj0KCQjwzIzWBRDnARIsAAkc8hEjG5mDem_-cMMZ3N2K2AMNxPdtHVfWG5Z-kibDDFWWRjfjAsV5NJoaAtphEALw_wcB\" target=\"_blank\" data-wpel-link=\"external\">Canon<\/a>.<\/em><\/p>\n<h4 id=\"sony-2\">Sony<\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/zhongyi.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100760 size-full\" title=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Zhongyi Mitakon 50mm f\/0.95\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/zhongyi.jpg\" alt=\"Video Tutorial: The Best Lenses for Gimbal Cinematography \u2014 Zhongyi Mitakon 50mm f\/0.95 \" width=\"755\" height=\"570\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/zhongyi.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/zhongyi.jpg?resize=300,226 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/zhongyi.jpg?resize=277,209 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/zhongyi.jpg?resize=359,271 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/zhongyi.jpg?resize=543,410 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/zhongyi.jpg?resize=560,423 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/zhongyi.jpg?resize=150,113 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via <a href=\"http:\/\/www.zyoptics.net\/product\/mitakon-speedmaster-50mm-f0-95\/\" target=\"_blank\" data-wpel-link=\"external\">Zy Optics<\/a>.<\/em><\/p>\n<hr \/>\n<p>Looking for more video tutorials? Check these out.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/create-seamless-transitons-whip-pan\/\" target=\"_blank\" data-wpel-link=\"internal\">Create Seamless Transitons with the WHIP PAN<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/tutorial-use-vehicle-dolly-system\/\" target=\"_blank\" data-wpel-link=\"internal\">Video Tutorial: How to Use a Vehicle as a Dolly System<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/tutorial-travel-world-making-videos\/\" target=\"_blank\" data-wpel-link=\"internal\">Tutorial: How You Can Travel the World Making Videos<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/understanding-keyframe-interpolation-after-effects\/\" target=\"_blank\" data-wpel-link=\"internal\">Understanding Keyframe Interpolation in Adobe After Effects<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/tutorial-diy-overhead-camera-rig\/\" target=\"_blank\" data-wpel-link=\"internal\">Video Tutorial: How to Build a $25 Overhead Camera Rig<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>When it comes to gimbal cinematography, which lenses should you use for which shots? Learn to cover all your bases in this video tutorial.<\/p>\n","protected":false},"author":107,"featured_media":100764,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4519,3843,5340,583,92],"tags":[1093,536,5031,472],"class_list":["post-class-post-100691","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-filmmaking-2","post-class-category-video-gear","post-class-category-video-production-2","post-class-category-video-tutorials-2","post-class-tag-cinematography","post-class-tag-filmmaking","post-class-tag-video-gear-2","post-class-tag-video-production"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Video Tutorial: The Best Lenses for Gimbal Cinematography<\/title>\n<meta name=\"description\" content=\"When it comes to gimbal cinematography, which lenses should you use for which shots? 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