{"id":101022,"date":"2018-04-11T14:14:51","date_gmt":"2018-04-11T19:14:51","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=101022"},"modified":"2018-04-11T14:14:51","modified_gmt":"2018-04-11T19:14:51","slug":"nab-new-zeiss-cp-3-lenses","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/nab-new-zeiss-cp-3-lenses\/","title":{"rendered":"NAB 2018: The New Zeiss CP.3 Lens Line Is Here"},"content":{"rendered":"<h2 id=\"this-week-at-nab-2018-zeisss-popular-lens-line-finally-gets-its-full-frame-and-metadata-rich-update-heres-what-you-need-to-know\">This week at NAB 2018, Zeiss\u2019s popular lens line finally gets its full frame and metadata-rich update. Here&#8217;s what you need to know.<\/h2>\n<p><em>All images via <a href=\"https:\/\/www.zeiss.com\/corporate\/us\/home.html\" target=\"_blank\" data-wpel-link=\"external\">Zeiss<\/a>.<\/em><\/p>\n<p>As we <a href=\"https:\/\/www.premiumbeat.com\/blog\/nab-2017-zeiss-announces-new-lenses\/\" target=\"_blank\" data-wpel-link=\"internal\">covered at NAB last year<\/a>, Zeiss\u2019s powerful compact lens line\u00a0received an update for the digital filmmaking future with the\u00a0<a href=\"https:\/\/www.zeiss.com\/camera-lenses\/us\/cinematography\/products\/compact-prime-cp3-lenses.html\" target=\"_blank\" data-wpel-link=\"external\">CP.3 lens family<\/a>. We got our hands on some of the new lenses last year, and\u00a0we were definitely impressed; however, we were\u00a0already excited about a new \u201cXD\u201d version, which now offers greater full-frame camera compatibility \u2014 and the much-anticipated metadata stream.<\/p>\n<p>As you can see in a <a href=\"https:\/\/www.youtube.com\/watch?v=3AFLwxKOyRY\" target=\"_blank\" data-wpel-link=\"external\">great interview with No Film School<\/a>, Zeiss brought the updated lens line to the <a href=\"https:\/\/www.nabshow.com\/\" target=\"_blank\" data-wpel-link=\"external\">NAB Show<\/a> floor. So, let\u2019s look at how the new CP.3 line stacks up.<\/p>\n<hr \/>\n<h3 id=\"full-frame-friendly\">Full Frame Friendly<\/h3>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-101027\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg\" alt=\"\" width=\"755\" height=\"424\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg?resize=300,168 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg?resize=277,156 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg?resize=359,202 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg?resize=543,305 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg?resize=560,314 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Full-Frame.jpg?resize=150,84 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>When we got our hands on the CP.3 line, the lenses ranged from 18mm to 135mm and looked great on a Blackmagic URSA Mini Pro in 4.6K. However, to keep up with the market, Zeiss\u2019s new CP.3 line is now full frame friendly, on everything from the Sony Venice to ARRI Alexas to the new\u00a0<a href=\"https:\/\/www.premiumbeat.com\/blog\/nab-canon-c700-full-frame\/\" target=\"_blank\" data-wpel-link=\"internal\">Canon C700 FF full frame offering<\/a>.<\/p>\n<hr \/>\n<h3 id=\"rich-metadata\">Rich Metadata<\/h3>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-101026\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg\" alt=\"\" width=\"755\" height=\"424\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg?resize=300,168 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg?resize=277,156 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg?resize=359,202 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg?resize=543,305 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg?resize=560,314 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/04\/Zeiss-Metadata.jpg?resize=150,84 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>However, the most exciting element of the new CP.3 line is its eXtended Data Technology (\u201cXD\u201d), which offers real-time metadata on lens distortion and shading characteristics, which\u00a0you can monitor and share with pre-vis modified images for search functions and data wrangling. You can read more about <a href=\"https:\/\/www.zeiss.com\/camera-lenses\/us\/cinematography\/products\/compact-prime-cp3-lenses.html#extended-data\" target=\"_blank\" data-wpel-link=\"external\">Zeiss\u2019s XD technology on their website<\/a>, but for filmmakers looking at metadata mining as the way of the future, the new CP.3s are the way to go.<\/p>\n<p>The new Zeiss CP.3 lenses are quite an investment, coming in at almost $5,000 a lens (less for packages), so rental packages may be your best option. For more information on cinema and prime lenses, check out some of these resources:<\/p>\n<ul>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/arri-zeiss-master-ultra-prime-lenses\/\" target=\"_blank\" data-wpel-link=\"internal\">A Look at the ARRI\/Zeiss Master and Ultra Prime Lenses<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/primes-vs-zooms-situational-lens-prep\/\" target=\"_blank\" data-wpel-link=\"internal\">Primes vs. Zooms: Situational EF Lens Prep<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/cinema-lenses-improve-video-production\/\" target=\"_blank\" data-wpel-link=\"internal\">Why Cinema Lenses Will Improve Your Next Film Project<\/a><\/li>\n<\/ul>\n<p>And for more NAB coverage, check out\u00a0these other breaking news articles:<\/p>\n<ul>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/nab-sigmas-new-art-lens\/\" target=\"_blank\" data-wpel-link=\"internal\">NAB 2018 Announcement: Meet Sigma\u2019s 14-24mm f\/2.8 Art Lens<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/nab-2018-blackmagic-davinci-resolve-15\/\" target=\"_blank\" data-wpel-link=\"internal\">NAB 2018: Blackmagic Announces DaVinci Resolve 15<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/nab-smallhd-new-focus-monitors\/\" target=\"_blank\" data-wpel-link=\"internal\">NAB 2018: SmallHD Unveils 5 New Focus Monitors<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/new-blackmagic-pocket-cinema-camera\/\" target=\"_blank\" data-wpel-link=\"internal\">NAB 2018: Blackmagic Is Releasing A New Pocket Cinema Camera<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/nab-2018-sony-fs5-update\/\" target=\"_blank\" data-wpel-link=\"internal\">NAB 2018 Announcement: The Sony FS5 Gets an Update\u00a0<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>This week at NAB 2018, Zeiss\u2019s popular lens line finally gets its full frame and metadata-rich update. Here&#8217;s what you need to know.<\/p>\n","protected":false},"author":76,"featured_media":101028,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4519,3843,715,1,5340,583],"tags":[536,2359,5031,472,3285],"class_list":["post-class-post-101022","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-filmmaking-2","post-class-category-industry","post-class-category-various","post-class-category-video-gear","post-class-category-video-production-2","post-class-tag-filmmaking","post-class-tag-lenses","post-class-tag-video-gear-2","post-class-tag-video-production","post-class-tag-zeiss"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NAB 2018: The New Zeiss CP.3 Lens Line Is Here<\/title>\n<meta name=\"description\" content=\"This week at NAB 2018, Zeiss\u2019s popular lens line finally gets its full frame and metadata-rich update. 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