I’m going to get this out of the way quick: I’m a big fan of VisionColor LUTs<\/a>.<\/p>\n If you haven’t heard of them or have never used them yourself, you owe it to yourself to give them a shot. They look great on LOG footage, Rec 709 footage, photos \u2014 anything you can throw them at. I’ve used both of the VisionColor packs (Osiris<\/a> and Impulz<\/a>) many times throughout my career \u2014 certainly more often than any other LUT packs I’ve come across.<\/p>\n I’d like to get this out of the way as well: this post is not sponsored by or paid for by\u00a0VisionColor<\/a>.\u00a0I personally tracked down CEO Jonathan Ochmann so I could ask him a few questions about\u00a0the creation of these LUTs and why they seem to be so versatile \u2014 that’s just how much I like them.\u00a0I’ve always been very excited by how LUTs have added ease of availability to accurate film-style color curves and looks to all digital filmmakers. VisionColor LUTs are very true to the real deal, and they are created with care to achieve a very high level of accuracy across all camera platforms.<\/p>\n While they in no way replace the true artistry and craft of being a digital colorist (as this meme about\u00a0the M31 LUT would suggest<\/a>), they do provide a really top-notch baseline to work with, are great to use on set with monitors, and will work drag-and-drop better than any other LUTs that I’ve used.<\/p>\n![\"Exclusive](\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/05\/m31_graded.jpg\" "\\"Exclusive")
\n<\/a>Our “Escape Room” short<\/a> was graded with M31 from the Osiris Pack<\/a>\u00a0to get the classic Teal\/Orange look.<\/em><\/p>\n