{"id":103160,"date":"2018-06-26T11:12:30","date_gmt":"2018-06-26T16:12:30","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=103160"},"modified":"2018-06-26T11:12:30","modified_gmt":"2018-06-26T16:12:30","slug":"how-to-shoot-professional-interviews","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/how-to-shoot-professional-interviews\/","title":{"rendered":"Everything You Need to Know to Shoot Professional Interviews"},"content":{"rendered":"<h2 id=\"its-easy-to-learn-but-extremely-difficult-to-master-the-interview-setup-is-the-bread-and-butter-of-any-cinematographers-repertoire\">It&#8217;s easy to learn but extremely difficult to master. The interview setup is the bread and butter of any cinematographer&#8217;s repertoire.<\/h2>\n<p>Interviews are an interesting conundrum in the cinematography world. They aren&#8217;t necessarily that difficult, yet they always seem to cause issues and create confusion. There are a million variables, and you can scrutinize every little thing. The audience is staring at an image of someone talking, and there is nothing else to distract them from how you shot and lit the interview.<\/p>\n<p>As such, it can be one of the most frustrating things to\u00a0shoot when you&#8217;re starting out. Interviews are all about very subtle details and, first and foremost, making the subject look as good as possible. When an interview subject sits down to be in a video, their entire appearance (and in many ways the credibility of what they&#8217;re saying) is in your hands. You need to treat that with respect.<\/p>\n<p>So, how do you shoot an interview? How do you light it? Where should the subject look? What gear do you need?<\/p>\n<hr \/>\n<h3 id=\"getting-started\">Getting Started<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/UBz0zm_5jWs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>As someone who has shot quite a bit of documentary-style interviews,\u00a0my video above is meant to be a little info dump of things that I&#8217;d suggest or recommend \u2014 and some basics of interview lighting: the gear I use, the way I like to light, etc.<\/p>\n<p>If you take one thing from the lighting portion of that video, take this: three-point lighting (as it&#8217;s classically described) is just a suggestion. There are no rules in filmmaking. Except &#8220;feed everyone&#8221; \u2014 you need to do that. As it relates to interview lighting specifically, feel free to play around with the classic\u00a0approach to three-point lighting.<\/p>\n<p>For instance, instead of\u00a0setting up your lighting like this . . .<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-103167 size-full\" title=\"Everything You Need to Know to Shoot Professional Interviews \u2014 Three-Point Lighting\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg\" alt=\"Everything You Need to Know to Shoot Professional Interviews \u2014 Three-Point Lighting\" width=\"755\" height=\"400\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>. . . perhaps try it like this:<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-103168 size-full\" title=\"Everything You Need to Know to Shoot Professional Interviews \u2014 Key Side\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg\" alt=\"Everything You Need to Know to Shoot Professional Interviews \u2014 Key Side\" width=\"755\" height=\"400\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_threepointlighting2.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>Of course, the only real difference\u00a0here is the placement of the fill light. You can fill from the key side or from the opposite side. Both work, but both also\u00a0create different looks \u2014 and different perceived meanings from a storytelling perspective.<\/p>\n<p>Interviews can be more subjective than nearly anything else in the filmmaking world. Nobody can really quantify what will make a good one or a bad one, but if nothing else, it&#8217;s important to consider every interview setup with just as much intention and creativity as that long gimbal shot with the birds flying through the foreground and the lens flares in slo-mo. Your interview will likely get much more screen-time than that will.<\/p>\n<p>The details count \u2014 more\u00a0than in most other types of shots. Get creative with it, and understand the motivation behind your decisions. Think about subject matter, and light and shoot accordingly.<\/p>\n<hr \/>\n<h3 id=\"the-tools-youll-need\">The Tools You&#8217;ll Need<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QsTQxoARw7s?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>In my experience, the most critical thing to consider with your interview lighting is diffusion.\u00a0Other than the placement of the lights, this is going to be what will\u00a0determine whether or not\u00a0the light on your subject is flattering.<\/p>\n<p>Time and time again, I&#8217;ve learned that\u00a0really understanding diffusion and how it affects the look of my lighting is\u00a0what separates professional-looking work from beginner material. You can\u00a0use the best piece of lighting gear on the market, but if it&#8217;s not diffused properly, it&#8217;s going to look amateurish. There are no two ways about it.<\/p>\n<p>You don&#8217;t need a giant, expensive 10x ultrabounce to get the best light \u2014 in fact, you can get away with an $8 shower curtain and a <a href=\"https:\/\/www.shutterstock.com\/blog\/how-use-c-stands-filmmaking\" target=\"_blank\" data-wpel-link=\"external\">C-stand<\/a>. Just make sure that your diffusion is as <em>big<\/em>\u00a0as possible, and as close to your subject as you can get it.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_IF-VG69DAU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>The specific interview-lighting instruments that you use are way less important than you may think. Time and time again, <a href=\"https:\/\/dslrvideoshooter.com\" data-wpel-link=\"external\" target=\"_blank\">Caleb Pike from DSLR Video Shooter<\/a>\u00a0has shown us fantastic and affordable LED fixtures on many different budgets. All you really need is something bright, which can help you compete with bright windows and the like in your locations. In my experience, I usually end up needing daylight-balanced fixtures more often than tungsten (it&#8217;s much less often that I&#8217;m lighting in tungsten environments). In the video above, you&#8217;ll find multiple extremely bright and affordable LEDs (not to mention the stands you&#8217;ll need).<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Np1C-UeYj4U?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>You&#8217;re going to need a good shotgun mic. You&#8217;ll usually get the best interview audio\u00a0by placing\u00a0your shotgun mic over your subject&#8217;s head.<\/p>\n<p>The video above is a comparison of the R\u00d8DE NTG2 microphone to the beloved industry-standard Sennheiser MKH 416. Why did I share this video? Well, this video is the one I watched\u00a0a while ago before I went ahead and purchased theR\u00d8DE NTG2 shotgun mic for my interview work. To me, it sounds fantastic for the price (about $250 or so now) compared to anything else in that range. R\u00d8DE has since released a few other more updated versions in the NTG line, but I still prefer the sound of the 2 (call me old-fashioned), and it&#8217;s cheaper.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QIIQNFYNPVI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>You might not be able to get your shotgun mic into a position that will get you the best sound, or the quality of the sound in the environment you&#8217;re in will need some backup. In these cases, you&#8217;re going to want use a wireless lavelier mic setup.<\/p>\n<p>The all-time, industry-standard, entry-level wireless lav setup is the G-series by Sennheiser. I&#8217;ve used a G3 pack for about as long as I&#8217;ve been in the industry. It&#8217;s always nice to have them as a backup in case your shotgun audio isn&#8217;t turning out great, or to have the option to use a mixture of the two to add a bit more body to the interview sound in post-production.<\/p>\n<hr \/>\n<h3 id=\"capturing-good-sound\">Capturing Good Sound<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/dSPg6oqr80k?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>On the subject of lavelier microphones: hide them\u00a0well. Nothing is more distracting in an interview setup than when the shooter leaves the lav mic\u00a0visible on the subject&#8217;s collar. This does generally provide the best sound, but in my opinion, it&#8217;s generally unprofessional and distracting.<\/p>\n<p>Watch the video above for some tips on hiding your lavelier microphones.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/c5TLzQJKhwI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>While\u00a0this video is\u00a0directed more at narrative-style film audio, the same rules apply for interview audio.<\/p>\n<p>Make sure that you&#8217;re always riding the knobs and checking the levels as you shoot. Each interview subject is going to have a different\u00a0timbre to their\u00a0voice, so leaving the levels at the same settings as your last project will not always\u00a0yield the greatest signal-to-noise ratio.<\/p>\n<hr \/>\n<h3 id=\"how-to-line-it-all-up\">How To Line It All Up<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/hoLVqtU7QeA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>When thinking about the best ways to shoot interviews and choosing the right lens, one source of info we can always look to is the one and only <a href=\"https:\/\/www.imdb.com\/name\/nm0005683\/?ref_=nv_sr_1\" target=\"_blank\" data-wpel-link=\"external\">Roger Deakins<\/a> (Papa Deaks as we call him around the office). In this video, he mentions his affinity for the more personal feel of the 32mm lens for an interview \u2014 getting much closer and more intimate with your subject, rather than shooting from much further away on an 85mm.<\/p>\n<p>Another important thing to be fully on top of creatively is the eye line. There are quite a few different styles of eye line, but the main distinction is whether or not your subject is looking directly into the lens or off to the side\u00a0at the interviewer. If your subject is looking into the lens, it will read as\u00a0if they are addressing the viewer. Some famous documentary filmmakers such as <a href=\"https:\/\/www.imdb.com\/name\/nm0001554\/\" target=\"_blank\" data-wpel-link=\"external\">Errol Morris<\/a>\u00a0use this eye line. More often, however, you see the subject looking to the side at the interviewer. The benefit of\u00a0this approach is that the interview feels a bit more conversational.<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/06\/interviews_final.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-103169 size-full\" title=\"Everything You Need to Know to Shoot Professional Interviews \u2014 Eye Line\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2018\/06\/interviews_final.jpg\" alt=\"Everything You Need to Know to Shoot Professional Interviews \u2014 Eye Line\" width=\"755\" height=\"400\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_final.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_final.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_final.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_final.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_final.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_final.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2018\/06\/interviews_final.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>So, experiment and decide which methods you like to use\u00a0when planning your lighting, placement, and eye lines. Just make sure that\u00a0your decisions support the overall goal \u2014 telling the story.<\/p>\n<hr \/>\n<p>Looking for more film and video tips and tricks? Check out these articles:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/5-cutting-edge-filmmaking-apps\/\" target=\"_blank\" data-wpel-link=\"internal\">Roundup: 5 Cutting-Edge Apps for the Modern Filmmaker<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/remove-features-resolve-patch-replacer\/\" target=\"_blank\" data-wpel-link=\"internal\">Remove Unwanted Shot Features With Resolve 15&#8217;s Patch Replacer<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/four-time-saving-ae-scripts\/\" target=\"_blank\" data-wpel-link=\"internal\">Post-Production Tip: Four Highly Useful After Effects Scripts<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/filmmaking-tips-basics-shooting-dialogue-scene\/\" target=\"_blank\" data-wpel-link=\"internal\">Filmmaking Tips: The Basics of Shooting A Dialogue Scene<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/5-quick-tips-mixing-audio\/\" target=\"_blank\" data-wpel-link=\"internal\">5 Quick Tips: Mixing Audio for Film and Video Projects<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s easy to learn but extremely difficult to master. The interview setup is the bread and butter of any cinematographer&#8217;s repertoire.<\/p>\n","protected":false},"author":67,"featured_media":103166,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3843,715,79,583],"tags":[536,357,472],"class_list":["post-class-post-103160","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-filmmaking-2","post-class-category-industry","post-class-category-inspiration","post-class-category-video-production-2","post-class-tag-filmmaking","post-class-tag-interviews","post-class-tag-video-production"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Everything You Need to Know to Shoot Professional Interviews<\/title>\n<meta name=\"description\" content=\"It&#039;s easy to learn but extremely difficult to master. The interview setup is the bread and butter of any cinematographer&#039;s repertoire.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.premiumbeat.com\/blog\/how-to-shoot-professional-interviews\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Everything You Need to Know to Shoot Professional Interviews\" \/>\n<meta property=\"og:description\" content=\"It&#039;s easy to learn but extremely difficult to master. The interview setup is the bread and butter of any cinematographer&#039;s repertoire.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.premiumbeat.com\/blog\/how-to-shoot-professional-interviews\/\" \/>\n<meta property=\"og:site_name\" content=\"The Beat: A Blog by PremiumBeat\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/premiumbeat\" \/>\n<meta property=\"article:published_time\" content=\"2018-06-26T16:12:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2018\/06\/26095222\/interviews_header2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"584\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Todd Blankenship\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:site\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Todd Blankenship\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/how-to-shoot-professional-interviews\/\",\"url\":\"https:\/\/www.premiumbeat.com\/blog\/how-to-shoot-professional-interviews\/\",\"name\":\"Everything You Need to Know to Shoot Professional Interviews\",\"isPartOf\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#website\"},\"datePublished\":\"2018-06-26T16:12:30+00:00\",\"dateModified\":\"2018-06-26T16:12:30+00:00\",\"author\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/8564e283387dcaef5a0a434e04aabc56\"},\"description\":\"It's easy to learn but extremely difficult to master. 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