The close-up is one of the most common tools in visual storytelling, and when used correctly, it is very powerful. It allows the filmmaker to connect the audience with the subject on a deeper emotional level. But if you overuse it, the effect wears off quickly, and the film feels claustrophobic and cramped. Let’s take a look at few situations when you should, and when you shouldn’t, use a close-up.<\/p>\n
In “Catching Characters’ Emotions<\/a>,” Amy Coplan discusses the involuntary psychological response known as “emotional contagion,” wherein a person will mimic and (to a degree) feel the emotions of the people around them \u2014 or in this case, the characters in a film. Coplan uses the opening scene of Saving Private Ryan<\/em><\/a> to make her point. At the beginning of the film, we do not know the characters’ back stories or personalities or motivations. But through the strategic use of close-ups, Spielberg connects the audience to these characters on an emotional level.<\/p>\n