{"id":108676,"date":"2019-01-31T06:00:32","date_gmt":"2019-01-31T12:00:32","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=108676"},"modified":"2019-01-31T09:18:44","modified_gmt":"2019-01-31T15:18:44","slug":"high-frame-rate-proxies-adobe-premiere","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/high-frame-rate-proxies-adobe-premiere\/","title":{"rendered":"Working with High Frame Rate Proxies in Adobe Premiere Pro"},"content":{"rendered":"<h2 id=\"working-with-proxy-files-in-adobe-premiere-pro-is-easy-but-high-frame-rate-footage-requires-a-few-extra-steps-heres-what-you-need-to-know\">Working with proxy files in Adobe Premiere Pro is easy, but high frame rate footage requires a few extra steps. Here&#8217;s what you need to know.<\/h2>\n<p>With droves of mirrorless cameras like the GH5 and Fuji X-T3 hitting the market at affordable prices, filmmakers and videographers can shoot 4K at 60fps, and beyond. For these shooters, proxy workflows are a mainstay in post-production.<\/p>\n<p>Adobe Premiere makes it easy to create, attach, and edit with proxy files. For example, when working with non-high-frame-rate footage, the proxy workflow is relatively straightforward:<\/p>\n<ol>\n<li>Import your footage into Premiere.<\/li>\n<li>Interpret your footage (or use Premiere\u2019s proxy ingest settings).<\/li>\n<\/ol>\n<p>However, when working with high-frame-rate footage you\u2019ll need to follow some additional steps.<\/p>\n<p>Use this as a guide for organizing, ingesting, and creating high-frame-rate proxies for editing in Premiere.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/1-rowR40Bno?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"import-and-interpret-your-footage-in-premiere\">Import and Interpret Your Footage in Premiere<\/h3>\n<p>Select the high-frame-rate footage you&#8217;d like to encode, and right-click.<\/p>\n<p>Select <em>Modify &gt; Interpret Footage<\/em><\/p>\n<p>In the dialog box, under the <em>Frame Rate<\/em> tab, select the radio button &#8220;Assume this frame rate,&#8221; and input your desired frame rate.<\/p>\n<p>Click OK.<\/p>\n<hr \/>\n<h3 id=\"create-your-proxies-using-media-encoder\">Create Your Proxies Using Media Encoder<\/h3>\n<p>Now it&#8217;s time to transcode your high-frame-rate footage into proxies using Adobe Media Encoder.<\/p>\n<p>Select the conformed clips in your Project Panel, and right-click.<\/p>\n<p>Navigate to\u00a0<em>Proxy &gt; Create Proxies.<\/em>\u00a0Select your desired Proxy configuration. The Quicktime preset <strong>1280&#215;720 GoPro CineForm<\/strong> works well for most UHD projects.<\/p>\n<p>Select OK.<\/p>\n<p>At this point, Adobe Media Encoder will open and your clips will begin to populate the Render Queue.<\/p>\n<p>Once your clips load into Media Encoder, stop the transcode by pressing the red square in the top-right corner of the window. Do not finish the current job. Be sure to reset the status of the unfinished transcode by right-clicking the clip and selecting &#8220;Reset Status.&#8221;<\/p>\n<p>Next, select all of the high-frame-rate footage in the Render Queue and right-click.<\/p>\n<p>Select &#8220;Interpret Footage.&#8221; In the dialog box, under the <em>Frame Rate<\/em> tab, select the radio button &#8220;Assume this frame rate,&#8221; and input your desired frame rate.<\/p>\n<p>Select OK.<\/p>\n<p>Hit the green play button in the top-right corner of the window to begin the transcode.<\/p>\n<p>Check proxy status, and test your clips<\/p>\n<p>After the transcode is complete, navigate to the <em>Project Panel<\/em>\u00a0in Premiere. The proxy status for your transcoded clips should have changed. You can toggle the Proxy Status display in Premiere\u2019s Project Panel by right-clicking the column headers and selecting &#8220;Metadata Display&#8221; and adding the &#8220;Proxy&#8221; display from the list.<\/p>\n<p>You&#8217;ll have to attach the completed proxy to your first clip (that was cancelled at the beginning of the transcode). You can do this by right-clicking this clip and navigating to <em>Proxy &gt; Attach Proxies<\/em> and selecting the proxy created in the transcode.<\/p>\n<hr \/>\n<p>Interested in the tracks we used to make this video?<\/p>\n<ul>\n<li>&#8220;<a href=\"https:\/\/bit.ly\/2TjMTKz\" data-wpel-link=\"external\" target=\"_blank\">In the Light in the Dark<\/a>&#8221; by Ferry Island Music<\/li>\n<li>&#8220;<a href=\"https:\/\/bit.ly\/2DH84kr\" data-wpel-link=\"external\" target=\"_blank\">A Vibe Called Quest<\/a>&#8221; by Sounds Supreme<\/li>\n<li>&#8220;<a href=\"https:\/\/bit.ly\/2MFaFy5\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\">Technology of the Future<\/a>&#8221; by Denis<\/li>\n<li>&#8220;<a href=\"https:\/\/bit.ly\/2G8vEbf\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\">Street Signs<\/a>&#8221; by Sound Force<\/li>\n<\/ul>\n<p>Looking for more post-production tips and tricks? Check out these articles.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/tutorial-audio-ramp-up-transition\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"internal\">The Audio Ramp-Up: The Best Transition You Should Be Using<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/cut-clips-premiere-pro-tools\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"internal\">The 3 Easiest Ways to Cut Clips in Adobe Premiere Pro CC<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/5-practical-editing-effects-premiere-pro\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"internal\">Roundup: 5 Awesome Editing Effects in Adobe Premiere Pro<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/working-with-chroma-luma-adobe-premiere\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"internal\">Isolating Image Channels to Work with Chroma and Luma in Premiere<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/quick-noise-reduction-without-plugin\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"internal\">Post-Production Tip: Quick and Dirty Noise Reduction Without a Plugin<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Working with proxy files in Adobe Premiere Pro is easy, but high frame rate footage requires a few extra steps. Here&#8217;s what you need to know.<\/p>\n","protected":false},"author":88,"featured_media":109317,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[714,92],"tags":[],"class_list":["post-class-post-108676","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-premiere-2","post-class-category-video-tutorials-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Working with High Frame Rate Proxies in Adobe Premiere Pro<\/title>\n<meta name=\"description\" content=\"Working with proxy files in Adobe Premiere Pro is easy, but high frame rate footage requires a few extra steps. 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