{"id":109026,"date":"2019-01-23T07:01:32","date_gmt":"2019-01-23T13:01:32","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=109026"},"modified":"2019-01-22T18:41:52","modified_gmt":"2019-01-23T00:41:52","slug":"cameras-lenses-2019-oscar-nominations","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/cameras-lenses-2019-oscar-nominations\/","title":{"rendered":"The Cameras and Lenses Behind 2019\u2019s Oscar-Nominated Films"},"content":{"rendered":"

A look at the cameras and gear\u00a0used to capture all of the 2019 Academy Award nominees for Best Picture and Best Cinematography.<\/h2>\n

ARRI maintains their stranglehold as the standard cinema camera\u00a0package for Oscar-nominated films.\u00a0Check out the cameras and lenses behind 2019\u2019s Oscar-nominees for Best Motion Picture and Best Cinematography to see what cameras made the list. (You can find previous\u00a0nominees\u00a0here: 2018<\/a>,\u00a02017<\/a>,\u00a02016<\/a>.)<\/p>\n

\n

A Star Is Born<\/h3>\n
\"The<\/a>

Bradley Cooper and Matthew Libatique via Clay Enos\/Warner Bros.\/MGM.<\/em><\/p><\/div>\n

Oscar Nominations:\u00a0<\/strong>8 \u2014\u00a0Best Picture, Best Cinematography, Best Actress,\u00a0Best Actor,\u00a0Best Supporting Actor,\u00a0Best Adapted Screenplay, Best Original Song,\u00a0Best Sound Mixing
\nDirector: <\/strong>Bradley Cooper<\/a>
\nDirector of Photography: <\/strong>Matthew Libatique<\/a>
\nCamera:<\/strong>\u00a0ARRI Alexa Mini
\n<\/a>Lenses:<\/strong> Angenieux Optimo Anamorphic 30-72 & 56-152 Lenses, Cooke Anamorphic\/i SF Camtec Vintage Series, Kowa Cine Prominar
\n<\/a>Recording Format:\u00a0<\/strong>Codex ARRIRAW (2.8K) (3.4K)<\/p>\n

\n

Black Panther<\/h3>\n
\"The<\/a>

Ryan Coogler, Hannah Beachler, and Rachel Morrison on set. Photo Credit: 1st AD Lisa Satriano. (Read our interview with Oscar-nominee Hannah Beachler<\/a>.)<\/em><\/p><\/div>\n

Oscar Nominations: <\/strong>7 \u2014\u00a0Best Picture, Best Costume Design,\u00a0Best Original Song, Best Original Score, Best Sound Mixing,\u00a0Best Sound Editing, Best Production Design
\nDirector: <\/strong>Ryan Coogler<\/a>
\nDirector of Photography: <\/strong>Rachel Morrison<\/a>
\nCamera:<\/strong>\u00a0ARRI Alexa XT Plus
\n<\/a>Lenses:<\/strong>\u00a0Panavision Primo
\n<\/a>Recording Format:\u00a0<\/strong>Codex ARRIRAW\u00a0(3.4K)<\/p>\n

\n

BlacKkKlansman<\/h3>\n
\"The<\/a>

Spike Lee, Topher Grace, and Adam Driver on set via Focus Features.<\/em><\/p><\/div>\n

Oscar Nominations:\u00a0<\/strong>6 \u2014Best Picture,\u00a0Best Director,\u00a0Best Supporting Actor,\u00a0Best Adapted Screenplay,\u00a0Best Original Score, Best Film Editing
\nDirector: <\/strong>Spike Lee<\/a>
\nDirector of Photography:\u00a0<\/strong>Chayse Irvin<\/a>
\nCamera:<\/strong>\u00a0Aaton Penelope, Aaton XTR Prod, Arricam LT, Panavision Panaflex Millennium XL2
\n<\/a>Lenses:<\/strong>\u00a0Zeiss Master Prime, Panavision Super Speed MKII, Ultra Speed MKII, PVintage
\n<\/a>Recording Format:\u00a0<\/strong>16 mm (Eastman Double-X 7222) and 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219, Eastman Double-X 5222, Ektachrome 100D 5285)<\/p>\n

\n

Bohemian Rhapsody<\/h3>\n
\"The<\/a>

Peter Robertson, Tom Sigel, Rami Malek, and Hamish Doyne-Ditmas via Alex Bailey\/20th Century Fox.<\/em><\/p><\/div>\n

Oscar Nominations:\u00a0<\/strong>5 \u2014\u00a0Best Picture,\u00a0Best Actor,\u00a0Best Sound Mixing,\u00a0Best Sound Editing,\u00a0Best Film Editing
\nDirector: <\/strong>Bryan Singer<\/a>
\nDirector of Photography:\u00a0<\/strong>Newton Thomas Sigel<\/a>
\nCamera:<\/strong>\u00a0ARRI Alexa 65, ARRI Alexa SXT, Arriflex 35 BL
\n<\/a>Lenses:<\/strong>\u00a0Hasselblad Prime DNA & Prime 65-S, Cooke Speed Panchro
\n<\/a>Recording Format:\u00a0<\/strong>ARRIRAW (6.5K) (3.4K)<\/p>\n

\n

Cold War<\/h3>\n
\"The<\/a>

Lukasz Bak via Amazon Studios.<\/em><\/p><\/div>\n

Oscar Nominations:\u00a0<\/strong>3 \u2014Best Director,\u00a0Best Cinematography,\u00a0Best Foreign-Language Film
\nDirector: <\/strong>Pawel Pawlikowski<\/a>
\nDirector of Photography: <\/strong>Lukasz Zal<\/a>
\nCamera:<\/strong>\u00a0ARRI Alexa XT
\n<\/a>Lenses:<\/strong>\u00a0Cooke S5, Zeiss Ultra Prime, Angenieux Optimo
\n<\/a>Recording Format:\u00a0<\/strong>Codex ARRIRAW (3.4K)<\/p>\n

\n

The Favourite<\/h3>\n
\"The<\/a>

On set via Atsushi Nishijima\/Fox Searchlight.<\/em><\/p><\/div>\n

Oscar Nominations:<\/strong>\u00a010\u00a0\u2014 Best Picture, Best Director, Best Cinematography, Best Actress,\u00a0Best Supporting Actress,\u00a0Best Supporting Actress,\u00a0Best Original Screenplay,\u00a0Best Costume Design,\u00a0Best Production Design,\u00a0Best Film Editing
\nDirector: <\/strong>Yorgos Lanthimos<\/a>
\nDirector of Photography:\u00a0<\/strong>Robbie Ryan<\/a>
\nCamera:<\/strong>\u00a0Arricam LT, Arricam ST, Panavision Panaflex Millennium XL2
\n<\/a>Lenses:<\/strong>\u00a0Panavision PVintage, Nikon Nikkor
\n<\/a>Recording Format:\u00a0<\/strong>35 mm (Kodak)<\/p>\n

\n

Green Book<\/h3>\n
\"The<\/a>

Peter Farrelly on set via Focus Features.<\/em><\/p><\/div>\n

Oscar Nominations:\u00a0<\/strong>5\u00a0\u2014 Best Picture, Best Actor,\u00a0Best Supporting Actor, Best Original Screenplay,\u00a0Best Film Editing
\nDirector: <\/strong>Peter Farrelly<\/a>
\nDirector of Photography:\u00a0<\/strong>Sean Porter<\/a>
\nCamera:<\/strong>\u00a0ARRI Alexa Mini
\n<\/a>Lenses:<\/strong>\u00a0Leica Summilux-C
\n<\/a>Recording Format:\u00a0<\/strong>ARRIRAW (3.4K)<\/p>\n

\n

Never Look Away<\/h3>\n
\"The<\/a>

On set via Nadja Klier\/Buena Vista International.<\/em><\/p><\/div>\n

Oscar Nominations:\u00a0<\/strong>2 \u2014 Best Cinematography,\u00a0Best Foreign-Language Film
\nDirector:\u00a0<\/strong>Florian Henckel von Donnersmarck<\/a>
\nDirector of Photography: <\/strong>Caleb Deschanel<\/a>
\nCamera:<\/strong>\u00a0ARRI Alexa XT Plus
\n<\/a>Lenses:<\/strong>\u00a0Zeiss Master Prime
\n<\/a>Recording Format: <\/strong>ARRIRAW<\/p>\n

\n

Roma<\/h3>\n
\"The<\/a>

Alfonso Cuar\u00f3n and Yalitza Aparicio as Cleo on the set via Carlos Somonte\/Netflix.<\/em><\/p><\/div>\n

Oscar Nominations:\u00a0<\/strong>10\u00a0\u2014 Best Picture, Best Cinematography, Best Director,\u00a0Best Actress,\u00a0Best Supporting Actress,\u00a0Best Original Screenplay, Best Foreign-Language Film,\u00a0Best Sound Mixing, Best Sound Editing,\u00a0Best Production Design
\nDirector: <\/strong>Alfonso Cuaron<\/a>
\nDirector of Photography:\u00a0<\/strong>Alfonso Cuaron
\nCamera:<\/strong>\u00a0ARRI Alexa 65
\n<\/a>Lenses:<\/strong>\u00a0Prime 65
\n<\/a>Recording Format:\u00a0<\/strong>ARRIRAW<\/p>\n

\n

Vice<\/h3>\n
\"The<\/a>

Vice set via Annapurna Pictures.<\/em><\/p><\/div>\n

Oscar Nominations:\u00a0<\/strong>8 \u2014\u00a0Best Picture, Best Director, Best Actor, Best Supporting Actress,\u00a0Best Supporting Actor, Best Original Screenplay, Best Makeup and Hairstyling,\u00a0Best Film Editing
\nDirector:<\/strong> Adam McKay<\/a>
\nDirector of Photography:\u00a0<\/strong>Greig Fraser<\/a>
\nCamera:<\/strong>\u00a0Arricam LT, Arricam ST, Arriflex 235, Arriflex 435, Bolex
\n<\/a>Lenses:<\/strong>\u00a0Cooke Anamorphic\/i, Todd-AO, Zeiss Super Speed, Angenieux HR
\n<\/a>Recording Format:\u00a0<\/strong>16 mm (Kodak Vision3 500T 7219), 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) and 8 mm (Kodak Vision3 500T 5219)<\/p>\n

\n

The 2019 Academy Awards will be presented on February 24th at the Dolby Theatre in Los Angeles, CA.<\/p>\n

Cover image via <\/em>A Star Is Born (Clay Enos\/Warner Bros.\/Metro-Goldwyn-Mayer).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

A look at the cameras and gear\u00a0used to capture all of the 2019 Academy Award nominees for Best Picture and Best Cinematography.<\/p>\n","protected":false},"author":143,"featured_media":109054,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4519,715,79],"tags":[1093,536,857,5380,508,5031],"class_list":["post-class-post-109026","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-industry","post-class-category-inspiration","post-class-tag-cinematography","post-class-tag-filmmaking","post-class-tag-industry-2","post-class-tag-inspiration","post-class-tag-oscars","post-class-tag-video-gear-2"],"acf":[],"yoast_head":"\nThe 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