{"id":110981,"date":"2019-03-29T07:00:04","date_gmt":"2019-03-29T12:00:04","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=110981"},"modified":"2019-03-29T09:46:55","modified_gmt":"2019-03-29T14:46:55","slug":"cameras-netflix-original-films-series","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/","title":{"rendered":"The Cameras Behind Popular Netflix Originals: Films and Series"},"content":{"rendered":"<h2 id=\"want-to-know-about-the-cameras-behind-netflix-originals-here-are-the-cameras-netflix-has-officially-approved-and-the-films-and-series-using-them\">Want to know about the cameras behind Netflix Originals? Here are the cameras Netflix has officially approved \u2014 and the films and series using them.<\/h2>\n<p>It&#8217;s been a while since <a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-behind-netflix-originals\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">we&#8217;ve talked about the Netflix camera standards and the shows using them<\/a>. Let&#8217;s take a look at the updated requirements, as well as what the latest Netflix shows are using.<\/p>\n<hr \/>\n<h3 id=\"netflix-camera-requirements\">Netflix Camera Requirements<\/h3>\n<p>Cameras must have a true 4K UHD sensor <span class=\"wysiwyg-font-size-medium\">(equal to or greater than 3840 photosites wide). The capture requirements allow for RAW (REDCODE, ARRIRAW, etc) as well as COMPRESSED (XAVC, ProRes, or other I-Frame capable formats). Netflix also requires a minimum of 16-bit Linear or 10-bit Log processing, and minimum data-rate of Bitrate of 240 Mbps at 23.98 fps.<\/span><\/p>\n<p>Cameras that don&#8217;t meet these standards must be approved by Netflix, and are allowed in certain use cases like crash cams, POV, drones, and underwater.<\/p>\n<hr \/>\n<h3 id=\"approved-netflix-cameras\">Approved Netflix Cameras<\/h3>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-behind-netflix-originals\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Since our last report<\/a>, Netflix added a few new cameras to its approved list, including the Panasonic AU-EVA1, Canon C700 FF, Sony broadcast cameras, and additional RED cameras. Netflix also maintained the traditional (and confusing) RED camera names that have <a href=\"https:\/\/www.red.com\/dsmc2\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">since changed to the DSMC2 BRAIN with select sensors<\/a>.<\/p>\n<p>Note that this isn&#8217;t a comprehensive list, and other cameras are allowed by require approval. (<a href=\"https:\/\/www.imdb.com\/title\/tt1880399\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Kodachrome<\/a> was captured on Super 35.)<\/p>\n<p>Here is the list of approved cameras.<\/p>\n<ul>\n<li><a href=\"http:\/\/arrirentalgroup.com\/alexa65\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">ARRI Alexa 65<\/a>\n<ul>\n<li>6K \u2014 6560 x 3100<\/li>\n<li>ARRIRAW<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.arri.com\/en\/camera-systems\/cameras\/alexa-lf\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">ARRI Alexa LF<\/a>\n<ul>\n<li>4.5K \u2014 4448 x 3096<\/li>\n<li>ARRIRAW<\/li>\n<li>ProRes 422 HQ (or higher)<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.blackmagicdesign.com\/products\/blackmagicursaminipro\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Blackmagic URSA Mini 4.6K<\/a>\n<ul>\n<li>4.6K \u2014 4608 x 2592<\/li>\n<li>CinemaDNG RAW<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.blackmagicdesign.com\/products\/blackmagicursaminipro\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Blackmagic URSA Mini Pro 4.6K<\/a>\n<ul>\n<li>4.6K \u2014 4608 x 2592<\/li>\n<li>CinemaDNG RAW<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/products\/details\/cameras\/cinema-eos\/eos-c300-mark-ii\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Canon C300 MK II<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>Canon RAW<\/li>\n<li>XF-AVC (4K)<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/support\/details\/cameras\/cinema-eos\/eos-c500\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Canon C500<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>Canon RAW<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/products\/details\/cameras\/cinema-eos\/eos-c700\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Canon C700<\/a>\n<ul>\n<li>4.5 K \u2014 4512 x 2376<\/li>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>Canon RAW<\/li>\n<li>XF-AVC (4K)<\/li>\n<li>ProRes HQ (4K)<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/products\/details\/cameras\/cinema-eos\/eos-c700-ff\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Canon C700 FF<\/a>\n<ul>\n<li>RAW FF \u2014 5952 x 3140<\/li>\n<li>RAW 2.35 \u2014 5952 x 2532<\/li>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>UHD \u2014 3840 x 2160<\/li>\n<li>Canon RAW<\/li>\n<li>XF-AVC (4K)<\/li>\n<li>ProRes HQ (4K)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/the-crown1.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-111419\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/the-crown1.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Approved Cameras\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown1.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown1.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown1.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown1.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown1.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown1.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<ul>\n<li><a href=\"http:\/\/pro-av.panasonic.net\/en\/varicam\/35\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Panasonic VariCam 35<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>V-RAW<\/li>\n<li>AVC-Intra4K<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"http:\/\/pro-av.panasonic.net\/en\/varicam\/lt\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Panasonic VariCam LT<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>V-RAW<\/li>\n<li>AVC-Intra4K<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/pro-av.panasonic.net\/en\/cinema_camera_varicam_eva\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Panasonic VariCam Pure<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>V-RAW<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/na.panasonic.com\/us\/audio-video-solutions\/broadcast-cinema-pro-video\/cinema-cameras\/au-eva1-57k-super-35-handheld\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Panasonic AU-EVA1<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>All-Intra 400<\/li>\n<li>Firmware 2.02 or higher required<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/dxl.panavision.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Panavision DXL2<\/a>\n<ul>\n<li>8K \u2014 8192 x 4320<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.red.com\/dsmc2\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">RED<\/a> WEAPON VV 8K (Monstro, Dragon)\n<ul>\n<li>8K \u2014 8192 x 4320<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<li>\u00a0RED WEAPON 8K S35 (Helium)\n<ul>\n<li>8K \u2014 8192 x 4320<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<li>RED EPIC-W 8K S35 (Helium)\n<ul>\n<li>8K \u2014 8192 x 4320<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<li>RED WEAPON 6K (Dragon)\n<ul>\n<li>6K \u2014 6144 x 3160<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<li>RED EPIC 6K (Dragon)\n<ul>\n<li>6K \u2014 6144 x 3160<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<li>RED EPIC-W 5K S35 (Gemini)\n<ul>\n<li>5K \u2014 5120 x 2700<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<li>RED SCARLET-W 5K (Dragon)\n<ul>\n<li>5K \u2014 5120 x 2700<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<li>RED RAVEN 4.5K (Dragon)\n<ul>\n<li>4.5K \u2014 4608 x 2160<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/stranger-things.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-111420\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/stranger-things.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 On Set\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/pro.sony\/ue_US\/products\/digital-cinema-cameras\/venice\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sony Venice<\/a>\n<ul>\n<li>6K \u2014 6048 x 4032<\/li>\n<li>RAW<\/li>\n<li>X-OCN<\/li>\n<li>XAVC-I<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/pro.sony.com\/bbsc\/ssr\/product-PMWF55\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sony F55<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>F55RAW<\/li>\n<li>X-OCN<\/li>\n<li>XAVC-I (4K)<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/pro.sony.com\/bbsc\/ssr\/product-F65RSPAC1\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sony F65<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>F65RAW<\/li>\n<li>F65RAW-LITE<\/li>\n<li>XAVC (4K)<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/pro.sony.com\/bbsc\/ssr\/micro-xdcam\/resource.latest.bbsccms-assets-micro-xdcam-latest-pxwfs7.shtml\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sony FS7 \/ FS7 II<\/a>\n<ul>\n<li>4K \u2014 4096 x 2160<\/li>\n<li>XAVC (4K)<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/pro.sony\/en_BE\/products\/4k-and-hd-camera-systems\/hdc-4300\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sony HDC-4300<\/a>\n<ul>\n<li>4K 4096 X 2160<\/li>\n<li>4K Baseband Video<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/pro.sony\/ue_US\/products\/shoulder-camcorders\/pxw-z450\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sony PXW-Z450<\/a>\n<ul>\n<li>UHD 3840 x 2160<\/li>\n<li>XAVC-I QFHD 300 mode<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3 id=\"cameras-behind-the-scenes-of-popular-netflix-originals\">Cameras Behind the Scenes of Popular Netflix Originals<\/h3>\n<h4 id=\"roma\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt6155172\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Roma<\/a><\/em><\/h4>\n<div id=\"attachment_111421\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111421\" class=\"wp-image-111421 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Roma\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Roma\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/roma-netflix.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-111421\" class=\"wp-caption-text\">Alfonso Cuar\u00f3n and Yalitza Aparicio as Cleo on the set via Carlos Somonte\/Netflix.<\/p><\/div>\n<p>The 2019 Oscar winner of Best Director, Best Cinematography, and Best Foreign Language Film was captured digitally on the Alexa.<\/p>\n<p><strong><em>Roma<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>ARRI Alexa 65<a href=\"http:\/\/www.panavision.com\/products\/xl2\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><br \/>\n<\/a><\/li>\n<li>Prime 65<a href=\"http:\/\/www.panavision.com\/products\/xl2\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><br \/>\n<\/a><\/li>\n<li>ARRIRAW<\/li>\n<\/ul>\n<hr \/>\n<h4 id=\"stranger-things\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt4574334\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Stranger Things<\/a><\/em><\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-111422 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Stranger Things\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Stranger Things\" width=\"755\" height=\"377\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg?resize=300,150 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg?resize=277,138 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg?resize=359,179 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg?resize=543,271 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg?resize=560,280 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/stranger-things1.jpg?resize=150,75 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p><strong><em>Stranger Things 3<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.red.com\/DSMC2-BRAIN?quantity=1?sensor=1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">RED DSMC2 Monstro 8K<\/a><\/li>\n<li>Leica Summilux-C Lenses<\/li>\n<li>REDCODE RAW<\/li>\n<\/ul>\n<p>Check out this great behind-the-scenes of season two&#8217;s cinematography.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/LwVxUFusE8U?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h4 id=\"the-ballad-of-buster-scruggs\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt6412452\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">The Ballad of Buster Scruggs<\/a><\/em><\/h4>\n<div id=\"attachment_111423\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111423\" class=\"wp-image-111423 size-full\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg\" alt=\"\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/buster-scruggs.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-111423\" class=\"wp-caption-text\">Cinematographer Bruno Delbonnel via Alison Cohen Rosa\/Netflix.<\/p><\/div>\n<p><strong><em>Buster Scruggs<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>Arri Alexa Mini<\/li>\n<li>Arri Alexa XT Studio<\/li>\n<li>Zeiss Master Prime<\/li>\n<li>Fujinon Alura Lenses 15.5-45 and 30-80<\/li>\n<li>ARRIRAW 3.4K Open Gate<\/li>\n<\/ul>\n<p>In an <a href=\"https:\/\/www.indiewire.com\/2018\/11\/cameras-lens-2019-oscar-contenders-best-cinematography-1202019782\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">interview with IndieWire<\/a>, cinematographer Bruno Delbonnel said:<\/p>\n<blockquote><p>&#8220;I was trying to keep things as simple as possible since it was the first time Joel and Ethan Coen were using a digital camera. I\u2019ve never been interested in the new technologies, I always tried to keep thing very simple. Light and framing are more important than the new toys. For years I was using the same package: a set of Cooke S4 lenses, an Arricam, and Kodak 5219. For this project, the closest to this set on digital was the Alexa studio and its optical finder and a set of master primes because of the extra stop I would need on remote locations with a very limited access to big generators. The main challenge for <em>Buster Scruggs<\/em> was to find a different &#8216;look&#8217; for the six short stories while keeping the visual idea of an \u201cIllustration book.&#8221;<\/p><\/blockquote>\n<hr \/>\n<h4 id=\"ozark\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt5071412\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Ozark<\/a><\/em><\/h4>\n<p><strong><em><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/ozark1.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111424 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Ozark\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/ozark1.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Ozark\" width=\"755\" height=\"504\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/ozark1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/ozark1.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/ozark1.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/ozark1.jpg?resize=359,240 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/ozark1.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/ozark1.jpg?resize=560,374 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/ozark1.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/em><\/strong><\/p>\n<p><strong><em>Ozark<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>Panasonic VariCam 35<\/li>\n<li>Cooke S4<\/li>\n<li>Zeiss Super Speed<\/li>\n<li>Hawk V-Lite and V-Lite Vintage &#8217;74 Lenses<\/li>\n<\/ul>\n<p>While <a href=\"http:\/\/www.awardsdaily.com\/2018\/08\/25\/ozark-cinematographer-ben-kutchins-on-the-art-of-respectful-manipulation\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">talking to Awards Daily<\/a>, DP Ben Kutchins said:<\/p>\n<blockquote><p>&#8220;We\u2019re always going for the more subtle version of what anything could be. You never want to hit the audience over the head. The most cinematic, slowburn version is the most interesting version to us. We\u2019re always looking for that thing that\u2019s just beneath the surface that\u2019s a little darker than what you might see at first glance. We want to make the most cinematic version, while also keeping the camera close, and therefore keeping the audience close. So that it feels like a first-person experience. To never rely on the objective viewpoint.&#8221;<\/p><\/blockquote>\n<p>In another <a href=\"https:\/\/deadline.com\/2018\/08\/ozark-ben-kutchins-emmys-netflix-cinematography-interview-1202435492\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">interview with Deadline<\/a>, Kutchines went on to say:<\/p>\n<blockquote><p>&#8220;But in terms of how we shot, it was different from TV in that we didn\u2019t use zoom lenses; we were very precise about the focal lengths that we used. In general, the show is shot on a 27 or a 32mm lens. That\u2019s sort of our bread and butter; that\u2019s what we live on. The idea of being a little wider and a little closer to the actors is something that we\u2019ve strived for. So I would say if there is a rule, it\u2019s to get the camera as close to the actor as possible and make it an intimate first-person experience.<\/p>\n<p>&#8220;We shot the show on a Panasonic VariCam, and the reason we chose that is a combination of needing to shoot on 4K, but also the camera really performs well in low light, and that\u2019s something that we knew we were going to be doing a lot of. Really, there\u2019s an effort on the show to use the least amount of light possible. If I\u2019m looking at something and I\u2019m not quite sure if it\u2019s right, I just turn it off. That\u2019s sort of been my go-to on this show.&#8221;<\/p><\/blockquote>\n<hr \/>\n<h4 id=\"tidying-up-with-marie-kondo\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt8115560\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Tidying Up with Marie Kondo<\/a><\/em><\/h4>\n<p><strong><em><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111425 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Tidying Up with Marie Kondo\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Tidying Up with Marie Kondo \" width=\"755\" height=\"567\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg?resize=300,225 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg?resize=277,208 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg?resize=359,270 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg?resize=543,408 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg?resize=560,421 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/marie-kondo.jpg?resize=150,113 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/em><\/strong><\/p>\n<p><strong><em>Tidying Up with Marie Kondo<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>Canon C300<\/li>\n<li>Fujinon Cabrio Cine Zooms (six 19-90mm, three 85-300mm, one 14-35mm)<\/li>\n<\/ul>\n<p>In an <a href=\"https:\/\/postperspective.com\/dp-tom-curran-on-netflixs-tidying-up-with-marie-kondo\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">interview with Post Perspective<\/a>, DP Tom Curran shared:<\/p>\n<blockquote><p>&#8220;I felt it wasn\u2019t a series we could shoot on prime lenses, but we wanted the look that primes would bring. We ended up working with Fujinon Cabrio Cine Zooms and Canon cameras, which gave us a really filmic look.&#8221;<\/p><\/blockquote>\n<p>As for getting enough light to shoot in small houses:<\/p>\n<blockquote><p>&#8220;For the homes and all the movement, we used about 80 Flex lights \u2014 paper-thin LED lights that are easily dimmable and quick to install and take down. Even though we had a pretty small crew, we were able to achieve a pretty consistent look.&#8221;<\/p><\/blockquote>\n<hr \/>\n<h4 id=\"the-haunting-of-hill-house\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt6763664\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">The Haunting of Hill House<\/a><\/em><\/h4>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/n8gJ81M39Ig?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong><em>The Haunting of Hill House<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>ARRI ALEXA 65<\/li>\n<li>Prime 65 and Prime 65 S Lenses<\/li>\n<\/ul>\n<hr \/>\n<h4 id=\"arrested-development\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt0367279\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Arrested Development<\/a><\/em><\/h4>\n<div id=\"attachment_111426\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/arrested-development.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111426\" class=\"wp-image-111426 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Arrested Development\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/arrested-development.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Arrested Development\" width=\"755\" height=\"504\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/arrested-development.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/arrested-development.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/arrested-development.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/arrested-development.jpg?resize=359,240 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/arrested-development.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/arrested-development.jpg?resize=560,374 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/arrested-development.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-111426\" class=\"wp-caption-text\">On set of Arrested<em> Development<\/em>\u00a0via Saeed Adyani\/Netflix.<\/p><\/div>\n<p><strong><em>Arrested Development<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>Panasonic VariCam LT (Season 5)\n<ul>\n<li>Fujinon Cabrio zooms<span class=\"0\"><span class=\"element-invisible\">\u00a0<\/span><\/span>(15-35mm, 19-90mm, and 85-300mm)<\/li>\n<li>10-bit 422 UHD (3840\u00d72160) AVC Intra files at 23.98-fps.<\/li>\n<li>V-Log (with V-709 LUT on set)<\/li>\n<\/ul>\n<\/li>\n<li>RED Epic (Season 4)\n<ul>\n<li>Angenieux Optimo Lenses<\/li>\n<\/ul>\n<\/li>\n<li>Panasonic AJ-HDC27 Varicam (Previous Seasons)<\/li>\n<\/ul>\n<p>Cinematographer Patrick Stewart gave insight to the production.<\/p>\n<blockquote><p>When hired for <em>Arrested Development<\/em>, the first request Stewart approached Hurwitz with was to add a third camera. Shooting with three cameras with multiple characters can be a logistical challenge, but Stewart felt he could get through scenes more quickly, and effectively, in order to get the actors out on time. \u201cI call the C-camera the center camera and the A and the B are screen left and screen right,\u201d Stewart explains. \u201cC covers the center P.O.V., while A and B cover the scene from their left and right side P.O.V., which usually starts with overs. As we continue to shoot the scene, each camera will get tighter and tighter. If there are 3 or more actors in the scene, C will get tighter on whoever is in the center. After that, C camera might cover the scene following the dialogue with &#8216;swinging&#8217; singles. If no swinging singles are appropriate then the center camera can move over and help out coverage on the right or left side.&#8221;<\/p><\/blockquote>\n<p>You can read this <a href=\"https:\/\/indieshooter.com\/arrested-development-shot-varicam-lts\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">great in-depth piece over on Indie Shooter<\/a>.<\/p>\n<hr \/>\n<h4 id=\"black-mirror\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt2085059\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Black Mirror<\/a><\/em><\/h4>\n<p><strong><em><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/black-mirror.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111428 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Black Mirror\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/black-mirror.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Black Mirror\" width=\"755\" height=\"349\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/black-mirror.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/black-mirror.jpg?resize=300,139 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/black-mirror.jpg?resize=277,128 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/black-mirror.jpg?resize=359,166 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/black-mirror.jpg?resize=543,251 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/black-mirror.jpg?resize=560,259 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/black-mirror.jpg?resize=150,69 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/em><\/strong><\/p>\n<p><strong><em>Black Mirror<\/em> Camera Packages:<\/strong><\/p>\n<ul>\n<li>ARRI ALEXA (Season 1)<\/li>\n<li>RED Epic (Seasons 2-3)<\/li>\n<li>ARRI ALEXA 65 (Season 4 + Bandersnatch)<\/li>\n<li>RED Dragon (USS Callister, additional episodes)<\/li>\n<li>Sony F55 (used as second\/third camera)<\/li>\n<\/ul>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/zBsh7Byu044?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h4 id=\"13-reasons-why\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt1837492\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">13 Reasons Why<\/a><\/em><\/h4>\n<p><strong><em><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111429 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 13 Reasons Why\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 13 Reasons Why\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/13-reasons-why.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/em><\/strong><\/p>\n<p><strong><em>13 Reasons Why<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>Panasonic VariCam 35 (Season one)\n<ul>\n<li>Hawk V-Lite<\/li>\n<li>Leica Summilux-C Lenses<\/li>\n<\/ul>\n<\/li>\n<li>Panavision Millennium DXL (Season two)<\/li>\n<li>Red Helium 8K (Season two)<\/li>\n<\/ul>\n<p>In an <a href=\"https:\/\/www.provideocoalition.com\/this-art-of-the-shot-13-reasons-why-director-of-photography-andrij-parekh\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">interview with Pro Video Coalition<\/a>, cinematographer Andrij Parekh said:<\/p>\n<blockquote><p>&#8220;Understanding that we had to shoot 4K, I tested the Alexa 65, the Sony F55, and the Varicam. The Alexa 65 was glorious \u2014 but the camera was just too big for the style of the show (a lot of handheld and moving fast). I preferred the skin tones of the Varicam to the F55, and then I discovered the dual ISO feature of the Varicam \u2014 800 and 5000 ISO. I tested both ISOs and the 5000 was incredibly &#8216;clean,&#8217; with very little video artifacts or digital noise.&#8221;<\/p><\/blockquote>\n<hr \/>\n<h3 id=\"the-crown\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt4786824\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">The Crown<\/a><\/em><\/h3>\n<p><strong><em><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/the-crown2.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111430 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 The Crown\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/the-crown2.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 The Crown\" width=\"755\" height=\"502\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown2.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown2.jpg?resize=300,199 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown2.jpg?resize=277,184 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown2.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown2.jpg?resize=543,361 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown2.jpg?resize=560,372 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/the-crown2.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/em><\/strong><\/p>\n<p><strong><em>The Crown<\/em> Camera Package:\u00a0<\/strong><\/p>\n<ul>\n<li>Sony F55<\/li>\n<li>Vintage Cooke Speed Panchros<\/li>\n<li>Tiffen Glimmer Glass<\/li>\n<\/ul>\n<p>While sharing <a href=\"https:\/\/ascmag.com\/articles\/ics-2018-the-crown-a-conversation-with-adriano-gold-asc-abc\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">behind-the-scenes information with the ASC Magazine<\/a>, Adriano Goldman said:<\/p>\n<blockquote><p>&#8220;When I joined, I was told that Netflix demands a 4K workflow from beginning to end, so I tested the Sony F55, the Sony F65, and the Red Dragon&#8230;the F55 was the smallest and easiest camera to work with, so it felt like the best way to go.&#8221;<\/p><\/blockquote>\n<hr \/>\n<h4 id=\"lost-in-space\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt5232792\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Lost in Space<\/a><\/em><\/h4>\n<p><strong><em><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111431 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Lost in Space\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Lost in Space\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/lost-in-space.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/em><\/strong><\/p>\n<p><strong><em>Lost in Space<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>RED Weapon 8K<\/li>\n<li>Leica\u00a0Summilux-C Primes<\/li>\n<\/ul>\n<p>In an <a href=\"https:\/\/britishcinematographer.co.uk\/sam-mccurdy-bsc-lost-in-space\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">interview with British Cinematographer<\/a>, DP Sam McCurdy shares:<\/p>\n<blockquote><p>&#8220;I\u2019ve been a believer in Red for some years and applaud the way they try to develop new technologies to suit new ways of filming&#8230;We tested the Helium extensively and it was quickly apparent that there was nothing else out there like this in terms of its modern look.&#8221;<\/p><\/blockquote>\n<p>He went on to say:<\/p>\n<blockquote><p>&#8220;Although we deployed two Weapons, we shot the show as a single-camera drama. We used very little handheld or Steadicam and instead went back to basics. We didn\u2019t want the new gimmicks like fancy 360-degree shoots. I felt we needed to be intimate with the family and their drama, and we were there to photograph that.&#8221;<\/p><\/blockquote>\n<hr \/>\n<h4 id=\"narcos-mexico\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt8714904\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Narcos: Mexico<\/a><\/em><\/h4>\n<p><strong><em><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111432 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Narcos: Mexico\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Narcos: Mexico\" width=\"755\" height=\"523\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg?resize=300,208 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg?resize=277,192 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg?resize=359,249 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg?resize=543,376 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg?resize=560,388 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/narcos-mexico.jpg?resize=150,104 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/em><\/strong><\/p>\n<p><strong><em>Narcos: Mexico<\/em> Camera Package:\u00a0<\/strong><\/p>\n<ul>\n<li>Red DSMC2 Dragon<\/li>\n<li>Hawk V\u2011Lites (28, 35, 45, 55, 65, 80, 110, and 140mm lenses)<\/li>\n<li>Hawk Vintage \u201974 anamorphic lenses<\/li>\n<li>DJI Inspire 1 (drone shots)<\/li>\n<\/ul>\n<p>While <a href=\"https:\/\/www.vantagefilm.com\/en\/news\/hawk-v-lites-deliver-new-look-for-narcos-10866\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">talking with Vantage Film<\/a>, cinematographer Luis Sansans shared:<\/p>\n<blockquote><p>&#8220;For season 4, we changed the look dramatically. After consulting with the producers, we decided to switch to anamorphic lenses and a 2:1 aspect ratio, which is between the 16:9 frame used previously and the full 2.40:1 of standard anamorphic.&#8221;<\/p><\/blockquote>\n<hr \/>\n<h4 id=\"chilling-adventures-of-sabrina\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt7569592\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Chilling Adventures of Sabrina<\/a><\/em><\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/sabrina.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111433 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Chilling Adventures of Sabrina\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/sabrina.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 Chilling Adventures of Sabrina\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/sabrina.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/sabrina.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/sabrina.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/sabrina.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/sabrina.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/sabrina.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/sabrina.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p><strong><em>Chilling Adventures of Sabrina<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>RED Helium 8K<\/li>\n<li>Panavision G Series &#8211; Ultragold Series Anamorphic<\/li>\n<\/ul>\n<hr \/>\n<h4 id=\"glow\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt5770786\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">GLOW<\/a><\/em><\/h4>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/glow.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-111434 size-full\" title=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 GLOW\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/glow.jpg\" alt=\"The Cameras Behind Popular Netflix Originals: Films and Series \u2014 GLOW\" width=\"755\" height=\"566\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/glow.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/glow.jpg?resize=300,225 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/glow.jpg?resize=277,208 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/glow.jpg?resize=359,269 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/glow.jpg?resize=543,407 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/glow.jpg?resize=560,420 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/03\/glow.jpg?resize=150,112 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p><strong><em>GLOW<\/em> Camera Package:<\/strong><\/p>\n<ul>\n<li>RED Dragon (Season 1)<\/li>\n<li>RED Weapon 8K S35 (Season 2)<\/li>\n<li>Cooke Anamorphic \/i Prime Lenses<\/li>\n<\/ul>\n<p>In a <a href=\"https:\/\/www.indiewire.com\/2018\/08\/emmy-2018-camera-lens-nominated-cinematographers-twin-peaks-atlanta-westworld-1201994155\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">conversation with Indie Wire<\/a>, cinematographer Christian Sprenger shares:<\/p>\n<p>&#8220;The look of <em>GLOW<\/em> is meant to transport the audience to a grounded realistic setting of 1980s Los Angeles and then at specific times, to the elevated fantasy world of professional wrestling. Along with a custom film LUT from LightIron LA, the slightly imprecise quality of Cooke anamorphic lenses paired with the resolution of the Red felt like the perfect way to reference the audience\u2019s nostalgia for &#8217;80s cinema. Because we\u2019re using modern technology, shooting at a t2.3 on the lenses and very higher ISOs on the camera, I was able to light very naturally and atmospherically instead of traditional &#8216;TV lighting.&#8217; My goal was for the base of the show to feel very understated and mature so that when we did chose to heighten the aesthetic, there would be strong a stylistic contrast. That became a very powerful storytelling device throughout the season while still grounding the overall narrative and performances.&#8221;<\/p>\n<hr \/>\n<p><em>All images via Netflix.<\/em><\/p>\n<p>For more gear posts like this, check out these articles:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-lenses-hbo-original-series\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">The Cameras and Lenses Behind HBO&#8217;s Original Series<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-lenses-2019-oscar-nominations\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">The Cameras and Lenses Behind 2019\u2019s Oscar-Nominated Films<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/the-ultimate-cinema-camera-package\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Building The Ultimate, High-Versatility Cinema Camera Package<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-behind-netflix-originals\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">The Cameras Behind Netflix\u2019s Original Films and Series (2017-2018)<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Want to know about the cameras behind Netflix Originals? Here are the cameras Netflix has officially approved \u2014 and the films and series using them.<\/p>\n","protected":false},"author":143,"featured_media":111417,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4519,3843,715,79,5340],"tags":[],"class_list":["post-class-post-110981","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-filmmaking-2","post-class-category-industry","post-class-category-inspiration","post-class-category-video-gear"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Cameras Behind Popular Netflix Originals: Films and Series<\/title>\n<meta name=\"description\" content=\"Want to know about the cameras behind Netflix Originals? Here are the cameras Netflix has officially approved \u2014 and the films and series using them.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Cameras Behind Popular Netflix Originals: Films and Series\" \/>\n<meta property=\"og:description\" content=\"Want to know about the cameras behind Netflix Originals? Here are the cameras Netflix has officially approved \u2014 and the films and series using them.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/\" \/>\n<meta property=\"og:site_name\" content=\"The Beat: A Blog by PremiumBeat\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/premiumbeat\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/amiafilmmaker\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-29T12:00:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-03-29T14:46:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2019\/03\/29091535\/the-crown.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"755\" \/>\n\t<meta property=\"og:image:height\" content=\"503\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Mike Maher\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@amiafilmmaker\" \/>\n<meta name=\"twitter:site\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mike Maher\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/\",\"url\":\"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/\",\"name\":\"The Cameras Behind Popular Netflix Originals: Films and Series\",\"isPartOf\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#website\"},\"datePublished\":\"2019-03-29T12:00:04+00:00\",\"dateModified\":\"2019-03-29T14:46:55+00:00\",\"author\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/a458e958edadee28fb1eeb6ff8786504\"},\"description\":\"Want to know about the cameras behind Netflix Originals? Here are the cameras Netflix has officially approved \u2014 and the films and series using them.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.premiumbeat.com\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cinematography\",\"item\":\"https:\/\/www.premiumbeat.com\/blog\/category\/cinematography-2\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"The Cameras Behind Popular Netflix Originals: Films and Series\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#website\",\"url\":\"https:\/\/www.premiumbeat.com\/blog\/\",\"name\":\"The Beat: A Blog by PremiumBeat\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.premiumbeat.com\/blog\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/a458e958edadee28fb1eeb6ff8786504\",\"name\":\"Mike Maher\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8706b5a5d5c7dc55df5368927fa662ab9f0918d64db4ffce2987287a914f968a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8706b5a5d5c7dc55df5368927fa662ab9f0918d64db4ffce2987287a914f968a?s=96&d=mm&r=g\",\"caption\":\"Mike Maher\"},\"description\":\"Just another freelance generalist looking to find their way in the creative world. Find me @amiafilmmaker on YouTube, Instagram, Facebook, Twitter, and Tik Tok.\",\"sameAs\":[\"https:\/\/www.facebook.com\/amiafilmmaker\",\"https:\/\/www.instagram.com\/amiafilmmaker\/\",\"https:\/\/www.linkedin.com\/in\/michaelphilipmaher\/\",\"https:\/\/twitter.com\/amiafilmmaker\",\"https:\/\/www.youtube.com\/channel\/UC7mlQwrYGKq7QHFlXejYDmQ\",\"mpmaher\"],\"url\":\"https:\/\/www.premiumbeat.com\/blog\/author\/mpmaher\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The Cameras Behind Popular Netflix Originals: Films and Series","description":"Want to know about the cameras behind Netflix Originals? Here are the cameras Netflix has officially approved \u2014 and the films and series using them.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/","og_locale":"en_US","og_type":"article","og_title":"The Cameras Behind Popular Netflix Originals: Films and Series","og_description":"Want to know about the cameras behind Netflix Originals? Here are the cameras Netflix has officially approved \u2014 and the films and series using them.","og_url":"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/","og_site_name":"The Beat: A Blog by PremiumBeat","article_publisher":"https:\/\/www.facebook.com\/premiumbeat","article_author":"https:\/\/www.facebook.com\/amiafilmmaker","article_published_time":"2019-03-29T12:00:04+00:00","article_modified_time":"2019-03-29T14:46:55+00:00","og_image":[{"width":755,"height":503,"url":"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2019\/03\/29091535\/the-crown.jpg","type":"image\/jpeg"}],"author":"Mike Maher","twitter_card":"summary_large_image","twitter_creator":"@amiafilmmaker","twitter_site":"@Premiumbeat","twitter_misc":{"Written by":"Mike Maher","Est. reading time":"11 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/","url":"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/","name":"The Cameras Behind Popular Netflix Originals: Films and Series","isPartOf":{"@id":"https:\/\/www.premiumbeat.com\/blog\/#website"},"datePublished":"2019-03-29T12:00:04+00:00","dateModified":"2019-03-29T14:46:55+00:00","author":{"@id":"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/a458e958edadee28fb1eeb6ff8786504"},"description":"Want to know about the cameras behind Netflix Originals? Here are the cameras Netflix has officially approved \u2014 and the films and series using them.","breadcrumb":{"@id":"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.premiumbeat.com\/blog\/cameras-netflix-original-films-series\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.premiumbeat.com\/blog\/"},{"@type":"ListItem","position":2,"name":"Cinematography","item":"https:\/\/www.premiumbeat.com\/blog\/category\/cinematography-2\/"},{"@type":"ListItem","position":3,"name":"The Cameras Behind Popular Netflix Originals: Films and Series"}]},{"@type":"WebSite","@id":"https:\/\/www.premiumbeat.com\/blog\/#website","url":"https:\/\/www.premiumbeat.com\/blog\/","name":"The Beat: A Blog by PremiumBeat","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.premiumbeat.com\/blog\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/a458e958edadee28fb1eeb6ff8786504","name":"Mike Maher","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8706b5a5d5c7dc55df5368927fa662ab9f0918d64db4ffce2987287a914f968a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8706b5a5d5c7dc55df5368927fa662ab9f0918d64db4ffce2987287a914f968a?s=96&d=mm&r=g","caption":"Mike Maher"},"description":"Just another freelance generalist looking to find their way in the creative world. Find me @amiafilmmaker on YouTube, Instagram, Facebook, Twitter, and Tik Tok.","sameAs":["https:\/\/www.facebook.com\/amiafilmmaker","https:\/\/www.instagram.com\/amiafilmmaker\/","https:\/\/www.linkedin.com\/in\/michaelphilipmaher\/","https:\/\/twitter.com\/amiafilmmaker","https:\/\/www.youtube.com\/channel\/UC7mlQwrYGKq7QHFlXejYDmQ","mpmaher"],"url":"https:\/\/www.premiumbeat.com\/blog\/author\/mpmaher\/"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/03\/the-crown.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pab9JK-sS1","_links":{"self":[{"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/posts\/110981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/users\/143"}],"replies":[{"embeddable":true,"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/comments?post=110981"}],"version-history":[{"count":35,"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/posts\/110981\/revisions"}],"predecessor-version":[{"id":111435,"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/posts\/110981\/revisions\/111435"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/media\/111417"}],"wp:attachment":[{"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/media?parent=110981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/categories?post=110981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.premiumbeat.com\/blog\/wp-json\/wp\/v2\/tags?post=110981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}