FilmConvert owns a company called CineMatch, which is now a plugin for Premiere Pro that allows you to color match when working with multiple cameras. Right now, the plugin is only for Adobe Premiere Pro, but it will eventually be available for DaVinci Resolve, FCPX, Avid Media Composer, and so on.<\/p>\n
The plugin isn’t just a bunch of LUTs; rather, it’s a collection of dedicated color profiles based on the sensors from the cameras you set it up with (which, right now, includes Sony a7III, BMPCC4K, GH5, Fujifilm X-T3, and Nikon Z6 \u2014 this list will obviously grow over time.) There is a demo of the software you can check out here<\/a>.<\/p>\n The way it works, you tell the plugin which camera you want as your standard, and then it matches footage\/shots from other cameras accordingly. The plugin is very new, and color grading is always a mixed bag \u2014 especially if you didn’t shoot the footage yourself. So since the plugin is about reading the sensor, if the image is exposed properly on each camera, the science should check out, and you’ll get the same look.<\/p>\n