{"id":113730,"date":"2019-05-30T07:00:49","date_gmt":"2019-05-30T12:00:49","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=113730"},"modified":"2019-05-29T12:27:52","modified_gmt":"2019-05-29T17:27:52","slug":"new-york-vs-los-angeles-filmmaking","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/new-york-vs-los-angeles-filmmaking\/","title":{"rendered":"New York vs. Los Angeles: Which City Is Better for Filmmakers?"},"content":{"rendered":"

In which we discuss whether New York or Los Angeles is better for you as a filmmaker \u2014 and which is more suited for the kind of films you want to make.<\/h2>\n

If you live in another part of the United States or (like I did) another part of the world, New York City and Los Angeles are alluring dreams. You imagine that they\u2019re places where your vision of being a filmmaker can come true.<\/p>\n

Ten years ago, I sold everything I owned and moved to the U.S. to make films. I lived and worked in both New York and Los Angeles for about five years each.<\/p>\n

\"New<\/a>

Image via J Dennis<\/a>.<\/p><\/div>\n

I moved to Los Angeles first and spent two years there trying to get something \u2014 anything<\/em> \u2014 made. I took a heap of meetings, lived in some nice houses, and met some famous people. I didn\u2019t actually do much filmmaking at all. In my experience, Los Angeles makes it easy to feel like a filmmaker, to be in the scene. Then, years go by, and you realize you haven\u2019t achieved anything at all.<\/p>\n

I think part of the issue was budgetary. A “low budget” film in Hollywood is around $1m. That is less than one percent of the budget of a typical studio film, but it’s still a lot of money. It’s way more money than most people can raise from family and friends, and it’s far more money than investors are prepared to bet on someone who\u2019s never made a feature film before.<\/p>\n

\"New<\/a>

Image via Laurin<\/a>.<\/em><\/p><\/div>\n

I moved to New York in late 2010. It was an entirely new beast. I went from hanging out on Venice beach to standing on a crowded subway car with some kids trying to do dance acrobatics. New York was frenetic, busy, and dirty. Growing up in a small mountain town, New York was very intense for me, but it was what I needed.<\/p>\n

New York City was also super expensive, and to live there, I needed to start working again. This meant that I needed to get a real Visa and credit rating, and all the other boring things that go with being alive. So, between finding new clients, doing whatever video work I could hustle, and trying to get legal, I spent the next few years building a life in NYC.<\/p>\n

\"New<\/a>

Image via Stephen Guarch<\/a>.<\/p><\/div>\n

This life turned into an indie film career, starting with a web series I was able to fund through a Kickstarter<\/a> that went on to get a million views on YouTube<\/a>. This opened many doors for me, and it was investors with whom I connected on this project who funded my first feature film.<\/p>\n

That film, Brooklyn Tide<\/em><\/a>, cost a lot less than a million dollars. We shot it in 14 days, in and around the part of Brooklyn where I lived, and it went on to sell to Amazon. I feel it was the depth of amazing talent in NYC that allowed me to make this film for very little money, but more than that, it was the city itself, with its hustle and “let’s do it” attitude.<\/p>\n