{"id":114269,"date":"2019-05-31T06:00:50","date_gmt":"2019-05-31T11:00:50","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=114269"},"modified":"2019-05-30T09:50:03","modified_gmt":"2019-05-30T14:50:03","slug":"gear-companion-apps-solo-filmmakers","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/gear-companion-apps-solo-filmmakers\/","title":{"rendered":"Will Gear Companion Apps Change the Game for Lone Wolf Filmmakers?"},"content":{"rendered":"

Gear companion apps have come a long way, and they’re only getting better. So can they stand in for crew when you’re shooting solo?<\/h2>\n

If you were to scroll through the archives of my lone-wolf<\/a> and no-budget<\/a> filmmaking guides here on PremiumBeat, you would see a consistent theme: gear recommendations for the ultimate “shreditor<\/a>.” The gear needs to be compact, lightweight, and operable by one person. Despite all these recommendations, there’s just always a moment when you could do with an extra pair of hands. Perhaps to pan the camera as you move through the frame (if self-presenting), or to change the gels of the Fresnel fixture. Well, gear companion apps are slowly becoming the extra pair of hands a solo filmmaker needs.<\/p>\n

What are companion apps? They’re smartphone or tablet applications that improve the accessibility of your equipment. I\u2019ve previously covered Panasonic’s Image App<\/a>, which pairs with Panasonic\u2019s GH camera series. It’s arguably one of the best companion apps I’ve used \u2014 from sourcing a live feed to refocusing and changing the aperture. For those who self-present, it\u2019s like having an assistant.<\/p>\n

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I should say that not every piece of equipment has accompanying apps, and not every app works quite as well as the Image App. In fact, in my initial write-up of Panasonic’s image app, I prefaced my thoughts with Companion apps are often pointless additions to make it feel like you\u2019re getting more for your equipment-purchasing money. They rarely offer any new features, other than a visual representation of the user information, found inside the hardware.<\/em> And this is still partly true.<\/p>\n

Nonetheless, we’re seeing an increase in gear shipping with compatible apps \u2014 as well as gear in development that will require a companion app to unlock all features.<\/p>\n

So, will apps ever replace missing crew members?<\/p>\n

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What Do We Need from Sound Apps?<\/h3>\n

I have a Sound Devices MixPre-6 for recording audio. It\u2019s a $900, semi-professional, six-channel field mixer and recorder. It\u2019s a fantastic device that allows me to set up multiple microphones that I can monitor \u2014 and individually mix \u2014 while on location. It’s perfect for when I want to head into the wilderness and capture the remote sounds of an isolated forest. (Try explaining that as a hobby.) However, when it comes to short films, passion projects, or just about anything that needs consistent monitoring, I have to sweet-talk my friend, who is a professional sound recordist, into operating my gear. If I\u2019m in front of the camera, the person creating the sound effects, or just operating the camera in general, I\u2019m going to be unable to mix the audio.<\/p>\n

\"Will<\/a><\/p>\n

Thankfully, Sound Devices has an app called Wingman, available for iOS and Android devices. This app allows you to monitor the audio (in real time) with visual levels relating to your number of channels. You can edit the metadata of the file and send a report to an email address. And, most importantly, you can hit record and stop from the app itself. So what does this do for you?<\/p>\n

Well, often, when self-presenting content online, you\u2019re more than likely going to be using a microphone fed into the camera. However, if you\u2019re recording sound on a separate device, you\u2019re going to have to hit record long before stepping into the frame. While not a world-ending prospect, it’s going to eat up memory, and after each take, you need to move away from your position to end the take. Unless you\u2019re willing to sift through the hours of audio in one long file, these are all great elements in an app. However, we’re missing a significant element \u2014 the ability to adjust the audio gain.<\/p>\n

I believe the reason why this isn\u2019t included is that the MixPre-6 gain knobs have a limited range. You can\u2019t continuously rotate them. The knob starts at 7 o\u2019clock and ends at 4 o\u2019clock. As a result, if you were to adjust the gain levels on the app, the knob position on the MixPre-6 wouldn’t correlate. While this is a downside to the Wingman App, Tascam’s DR app does allow for gain changes, along with the other features included in Wingman.<\/p>\n

We have an app that can edit metadata, start and stop recording, and (if you’re using the Tascam app) even adjust the audio gain. All these factors allow a filmmaker to move away from the audio device and concentrate on something else.<\/p>\n

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What Do We Need for Camera Apps?\u00a0<\/strong><\/h3>\n

The GH5 has a handy app that allows you to adjust all variables of the camera\u2019s settings. But, as I covered in the write-up<\/a>, that app was primarily a photography app. Blackmagic, however, does have a designated app for their cameras that have integrated Bluetooth.<\/p>\n

\"Will<\/a><\/p>\n

The app is aptly called Camera Control, and as you might have guessed, it controls the camera. You can adjust 99 percent of the recording properties from the app \u2014 from the aperture and frame rate to the white balance and ISO. The app even includes a metadata page where you can quickly add shot information (more easily than on the URSA Pro or BMPCC4K small LCD screen). I find myself using this app to quickly tag a good take.<\/p>\n