{"id":116291,"date":"2019-07-08T07:00:15","date_gmt":"2019-07-08T12:00:15","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=116291"},"modified":"2019-07-02T09:33:42","modified_gmt":"2019-07-02T14:33:42","slug":"10-lessons-first-feature-documentary","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/10-lessons-first-feature-documentary\/","title":{"rendered":"Ten Lessons I Learned from My First Feature Documentary"},"content":{"rendered":"

It’s important to constantly evolve throughout your journey as a filmmaker. Here are ten lessons I learned while making my first feature documentary.<\/h2>\n

It\u2019s been four years since my first feature documentary was completed. Overall, it was one of the most rewarding and educational experiences of my filmmaking journey, even to this day. It taught me what it takes to be a filmmaker, how to tell a story, and how necessary it is to constantly evolve and progress throughout your filmmaking journey.<\/p>\n

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No One Will Love Your Film as Much as You Do<\/h3>\n

While halfway through post-production on my documentary, I was diligently searching for a well-established documentary producer to join our film. We wanted the perfect person to take it across the finish line and out into the world \u2014 with success. Like everyone else, I wanted the entire world to see the film.<\/p>\n

I was fortunate enough to score a meeting with the best, most well-established documentary filmmaker in the city. I was stoked. We met over coffee and discussed his films, documentary filmmaking as a whole, and finally, my film. After I made a strong pitch for him to join, one of the things he told me that I\u2019ll never forget: \u201cNo one will love your film as much as you do.\u201d<\/p>\n

This hit like a ton of bricks and was a tough pill for me to shallow. I thought, of course everyone’ll love my film as much as I do. They\u2019d be crazy not to.<\/p>\n

However, after four years, those words couldn\u2019t be anymore true today than they were the first time I heard them. Your film is your baby, and will always be your baby.<\/p>\n

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Director Tanner Shinnick filming a scene for our documentary.<\/p><\/div>\n

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Filmmaking Is a Lot of Work<\/h3>\n

The day that we picture-locked our film \u2014 it was a release. It was two years of consistent blood, sweat, and tears that was now completed. So much, in fact, that once the export was finished, I laid on the floor and just reminisced about the experience.<\/p>\n

There\u2019s a reason for the term \u201cSophomore Blues.\u201d Many times, after completing their first film, filmmakers will fall into a slump. Particularly if you\u2019re making a film on a shoestring budget \u2014 it takes a lot out of you.<\/p>\n

Much too often, we forget how much work the filmmaking process can be, especially with a feature. Essentially, your filmmaking palette becomes more refined as you make films. In the end, this refined sense may actually work to your advantage when picking the right idea for your next film.<\/p>\n

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It\u2019s a Process, Not an Event<\/h3>\n

Making a great film doesn\u2019t end when you come up with a great idea or finish writing the perfect script. It starts there. Making a great film is a process with multiple finish lines, each of which should be accomplished with the same amount of diligence and dedication. When you work with the same amount of vigor and intensity through the entire filmmaking process, that\u2019s what will make the best film. Ultimately, that\u2019s what matters. There\u2019s no greater feeling than knowing you made the best film to your ability.<\/p>\n

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If You Follow People Around Long Enough, Conflict Will Happen<\/h3>\n

At that point, we were too far into the story to write it off as a lost cause. We had to continue filming, and luckily we did. Unplanned and unanticipated conflict eventually happened, and in this case, the best kind.<\/p>\n

Ever since that moment, I\u2019ve subscribed to the notion that if you follow people around long enough, conflict will happen. Humans are prone to conflict, you just have to stick around to witness it.<\/p>\n

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Surround Yourself with People Who Really Believe in Your Project<\/h3>\n

Most of the time, you\u2019re making your first film on a shoestring budget. This typically requires calling in favors to your list of filmmaking friends. Making a movie takes a lot of energy and effort. However, if you\u2019re surrounded by a support group that believes in and supports you in the process, it makes those difficult parts of the filmmaking process much easier.<\/p>\n

One great example is at one point during production, we ran out of money. However, there was a storyline we really wanted to film. With no money, our only option to make it work \u2014 with consideration for equipment rentals \u2014 was to sleep in the back of our car, in a Walmart parking lot, for the first night of production. And that\u2019s exactly what I and one of the film’s dedicated producers did.<\/p>\n

\"Ten<\/a>

Director of Photography, Lars Lindstrom, lines up a shot.<\/p><\/div>\n

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Hire a Great Editor<\/h3>\n

When it comes to documentary filmmaking, one easy mistake you can make is just dumping all your footage onto drives, then editing once you\u2019re done filming. This is what we did, and honestly, I regret that the most.<\/p>\n

For a documentary, a great editor is also a great organizer. When you hit the edit bay and have 200 hours of footage that needs to be cut down to ninety minutes, only a great editor can accomplish that task. A great edit will make or break your film. Find the best editor you can afford, treat them well, and give them solid direction. If you approach your edit and editor with the same consistency and devotion that you apply toward your film as a whole, you\u2019ll create a much better and stronger film. Don\u2019t treat the edit as a means to an end. It\u2019s a necessary process that should be treated as such.<\/p>\n

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Asking for Money Will Always Be Awkward \u2014 Get Over It<\/h3>\n

This is the best fundraising advice I ever received. Don\u2019t attempt some slick sales tactic to convince someone to invest in your film, or invite them to coffee without telling them your intent. Always let people know from the beginning that you\u2019re asking for money. Yes, it\u2019s awkward. But not nearly as awkward as bringing it up out of the blue after a thirty-minute, unrelated conversation.<\/p>\n

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Share Your Process<\/h3>\n

Unfortunately, we\u2019re not Quentin Tarantino<\/a>. Until we are, working in a world of secrecy really only hurts the success of our film. People want to see the process. Show the future audience the behind-the-scenes. In the age of social media, sharing your process and informing your future audience only helps the film, and inherently builds a strong, dedicated audience for when the film is finally released. People want to see your process. Share it.<\/p>\n

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Make Sure Interest Groups Around Your Subject Know You’re Making the Film<\/h3>\n

One of the biggest advantages with our documentary film is that we quickly informed the interest groups around our subject that we were filming this project. Luckily, that worked in our favor in terms of funding opportunities. It also builds an essential grassroots support group.<\/p>\n

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When It’s Over, You Have to Keep Making Films<\/h3>\n

Unless you\u2019re extremely lucky, your first film won\u2019t make you the next Ryan Coogler<\/a>. You have to continue making films to refine your process. The more films you make, the better filmmaker you\u2019ll become. Much like making a film, becoming an established filmmaker is also a process and not just a singular event.<\/p>\n

Overall, making a feature documentary is a fantastic filmmaking experience. This made me fall in love with the process and I\u2019m excited to start it again soon. Of course, with these lessons in tow.<\/p>\n

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Cover image via hxdbzxy<\/a>.<\/em><\/p>\n

Want to learn more about getting started in filmmaking? Check these out.<\/p>\n