{"id":120232,"date":"2019-09-19T06:00:50","date_gmt":"2019-09-19T11:00:50","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=120232"},"modified":"2019-09-11T11:07:58","modified_gmt":"2019-09-11T16:07:58","slug":"reasons-not-to-cut-your-own-dp-showreel","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/reasons-not-to-cut-your-own-dp-showreel\/","title":{"rendered":"Why You Shouldn&#8217;t Cut Your Own Director of Photography Showreel"},"content":{"rendered":"<h2 id=\"in-this-breakdown-we-look-at-some-common-pitfalls-when-cutting-a-showreel-how-to-successfully-present-your-product-and-why-this-is-so-important\">In this breakdown, we look at some common pitfalls when cutting a showreel, how to successfully present your product, and why this is so important.<\/h2>\n<p>When I\u2019m producing a project, I spend a lot of time watching reels and trying to find the right cinematographer for the project. Unfortunately, there are many great shooters who aren\u2019t doing themselves any favors when present their own work. So here are a few reasons why, as a DP, you should not cut your own showreel.<\/p>\n<hr \/>\n<h3 id=\"youre-the-worst-person-to-cut-your-own-showreel\">You&#8217;re the Worst Person to Cut Your Own Showreel<\/h3>\n<div id=\"attachment_120391\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-120391\" class=\"wp-image-120391 size-full\" title=\"Why You Shouldn't Cut Your Own Director of Photography Showreel \u2014 Outside Perspective\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg\" alt=\"Why You Shouldn't Cut Your Own Director of Photography Showreel \u2014 Outside Perspective\" width=\"755\" height=\"504\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg?resize=359,240 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg?resize=560,374 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/09\/cutting-dp-showreel.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-120391\" class=\"wp-caption-text\">Image via <a href=\"https:\/\/www.shutterstock.com\/image-photo\/filming-professional-camer-film-crew-692808937?src=fDcq0lQcWXEfG2JB5P2ceg-1-43\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">ponsulak<\/a>.<\/p><\/div>\n<p>It\u2019s hard to forget the circumstances on set \u2014 or the long hours in post that made a particular shot possible. DPs are infamous for including shots they think are technically impressive, not knowing that the typical producer or director has no idea what was involved and doesn\u2019t care. They&#8217;re simply looking for the best work.<\/p>\n<p>Beyond the specifics of what to include, there&#8217;s a deeper reason to have someone else cut your own reel. Editing is a specialized skill, just like cinematography. Just because you have Premiere or Final Cut on your computer doesn\u2019t make you an editor. Your showreel is the single most important tool for getting work. Are you really going to trust that to someone who has never had a professional editing job?<\/p>\n<p>DPs who cut their own reels are similar to actors who take their own headshots. Their efforts are usually only satisfactory, at best.<\/p>\n<hr \/>\n<h3 id=\"get-to-the-good-stuff-quickly\">Get to the Good Stuff Quickly<\/h3>\n<p><iframe loading=\"lazy\" title=\"Narrative Reel\" src=\"https:\/\/player.vimeo.com\/video\/18127525?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p><em>(Narrative reel \u2014 <a href=\"http:\/\/www.imdb.com\/name\/nm1329360\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Polly Morgan<\/a>).<\/em><\/p>\n<p>You can\u2019t treat a showreel like something people will watch in its entirely. You get thirty seconds to grab someone&#8217;s attention. Producers are watching hundreds of reels to find the right person, and the next one is just a click away. Don\u2019t spend the first twenty seconds putting your name on screen. People already know who you are because they\u2019ve come to your website to watch it. Put a slate at the end with your name and email. If the reel is impressive, people will make the effort to find out who did it.<\/p>\n<hr \/>\n<h3 id=\"youre-only-as-good-as-the-worst-thing-on-your-reel\">You\u2019re Only as Good as the Worst Thing on Your Reel<\/h3>\n<p><iframe loading=\"lazy\" title=\"Person Of Interest reel\" src=\"https:\/\/player.vimeo.com\/video\/95596869?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p><em>(Person of Interest Reel \u2014 <a href=\"http:\/\/www.imdb.com\/name\/nm1193850\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Matthew Billeter<\/a>)<\/em><\/p>\n<p>Filmmaking is a cynical business. Others will judge you according to your worst work, not your best. If you have ten great projects and one mediocre one on your reel, producers are going to assume that you\u2019re also proud of the mediocre one and will probably do mediocre work for them.<\/p>\n<p>You need to be constantly updating your reel (meaning have it re-cut), so that everything on there represents your best work. This may sound like a lot of time and money (and it is!), but one good job can pay for a lifetime of reels, and you can only get that job with the right reel.<\/p>\n<p>The reality is that you&#8217;re going to get work similar to what\u2019s already on your reel. Very few people are going to take the risk of hiring someone who doesn\u2019t have experience with the genre, style, or technical aspects of what they\u2019re seeking. If you don\u2019t want to shoot a particular kind of work (green screen or interviews, for example), don\u2019t put that on your reel.<\/p>\n<hr \/>\n<h3 id=\"what-you-put-on-your-reel-is-as-important-as-how-good-it-is\">What You Put on Your Reel Is as Important as How Good It Is<\/h3>\n<p>People are looking for more than flashy pictures. No one cares what cameras or lenses you shot with. They want to see how you can create a sense of story and a world that goes beyond the frame.<\/p>\n<hr \/>\n<p><em>Cover image via <a href=\"https:\/\/www.shutterstock.com\/image-photo\/video-camera-operator-working-his-equipment-556157896?src=oOFhGtOquInbxg9JAAGNQw-1-0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">nampix<\/a>.<\/em><\/p>\n<p>Looking for more on filmmaking and video production?<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/francis-ford-coppolas-signature-dolly-move\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Learn Francis Ford Coppola&#8217;s Signature Dolly Move<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/how-to-produce-short-film\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Essential Advice on Producing Your Own Short Film<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/how-to-use-fiz-system\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">FIZ Systems (Focus, Iris, Zoom) and How to Use Them<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/is-autofocus-useful-in-filmmaking\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Is Autofocus Finally Ready to Take The Filmmaking Field?<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/productivity-for-filmmakers\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">How to Maximize Your Time and Productivity as a Filmmaker<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In this breakdown, we look at some common pitfalls when cutting a showreel, how to successfully present your product, and why this is so important.<\/p>\n","protected":false},"author":158,"featured_media":120384,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[715,1],"tags":[857],"class_list":["post-class-post-120232","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-industry","post-class-category-various","post-class-tag-industry-2"],"acf":[],"yoast_head":"<!-- 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