{"id":125719,"date":"2020-02-07T11:08:12","date_gmt":"2020-02-07T17:08:12","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=125719"},"modified":"2020-02-10T13:14:53","modified_gmt":"2020-02-10T19:14:53","slug":"parasite-editor-jinmo-yang","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/parasite-editor-jinmo-yang\/","title":{"rendered":"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets"},"content":{"rendered":"<h2 id=\"editor-jin-mo-yang-shares-explains-why-he-still-uses-final-cut-pro-7-and-he-shares-his-approach-to-editing-parasite-winner-of-2020-academy-award-for-best-picture\">Editor Jin-mo Yang shares explains why he still uses Final Cut Pro 7, and he shares his approach to editing <i data-stringify-type=\"italic\">Parasite \u2014<\/i> winner of 2020 Academy Award for Best Picture.<\/h2>\n<p>It&#8217;s hard to explain the theater experience you get from watching <a href=\"https:\/\/www.imdb.com\/title\/tt6751668\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Parasite<\/em><\/a>. It&#8217;s an absolute roller coaster of genres, shifting from an energetic drama to a satirical take on class structure, then blasting you down a steep hill out of nowhere into terrifying thriller territory. It shifts, moves, bends, and weaves through traditional film-genre structures, leaving the audience with a dazzling yet confusing ending. But what else could we expect from master filmmaker <a href=\"https:\/\/www.imdb.com\/name\/nm0094435\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Bong Joon-ho<\/a>?<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/isOGD_7hNIY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><em>Parasite <\/em>has dazzled audiences around the world, currently raking in $133 million worldwide, and securing both the Golden Globe Best Picture award and the Academy Award for Best Picture &#8211; The first foreign language film to do so. It also went for a historic sweep at this year&#8217;s Oscars &#8211; securing the awards for Best Picture, Best Director, Best International Feature Film, and Best Original Screenplay.<\/p>\n<div id=\"attachment_126672\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126672\" class=\"wp-image-126672 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Jinmo Yang with Bong Joon-ho and Company\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Jinmo Yang with Bong Joon-ho and Company\" width=\"755\" height=\"755\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg?resize=150,150 150w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg?resize=300,300 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg?resize=277,277 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg?resize=359,359 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg?resize=543,543 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg?resize=560,560 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/jinmoandbong.jpg?resize=96,96 96w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126672\" class=\"wp-caption-text\">Jin-mo Yang receiving an award for Parasite. Image via CJ Entertainment.<\/p><\/div>\n<p>If we open the curtain behind the making of this incredible piece of filmmaking, there&#8217;s a lot of artistry that went along with Bong Joon-ho&#8217;s vision formed in the edit bay. That&#8217;s all thanks to <em>Parasite<\/em>&#8216;s Academy Award-nominated editor, <a href=\"https:\/\/www.imdb.com\/name\/nm2185967\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Jin-mo Yang<\/a>. Jin-mo has collaborated with Joon-ho on some of his other famous works, such as <a href=\"https:\/\/www.imdb.com\/title\/tt3967856\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Okja<\/em><\/a> and <a href=\"https:\/\/www.imdb.com\/title\/tt1706620\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Snowpiercer<\/em><\/a>. We got to sit down with Jin-mo Yang to discuss his workflow for the film, and his process throughout post-production to deliver the final, fantastic result.<\/p>\n<hr \/>\n<h3 id=\"with-a-little-help-from-on-set-editing\">With a Little Help from On-Set Editing<\/h3>\n<div id=\"attachment_126667\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/bts2.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126667\" class=\"wp-image-126667 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Bong Joon-ho Filming Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/bts2.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Bong Joon-ho Filming Parasite\" width=\"755\" height=\"426\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/bts2.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/bts2.jpg?resize=300,169 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/bts2.jpg?resize=277,156 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/bts2.jpg?resize=359,203 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/bts2.jpg?resize=543,306 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/bts2.jpg?resize=560,316 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/bts2.jpg?resize=150,85 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126667\" class=\"wp-caption-text\">Bong Joon-ho filming a scene from <em>Parasite<\/em>. Image via CJ Entertainment.<\/p><\/div>\n<p>One of Jin-mo&#8217;s pocket tricks for capturing the energy during filming is by utilizing an on-set editor. His assistant would take the shots directly from the camera, then come up with a quick edit on-the-fly, so that the director and actors would have a solid reference to watch, while performing the scenes.<\/p>\n<blockquote><p>I had my assistant editor on set, who has done on-set editing for <em>Okja<\/em> in Korea, as well. I received the on-set edits in my editing room and gave direct feedback, preparing for final edit. So, those on-set edits were actually the assembly edits. What I have learned from on-set editing is that you could feel more viral energy on the set, which is unimaginable in the editing room. Such energy is, indeed, not essential when you edit, but it is a crucial experience that a filmmaker and an editor should acquire. On set, the production staff and actors struggle really hard to realize a scene, and the on-set editor should refine those scenes visually right after the shooting, and show those to the director in order to move onto the next scene with confidence. With such process, you can easily find the rhythm of the sequence, and finalize it with the pre-edited version with a basic structure.<\/p><\/blockquote>\n<div id=\"attachment_126671\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126671\" class=\"wp-image-126671 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Woo-sik Choi in Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Woo-sik Choi in Parasite\" width=\"1280\" height=\"536\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg 1280w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=300,126 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=768,322 768w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=1024,429 1024w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=277,116 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=359,150 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=543,227 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=865,362 865w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=994,416 994w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=560,235 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=600,250 600w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/familypicturewall.jpg?resize=150,63 150w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><p id=\"caption-attachment-126671\" class=\"wp-caption-text\">Yang&#8217;s editing technique creates a rhythm for each scene. Image via CJ Entertainment.<\/p><\/div>\n<p>This on-set editing trick is extremely helpful in avoiding a missed shot. And, since Bong Joon-ho <a href=\"https:\/\/nofilmschool.com\/parasite-editor-interview\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">does not record coverage or even master shots for that matter<\/a>, it&#8217;s a great way to prepare the editor when he starts his first pass-throughs in the edit bay.<\/p>\n<hr \/>\n<h3 id=\"using-final-cut-pro-7-in-2019\">Using Final Cut Pro 7 in 2019<\/h3>\n<div id=\"attachment_126681\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/window.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126681\" class=\"wp-image-126681 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Ji-so Jung in Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/window.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Ji-so Jung in Parasite\" width=\"755\" height=\"424\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/window.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/window.jpg?resize=300,168 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/window.jpg?resize=277,156 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/window.jpg?resize=359,202 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/window.jpg?resize=543,305 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/window.jpg?resize=560,314 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/window.jpg?resize=150,84 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126681\" class=\"wp-caption-text\">Yang used Final Cut Pro 7 when editing <em>Parasite<\/em>. Image via CJ Entertainment.<\/p><\/div>\n<p>One of the most interesting bits to learn about Jin-mo (but not surprising to long-time seasoned editors) is his preference for Final Cut 7. Many old school editors know that the update from Final Cut 7 to Final Cut X was a drastic one, and turned off a lot of editors from Apple&#8217;s flagship NLE.<\/p>\n<blockquote><p>I use Final Cut Pro 7. I have been using this program for more than twenty years and I think this is the most convenient and stable program. But, since Apple does not support the program anymore, I needed to maintain the OS at Mac OS Yosemite version. I always start editing from the first scene. Mostly, I begin with rough cuts. For <em>Parasite<\/em>, on-set edits were the assembly edits. So, I watch entire on-set edits first and refine it from the scene Number One.<\/p><\/blockquote>\n<div id=\"attachment_126680\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/theguests.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126680\" class=\"wp-image-126680 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Myeong-hoon Park and Jeong-eun Lee in Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/theguests.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Myeong-hoon Park and Jeong-eun Lee in Parasite\" width=\"755\" height=\"319\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/theguests.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/theguests.jpg?resize=300,127 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/theguests.jpg?resize=277,117 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/theguests.jpg?resize=359,152 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/theguests.jpg?resize=543,229 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/theguests.jpg?resize=560,237 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/theguests.jpg?resize=150,63 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126680\" class=\"wp-caption-text\">On-set edits helped both actors and crew with reference to timelines. Image via CJ Entertainment.<\/p><\/div>\n<blockquote><p>When I finish refining the scenes, I reaffirm the entire flow and tempo of the film, and then go back to the scenes that have problems, to edit them shot by shot. I repeat this cycle over and over until I finalize even the meticulous details. After we get music, ADR, and VFX shots, I put them in cuts so they could keep the flow.<\/p><\/blockquote>\n<p>As it goes for most editors, once you&#8217;ve found your preferred editing software, it&#8217;s hard to switch off of it. Now, we just need Apple to release a legacy edition of Final Cut Pro 7, so we don&#8217;t have to keep our computers on Yosemite to access the program.<\/p>\n<hr \/>\n<h3 id=\"using-vfx-experience-in-the-edit-bay\">Using VFX Experience in the Edit Bay<\/h3>\n<div id=\"attachment_126669\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126669\" class=\"wp-image-126669 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Woo-sik Choi and Kang-ho Song in Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Woo-sik Choi and Kang-ho Song in Parasite\" width=\"755\" height=\"505\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg?resize=300,201 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg?resize=359,240 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg?resize=543,363 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg?resize=560,375 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/eatingdinner.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126669\" class=\"wp-caption-text\"><em>Parasite<\/em>&#8216;s detail-oriented shots and transitions assisted with the pacing of the movie. Image via CJ Entertainment.<\/p><\/div>\n<p>One of the most fascinating parts of\u00a0<em>Parasite\u00a0<\/em>was it&#8217;s stellar pacing, all thanks to the extremely detail-oriented montage shots and the masterful transitions from one genre to another. But, on first watch, it doesn&#8217;t seem like any VFX was used to create these sequences. Since Jin-mo Yang has a plethora of experience with VFX \u2014 such as being the VFX supervisor for Joon-ho&#8217;s <em>Snowpiercer<\/em> \u2014 he was able to stitch together shots to get that certain look he wanted from the shot, that wasn&#8217;t captured on set.<\/p>\n<blockquote><p>I love the chaotic &#8220;Ram-Don&#8221; sequence. But, once again, one of the problems we faced while editing was that the pacing of certain shots were lagging. This went against the chaotic energy we were looking for.<\/p><\/blockquote>\n<div id=\"attachment_126673\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126673\" class=\"wp-image-126673 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Yeo-jeong Jo in Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Yeo-jeong Jo in Parasite\" width=\"755\" height=\"316\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg?resize=300,126 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg?resize=277,116 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg?resize=359,150 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg?resize=543,227 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg?resize=560,234 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg?resize=600,250 600w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/kitchenscene.jpg?resize=150,63 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126673\" class=\"wp-caption-text\">Image via CJ Entertainment.<\/p><\/div>\n<blockquote><p>One solution I came up with was to &#8220;stitch&#8221; together multiple shots that had great rhythms, so that they look like a single shot. For example, there is an overhead shot of Chung-sook&#8217;s hands preparing the ram-don. The problem was that Chung-sook&#8217;s movements were too slow, making the shot too monotonous. So, I suggested that we use different takes for each of her hands, to make it look like she&#8217;s moving them simultaneously. Upon viewing the final shot, you won&#8217;t notice that it was created by stitching various components from two different shots.<\/p><\/blockquote>\n<div id=\"attachment_126678\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126678\" class=\"wp-image-126678 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Sun-kyun Lee and Yeo-jeong Jo in Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Sun-kyun Lee and Yeo-jeong Jo in Parasite\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/parkfamilywhisper.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126678\" class=\"wp-caption-text\">Image via CJ Entertainment.<\/p><\/div>\n<blockquote><p>Another example would be the shot of Ki-taek and Ki-woo, each dragging Geun-se and Moon-gwang towards the underground bunker. This was also a composition of two different takes because after Ki-taek and Geun-se appear in the shot, it took a long time before Ki-woo and Moon-gwang appeared. So, once again, I stitched the figures so they were much closer together, and we were able to create a lot of action within a single shot. Through this technique, we were able to create the exact beats and rhythms we wanted. Although subtle, these adjustments furthered the chaotic energy we were pursuing.<\/p>\n<p>As you can guess by now, stitching two shots as if they&#8217;re one was a frequent task of mine. One of my strengths is that my VFX skills are proficient enough to create convincing &#8220;mock-up&#8221; shots on the spot. Hence, we are able to experiment freely, without having to wait for the VFX vendors to create the shots.<\/p><\/blockquote>\n<div id=\"attachment_126674\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/mrmspark.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126674\" class=\"wp-image-126674 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Sun-kyun Lee and Yeo-jeong Jo in Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/mrmspark.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Sun-kyun Lee and Yeo-jeong Jo in Parasite\" width=\"755\" height=\"503\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrmspark.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrmspark.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrmspark.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrmspark.jpg?resize=359,239 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrmspark.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrmspark.jpg?resize=560,373 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrmspark.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126674\" class=\"wp-caption-text\">Yang&#8217;s on-set experimentation facilitated in achieving the film&#8217;s overall success. Image via CJ Entertainment.<\/p><\/div>\n<p>Editors know it can be a tedious process waiting for a VFX artist to get back to you with mock-ups, so having the ability to get the look you want on-the-fly, with your own experience, is a great way to get a rough cut looking the way you want before sending it out to get the VFX treatment.<\/p>\n<hr \/>\n<h3 id=\"painting-out-the-rhythm-of-pacing\">Painting out the Rhythm of Pacing<\/h3>\n<div id=\"attachment_126675\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126675\" class=\"wp-image-126675 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Yeo-jeong Jo in Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg\" alt=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Yeo-jeong Jo in Parasite\" width=\"755\" height=\"501\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg?resize=300,199 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg?resize=277,184 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg?resize=359,238 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg?resize=543,360 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg?resize=560,372 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mrsparkstairs.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126675\" class=\"wp-caption-text\">Tailoring a scene was of great importance in the filming of <em>Parasite<\/em>. Image via CJ Entertainment.<\/p><\/div>\n<p><strong><em>WARNING: Spoilers ahead.\u00a0<\/em><\/strong><\/p>\n<p>Since\u00a0<em>Parasite\u00a0<\/em>was formed mostly in the storyboards, with little room for improvisation, the full labor of editing was not as intense for Jin-mo as other projects he&#8217;s encountered. But, one of the hardest parts of the editing process was getting the right rhythm in some scenes. In the absolutely bonkers final scene of the film, there were a few moments that held extreme significance that needed to be examined and expertly tailored down to the very last frame.<\/p>\n<blockquote><p>Actually, <em>Parasite<\/em> had the smoothest process among what I have edited so far. Editing itself wasn\u2019t hard. Rather than the structure of the film, I believe the most important thing for editing <em>Parasite<\/em> was the details and rhythm of some specific scenes. If I really need to point out one, I would like to say it was the &#8220;birthday party scene.&#8221; There is a scene where Ki-taek and Mr. Park talk to each other wearing Native American costumes. I put a lot of effort into that scene, as the essence of the scene was to maximize the tension between the two, and to capture Ki-taek\u2019s emotional state with a delicate touch. I repeated this tons of time to shorten and loosen the frames in order to set a perfect timing for even the blinking moment of Ki-taek and Mr. Park.<\/p><\/blockquote>\n<div id=\"attachment_126676\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126676\" class=\"wp-image-126676 size-full\" title=\"Academy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 Kang-ho Song in a Scene from Parasite\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg\" alt=\"Kang-ho Song in a Scene from ParasiteAcademy Award-Nominated Editor Jin-mo Yang Shares His Secrets \u2014 \" width=\"755\" height=\"424\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg?resize=300,168 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg?resize=277,156 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg?resize=359,202 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg?resize=543,305 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg?resize=560,314 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/02\/mysteriousrock.jpg?resize=150,84 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-126676\" class=\"wp-caption-text\">The details and rhythm of specific scenes were of great concern to Yang. Image via CJ Entertainment.<\/p><\/div>\n<p>In the climax of the film, the patriarch of the Kim family, Ki-taek, takes a dramatic turn \u2014 in a chilling way \u2014 and stabs his boss, Mr. Park. This scene was a culmination of all of the events of the film coming together in an extremely chaotic way. Since the reveal is not explicitly told through dialogue, editing the takes preceding the stabbing took a keen eye, to look at the expressions the actors were displaying to get the message across.<\/p>\n<blockquote><p>The most difficult sequence to edit was fully conveying the change in Ki-taek&#8217;s facial expressions right before he stabs Mr. Park. Ever since I had received the screenplay for <em>Parasite<\/em>, I asked Director Bong why Ki-taek murders Mr. Park. At that time, it felt somewhat out of place. In the end, I believed in the acting prowess of <a href=\"https:\/\/www.imdb.com\/name\/nm0814280\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Kang-ho Song<\/a> (who performs Ki-taek). For every moment during this sequence, I labored to discover the most truthful emotions and facial expressions of Ki-taek. When Mr. Park &#8220;scolds&#8221; him for not playing along with the Native American theme party, his facial expression begins to change in such a way that the audience becomes convinced that Ki-taek is &#8220;changing&#8221; internally.<\/p><\/blockquote>\n<p><em>Cover image via <a href=\"http:\/\/www.cj-entertainment.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">CJ Entertainment<\/a>.<\/em><\/p>\n<hr \/>\n<p>Looking for more on filmmaking and FVX? Check these out.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/recreating-the-look-of-the-lighthouse\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Recreating the Look of Oscar-Nominated Film \u201cThe Lighthouse\u201d<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/blue-screen-vs-green-screen\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Blue Screen Vs. Green Screen: Which One Do You Need?<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/filmmaking-insights-from-modern-film-television\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">7 Filmmaking Insights from Modern Film and Television<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/kinetic-filmmaking-energy-safdie-brothers\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Capturing the Kinetic Filmmaking Energy of the Safdie Brothers<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/interview-michael-conelly-ar-vr-technology\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">VFX Master Michael Conelly Talks AR and VR Technology<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Editor Jin-mo Yang shares with us why he still uses Final Cut Pro 7 and his approach to editing the multi-genre, Golden Globe-winning film Parasite.<\/p>\n","protected":false},"author":111,"featured_media":126682,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3843,39],"tags":[509,6229,508,6228],"class_list":["post-class-post-125719","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-filmmaking-2","post-class-category-video-editing","post-class-tag-academy-awards","post-class-tag-bong-joon-ho","post-class-tag-oscars","post-class-tag-parasite"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - 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