{"id":1290,"date":"2011-06-11T17:45:04","date_gmt":"2011-06-11T21:45:04","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=1290"},"modified":"2012-05-21T14:00:39","modified_gmt":"2012-05-21T18:00:39","slug":"video-tutorial-creating-a-traveling-highlight-ken-burns-style-in-avid-media-composer","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/video-tutorial-creating-a-traveling-highlight-ken-burns-style-in-avid-media-composer\/","title":{"rendered":"Video Tutorial: Creating a Traveling Highlight &#8220;Ken Burns style&#8221; in Avid Media Composer"},"content":{"rendered":"<h2 id=\"in-this-video-tutorial-youll-explore-how-to-replicate-the-famous-highlight-and-zoom-effect-made-famous-by-documentarian-ken-burns\">In this video tutorial, you\u2019ll explore how to replicate the famous &#8220;highlight-and-zoom&#8221; effect, made famous by documentarian Ken Burns.<\/h2>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/24970588?portrait=0\" frameborder=\"0\" width=\"600\" height=\"338\"><\/iframe><\/p>\n<p>This <strong>Avid Media Composer video tutorial<\/strong> will show you how to:<\/p>\n<ul>\n<li>Zoom in on an area of a still photograph using the Resize effect<\/li>\n<li>Autonest a 3D Warp effect to combine multiple effects<\/li>\n<li>Adjust the Highlight and Shape parameters within the 3D Warp effect to create the appropriate highlight effect<\/li>\n<li>Use keyframes to animate the effect to match the zoom (&#8220;Ken Burns style&#8221;)<\/li>\n<li>Save the effect template for later use<\/li>\n<\/ul>\n<p><strong>Full Video Transcriptions<\/strong><\/p>\n<p>Hello, this is Ashley Kennedy from www.PremiumBeat.com here to show\u00a0you how to perform an often used documentary trick, made famous by <strong>Ken<\/strong><br \/>\n<strong>Burns<\/strong>. Casting a highlight in an area of the frame usually to bring\u00a0emphasis to a certain person or object. In <strong>Avid Media Composer<\/strong> it&#8217;s pretty\u00a0easy to do using the highlight parameter within the 3D warp effect. Here I\u00a0have a photo of the University of Illinois 1952 Rose Bowl team. This guy\u00a0right here is my grandfather, and if I&#8217;m making a documentary about him,\u00a0what I&#8217;d like to do is bring emphasis to him as I zoom in on him. I want to\u00a0highlight him, while I&#8217;m zooming in on the whole photo. I&#8217;m going to show\u00a0you how to do that.<\/p>\n<p>First of all, we need to perform the zoom in. There&#8217;s many ways to do this.\u00a0Probably the best way to do it is to use the <strong>Avid pan and zoom<\/strong> effect, but\u00a0that&#8217;s a whole other tutorial. I&#8217;m going to do it using a method that&#8217;s a\u00a0little bit easier, and probably something you already know, just a resize\u00a0I&#8217;m just going to grab resize and put it on my video track. Open up my\u00a0effect editor, and let&#8217;s go ahead and add a key frame at the beginning, and\u00a0I&#8217;ll add a keyframe right here, a little bit before the end, and then\u00a0another one at the end, like so. What we want to do is go ahead and make\u00a0sure that we crop off the sides. So I&#8217;ll zoom in just a little bit at the\u00a0beginning, put our fixed aspect on, so, that will be our first frame. Then,\u00a0we come here, and this is where we want the zoom to end. I&#8217;m just going to\u00a0zoom in and then reposition. OK. So, we&#8217;ll have the highlight basically go\u00a0from here to here. Then what we want to do is let it stay at this size for\u00a0the last second or so. So, I&#8217;m just going to copy the parameters here,\u00a0command C, or control C if I was on a PC, and paste them here, command V.<\/p>\n<p>Let&#8217;s just take a look at the zoom and see if we like it. This is over\u00a0about five seconds, by the way. We&#8217;re holding at the end. Looks good. Maybe\u00a0I want to move this over just a little bit. Again, that&#8217;s an option drag,\u00a0or alt drag if I was on a PC. That looks good. We have the zoom part of\u00a0this finished. Go ahead and close the effects editor. The next thing you\u00a0want to do is add a <strong>3D warp<\/strong> effect to this. OK? There&#8217;s a couple of ways to\u00a0do this. The easiest way to do this is to auto-nest the 3D warp effect. \u00a0Let&#8217;s grab our 3D warp effect in the blend category. Auto-nesting simply\u00a0means that we are putting an effect on top of another effect. You do this\u00a0by option dragging the 3D warp effect, on top. We can check that there are\u00a0two effects in there by double-clicking. So, here&#8217;s my re-size, and here&#8217;s\u00a0my 3D warp.<\/p>\n<p>Now, what we want to do is open up the effect editor, and the parameter\u00a0that we&#8217;re going to be using is the <strong>highlight parameter<\/strong>. Here it is. I&#8217;m\u00a0just going to open that up and enable it. It doesn&#8217;t look too good right\u00a0away, but we&#8217;re going to fix that. First of all, let&#8217;s go ahead and make\u00a0sure that we are at the beginning. We&#8217;ll add a key frame here, and match up\u00a0when the movement stops, which is about right here for the key frame. And\u00a0another one at the end for the hold. I&#8217;m actually going to press command A\u00a0to select all key frames, because we want to start this out effected across\u00a0the entire effect. We&#8217;ll change that later. We have the highlight. It looks\u00a0like a milky white blob, but, again, that will improve. We&#8217;ll go ahead and\u00a0move it over using the X and Y. Good. Adjust the softness, intensity, and\u00a0radius.<\/p>\n<p>Now, I don&#8217;t actually like this. What I really want to do is reverse the\u00a0highlight so that everything else is dark and this are over my grandfather\u00a0is normal. So, what we want to do in order to do a <strong>reverse highlight<\/strong>, it&#8217;s\u00a0kind of funny, but it works. I open up the shape parameter and I have to\u00a0enable it. It looks very strange because right now I have a page fold on,\u00a0but don&#8217;t worry, we&#8217;ll fix that. I change auto highlight, which is what\u00a0we&#8217;re on right now, to reverse manual highlight. Then, I&#8217;m just going to\u00a0deselect shape. So, this is a little bit more what I want. I have\u00a0everything else kind of dimmed out, and I have this area that is at normal\u00a0exposure. I&#8217;m going to play through it. Again, the highlight isn&#8217;t\u00a0traveling yet, but we will fix that. We&#8217;re zooming. What we need to do is\u00a0actually make this become larger, and move it over just a little bit. I&#8217;ll\u00a0probably up the intensity as well.<\/p>\n<p>We&#8217;ll come over to our next <strong>keyframe<\/strong> and manipulate some of these\u00a0parameters. We&#8217;ll move it over and up, get our radius bigger, and, again,\u00a0we want to kind of darken everything else a little bit more. That&#8217;s looking\u00a0pretty good. Let&#8217;s see how it animates. OK. That looks good. At the very\u00a0end there all we need to do is copy and paste the key frame parameters. \u00a0Again, that&#8217;s a command C, and command V to paste the parameters from here\u00a0to here since we&#8217;re just holding. Alright, so let&#8217;s take a look. This\u00a0should be our final effect. OK. James Catlin, number 67, of the 1952 Rose\u00a0Bowl team, highlighted in this group, appropriately using the Ken Burns<strong>\u00a0traveling highlight effect.<\/strong><\/p>\n<p>What if you want to save this out and use it again for other similar\u00a0highlights in your show? Well, we&#8217;re just going to come over here and\u00a0create a new bin. I&#8217;m going to call it &#8220;effects.&#8221; I&#8217;m just going to drag\u00a0the effect icon here, and I&#8217;m going to call this &#8220;highlight.&#8221; Now, in <strong>Media\u00a0Composer<\/strong> the highlight will only save the first parameter, not the entire\u00a0traveling highlight. So, you&#8217;ll, of course, have to do some tweaking for\u00a0future animations if you want to put this in other places in your show. \u00a0But, you&#8217;ve at least given yourself a head start as far as the highlight\u00a0parameters are concerned. There you have it. As you can see, we&#8217;ve been\u00a0able to fairly quickly replicate the Ken Burns highlight and zoom effect. \u00a0Practice on your own and feel free to tweak the parameters to your own\u00a0liking. Remember to check back regularly at <a title=\"Premiumbeat Royalty Free Music\" href=\"http:\/\/www.premiumbeat.com\/\" data-wpel-link=\"external\" target=\"_blank\">Premiumbeat.com<\/a> for other\u00a0screencasts where we explore lots of exciting techniques in both Avid and\u00a0Final Cut Pro. This is Ashley Kennedy with <a title=\"Premiumbeat Royalty Free Music\" href=\"http:\/\/www.premiumbeat.com\/\" data-wpel-link=\"external\" target=\"_blank\">Premiumbeat.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You&#8217;ve probably often seen the highlight-and-zoom effect in documentaries to emphasize a certain person or object, usually in a still photograph. This technique was popularized by documentarian \u2026<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[41,21,39,92],"tags":[133,5378,53,131,129,130,132],"class_list":["post-class-post-1290","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-hentry","post-class-category-avid","post-class-category-tutorials","post-class-category-video-editing","post-class-category-video-tutorials-2","post-class-tag-3d-warp","post-class-tag-avid","post-class-tag-avid-media-composer","post-class-tag-highight","post-class-tag-ken-burns","post-class-tag-pan-and-zoom","post-class-tag-traveling-highlight"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Video Tutorial: Creating a Traveling Highlight &quot;Ken Burns style&quot; in Avid Media Composer - The Beat: A Blog by PremiumBeat<\/title>\n<meta name=\"description\" content=\"You&#039;ve probably often seen the highlight-and-zoom effect in documentaries to emphasize a certain person or object, usually in a still photograph. This technique was popularized by documentarian Ken Burns, and you can replicate it by following the techniques outlined in this video tutorial.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.premiumbeat.com\/blog\/video-tutorial-creating-a-traveling-highlight-ken-burns-style-in-avid-media-composer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Video Tutorial: Creating a Traveling Highlight &quot;Ken Burns style&quot; in Avid Media Composer\" \/>\n<meta property=\"og:description\" content=\"You&#039;ve probably often seen the highlight-and-zoom effect in documentaries to emphasize a certain person or object, usually in a still photograph. 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