{"id":129565,"date":"2020-04-16T06:00:49","date_gmt":"2020-04-16T11:00:49","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=129565"},"modified":"2020-04-14T10:13:37","modified_gmt":"2020-04-14T15:13:37","slug":"7-films-edited-with-premiere-pro","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/7-films-edited-with-premiere-pro\/","title":{"rendered":"7 Noteworthy Films Edited with Adobe Premiere Pro"},"content":{"rendered":"<h2 id=\"weve-rounded-up-some-bits-of-advice-from-some-of-the-top-filmmakers-who-chose-to-edit-their-films-using-adobe-premiere-pro\">We&#8217;ve rounded up some bits of advice from some of the top filmmakers who chose to edit their films using Adobe Premiere Pro.<\/h2>\n<p>For many, the single greatest challenge when editing a movie is simply getting started. If you think about it for too long, the idea of editing hours of footage into a single, artistic vision can be overwhelming. There are so many hard decisions to make. And, once you start adding in some complicated editing tasks \u2014 like sound, color, and VFX \u2014 it starts to make sense that you\u2019re looking at several months of work.<\/p>\n<p>Luckily, you\u2019re not alone. There have been countless editors who have gone before you and succeeded. So, whether it\u2019s a feature film, a short, or even just a regular video project, here are some great examples of talented filmmakers and editors who have edited using <a href=\"https:\/\/www.adobe.com\/products\/premiere.html\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Adobe Premiere Pro<\/a>.<\/p>\n<hr \/>\n<h3 id=\"1-a-ghost-story\">1.<em> A Ghost Story<\/em><\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XLOG8nRUsDg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Originally an editor by trade, it should come as no surprise that filmmaker <a href=\"https:\/\/www.imdb.com\/name\/nm1108007\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">David Lowery<\/a> writes, directs, and edits many of his feature films. One standout is the A24 hit <a href=\"https:\/\/www.imdb.com\/title\/tt6265828\/?ref_=nm_knf_t1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>A Ghost Story<\/em><\/a>, which is notable for its heartfelt storytelling and sparse style. As you can see in the featurette above, Lowery talks about his Premiere Pro process \u2014 from the rough compositing stage to the final edits in After Effects. (You can read more about David Lowery\u2019s editing and creative process <a href=\"https:\/\/www.premiumbeat.com\/blog\/david-lowery-on-film-editing-and-his-daily-routine\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">here<\/a>.)<\/p>\n<hr \/>\n<h3 id=\"2-deadpool\">2.<em> Deadpool<\/em><\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/oCNGmnSuO7Y?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Perhaps the most notable film edited using Premiere Pro is the brash superhero movie <a href=\"https:\/\/www.imdb.com\/title\/tt1431045\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Deadpool<\/em><\/a>. And because, of course, the character Deadpool would want you to know all about the editing process, the project often gets featured in Adobe\u2019s promotions. However, the coolest thing to come out of <em>Deadpool\u2019s<\/em> edit was when one of the editorial assistants actually made several of their Premiere Pro templates available online, <a href=\"https:\/\/vashivisuals.com\/deadpool-premiere-pro-project-template\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">which you can check out here<\/a>.<\/p>\n<hr \/>\n<h3 id=\"3-rock-rubber-45s\">3.<em> Rock Rubber 45s<\/em><\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7hYIUMl8QiQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>It\u2019s important that we highlight more than just narrative features. Many documentarians have used Premiere Pro to great success. PremiumBeat actually did an interview with documentary filmmaker <a href=\"https:\/\/www.imdb.com\/name\/nm1093900\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Bobbito Garcia<\/a>\u00a0and his lead editor <a href=\"https:\/\/www.imdb.com\/name\/nm2686359\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Raafi Rivero<\/a> on their film <a href=\"https:\/\/www.imdb.com\/title\/tt6897150\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Rock Rubber 45s<\/em><\/a>, concerning Garcia\u2019s unique place in streetball and Hip Hop culture. Their project is good inspiration for anyone diving into archival footage, with great tips on how to digitize, organize, and work with tons of antiquated footage for a modern story. (<a href=\"https:\/\/www.premiumbeat.com\/blog\/documentary-tips-working-archival-footage\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Read the full interview here<\/a>.)<\/p>\n<hr \/>\n<h3 id=\"4-the-florida-project\">4.<em> The Florida Project<\/em><\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/pNAeCk4Kd80?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>One of the unique benefits of working with an NLE like Premiere Pro \u2014 rather than a more sophisticated system like Avid \u2014 is that you can edit in a rush. This is exactly the case outlined by <em><a href=\"https:\/\/www.imdb.com\/title\/tt5649144\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">The Florida Project<\/a>\u2019s<\/em> editor <a href=\"https:\/\/www.imdb.com\/name\/nm1604151\/?ref_=fn_al_nm_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Mike Hugo<\/a> in this <a href=\"https:\/\/variety.com\/video\/embracing-discovery-while-cutting-the-florida-project\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">interview with <em>Variety<\/em><\/a>. Hugo details how he edited the fast, loosely shot project on a laptop, in an odd sort of exchanging workflow between himself and Director <a href=\"https:\/\/www.imdb.com\/name\/nm0048918\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sean Baker<\/a>.<\/p>\n<hr \/>\n<h3 id=\"5-gone-girl\">5.<em> Gone Girl<\/em><\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/2o6pjd2AU9c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Perhaps one of the best filmmakers of our modern time, <a href=\"https:\/\/www.imdb.com\/name\/nm0000399\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">David Fincher<\/a> has a notorious reputation for adding a great deal of compositional elements to his films in post production. From creating new backgrounds to even adding things like cars and furniture, Fincher embraced Premiere Pro for his films \u2014 like <a href=\"https:\/\/www.imdb.com\/title\/tt2267998\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Gone Girl<\/em><\/a> (<a href=\"https:\/\/www.premiumbeat.com\/blog\/david-fincher-fest-behind-the-scenes-of-gone-girl-and-more\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">which you can read more about here<\/a>) \u2014 as well as his more recent Netflix series <a href=\"https:\/\/www.imdb.com\/title\/tt5290382\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Mindhunter<\/em><\/a> (<a href=\"https:\/\/www.premiumbeat.com\/blog\/behind-the-scenes-mindhunter-production\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">which you can read about here<\/a>).<\/p>\n<hr \/>\n<h3 id=\"6-hail-caesar\">6. <em>Hail, Caesar!<\/em><\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6SsGRB72Rmc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Acclaimed filmmakers <a href=\"https:\/\/www.imdb.com\/name\/nm0001054\/?ref_=fn_al_nm_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Joel Coen<\/a> and <a href=\"https:\/\/www.imdb.com\/name\/nm0001053\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Ethan Coen<\/a> made their own switch to Premiere Pro two years before their hit <a href=\"https:\/\/www.imdb.com\/title\/tt0475290\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Hail, Caesar!<\/em><\/a> came out in 2016. Additional Editor <a href=\"https:\/\/www.imdb.com\/name\/nm0574376\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Katharine McQuerrey<\/a> and Post-Production Supervisor <a href=\"https:\/\/www.imdb.com\/name\/nm1158108\/?ref_=nv_sr_srsg_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Catherine Farrell<\/a>, in an <a href=\"https:\/\/blogs.adobe.com\/creativecloud\/filmmaking-techniques-in-hail-caesar\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">interview on Adobe\u2019s blog<\/a>, talked about the collaborative workflow they established with the Coen Brothers using the Media Browser and Dynamic Link.<\/p>\n<hr \/>\n<h3 id=\"7-terminator-dark-fate\">7.<em> Terminator: Dark Fate<\/em><\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/pDQjaqdshL4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>The latest installment of one of the biggest action franchises of all time, <a href=\"https:\/\/www.imdb.com\/title\/tt6450804\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Terminator: Dark Fate<\/em><\/a> saw a very open editing process. From a round table discussion at Adobe Max, Director <a href=\"https:\/\/www.imdb.com\/name\/nm1783265\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Tim Miller<\/a>, Editor <a href=\"https:\/\/www.imdb.com\/name\/nm1026592\/?ref_=nv_sr_1?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Julian Clarke,<\/a> ACE Associate Editor <a href=\"https:\/\/www.imdb.com\/name\/nm3623629\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Matt Carson<\/a>, and Visual Effects Editor <a href=\"https:\/\/www.imdb.com\/name\/nm4812871\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Jon Carr<\/a> all opened up about their post-production process and their unique VFX-heavy workload. You can read more about the entire process <a href=\"https:\/\/www.premiumbeat.com\/blog\/editing-terminator-dark-fate\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">here<\/a>.<\/p>\n<hr \/>\n<p><em>Cover image via Adobe.<\/em><\/p>\n<p>For more Premiere Pro tips, tricks, and inspiration, check these out.<\/p>\n<ul>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/tips-for-working-with-photos-in-premiere-pro\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Tips for Working with Photos in Adobe Premiere Pro<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/chroma-key-in-premiere-pro\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">How to Chroma Key in Adobe Premiere Pro<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/premiere-pro-lagging-fixes\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Things to Check When Adobe Premiere Pro Is Lagging<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/fix-media-pending-error-premiere-pro\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">How to Easily Fix Media Pending Error (After Render) in Adobe Premiere Pro<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/final-cut-pro-vs-premiere-pro\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">The Best Video Editing Programs: Final Cut Pro vs. Premiere Pro<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s some awesome advice and inspiration from some of the top filmmakers who chose to edit their films in Premiere Pro.<\/p>\n","protected":false},"author":76,"featured_media":129785,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[714,39],"tags":[308,5376],"class_list":["post-class-post-129565","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-premiere-2","post-class-category-video-editing","post-class-tag-premiere-pro","post-class-tag-video-editing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>7 Noteworthy Films Edited with Adobe Premiere Pro<\/title>\n<meta name=\"description\" content=\"We&#039;ve rounded up some bits of advice from some of the top filmmakers who chose to edit their films using Adobe Premiere Pro.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.premiumbeat.com\/blog\/7-films-edited-with-premiere-pro\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"7 Noteworthy Films Edited with Adobe Premiere Pro\" \/>\n<meta property=\"og:description\" content=\"We&#039;ve rounded up some bits of advice from some of the top filmmakers who chose to edit their films using Adobe Premiere Pro.\" \/>\n<meta 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