![\"Wacom](\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/05\/WACOM.jpg\" "\\"Wacom")
<\/a>The Wacom Intuos Pro creative pen tablet. Image via Wacom<\/a>.<\/em><\/p><\/div>\n Since developing wrist pain ten years ago, I moved from a mouse to a Wacom tablet \u2014 and I’ve never looked back. You can use the tablet to do everything the mouse does, and with added hotkeys on the control surface, it’s the best of both worlds.<\/p>\n The hand position required to use a mouse can create tension in the wrist and lead to RSI, or repetitive strain injury. Over years, hours of daily mousing can lead to Carpal Tunnel Syndrome, a debilitating condition which causes chronic pain.<\/p>\n Wacom tablets are great because they mimic the natural resting position of using a pen. The wrist and arm are supported by the surface below, and contact with the tablet is made by rotation, not by pushing down. Just like a mouse, the buttons on a Wacom are programmable. Additionally, you can assign hot menus specific to each program so that your most-used tasks are only a click away.<\/p>\n Program the Wacom Tablet to fit your specific needs.<\/em><\/p><\/div>\n Wacom does have numerous pen-and-tablet patents, but there are plenty of other, cheaper alternatives out there if you want to try a new device without spending almost $400 of the Intuos Pro<\/a>. I used the $66 UGEE M708 Graphics Tablet<\/a> for a year after my first Wacom broke, and despite having to charge the pen every few months, it was a good fit for most computer work.<\/p>\n Edit faster by adopting a keyboard-only workflow. Image via Clari Massimiliano<\/a>.<\/em><\/p><\/div>\n Over the last few months, I\u2019ve been experimenting with a keyboard-only workflow in Premiere. I’m pleased to report it’s sped up my editing by about twenty percent, and those gains seem to be improving the longer I use it. The gains are created by eliminating the constant, time-consuming swap between pen and keyboard, since you need to “dock” a pen in a way that you don\u2019t need to put away a mouse. It sounds like a minor thing, but the seconds adds up.<\/p>\n As is to be expected when changing the way you work, switching to keyboard-only will initially slow you down a bit.\u00a0I remember when I learned to touch type \u2014 it was much slower than the two-finger method I’d been using for the better part of a decade. But, the increase in speed that eventually results from learning a new method more than makes up for the temporary slow-down encountered while learning it.<\/p>\n With all of this in mind, I thought I’d share my “make the switch” methods here in the hope that others are able to gain something from them. I should say up front that it’s not a soup-to-nuts approach to Premiere \u2014 you’ll still need a mouse to open your projects, prepare the timeline, and import media. The “keyboard-only” section comes into play when you have a long take \u2014 like a documentary shoot or a piece to camera \u2014 that you want to go through and collect highlights from.<\/p>\n I use this method with my YouTube videos, and can cut a ten minute to-camera piece in under five minutes, or twice as fast as it took to actually shoot it. Let’s dive in and see what you\u2019ll need to change and how the workflow functions.<\/p>\n Begin by selecting “Show Audio Waveforms.”<\/em><\/p><\/div>\n The first thing you\u2019ll need is waveforms<\/strong>, which will let you see where pauses and other imperfections are in the media. Click the wrench icon<\/strong> above the top video track in the timeline and make sure Show Audio Waveforms<\/strong> is selected.<\/p>\n The keyboard customization window allows you to navigate through your clip.<\/em><\/p><\/div>\n The next step is to open Keyboard Shortcuts<\/strong> under the Premiere Pro menu and change the V<\/strong> key to Add Edit<\/strong>.<\/p>\n You can now navigate through your clip in two ways \u2014 either with the J<\/strong> and L<\/strong> keys, which will also play the audio or with the Shift + Arrow<\/strong> keys, which will not. I prefer the arrow keys because you don\u2019t need to stop play once you\u2019re at the place you want to be. By default, they jump five frames ahead, which you can customize to twenty frames in the Preferences: Playback<\/strong> setting.<\/p>\n Use either of these methods to get to the first place where you want to place a cut and hit V<\/strong>. Then, you play forward, past the part of your clip you want to eliminate, and hit either Q<\/strong> or W<\/strong>. The Q<\/strong> key will trim everything before your playhead to the playhead, and W<\/strong> will trim everything after.<\/p>\n If you end up with an entire part of a clip you want to eliminate, simply press X<\/strong> to select it and hit the apostrophe key to cut it and join both sides.<\/p>\n Watch the waveforms to see where there is audio and where there is dead air.<\/em><\/p><\/div>\n By watching the waveforms, you can quickly identify the sections of the clip where the person is talking and which parts are dead air.<\/p>\n There’s a learning curve when using the keyboard to edit in this way, to be sure, but without the constant switching, you’ll end up with a faster \u2014 and hopefully more efficient \u2014 editing workflow.<\/p>\n Some other great keyboard shortcuts in Premiere are Shift+Z<\/strong>, which will zoom out to show you the entire timeline. Command+M<\/strong> will open the export timeline dialogue box. And holding down the Option<\/strong> button lets you select a track without selecting its linked audio or video track. This is great for when you want to edit B-roll, but not its linked audio. Here’s a quick look at a few more Premiere Pro keyboard shortcuts via<\/a>
\nKeyboard-Only Workflow<\/h3>\n
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\nImplementing Keyboard-Only Workflow<\/h3>\n
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\nLearning Curve<\/h3>\n
\nZach Mayfield<\/a>.<\/p>\n