{"id":13314,"date":"2012-09-12T17:23:09","date_gmt":"2012-09-12T21:23:09","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=13314"},"modified":"2016-10-11T09:36:20","modified_gmt":"2016-10-11T14:36:20","slug":"timing-music-for-video-editing","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/timing-music-for-video-editing\/","title":{"rendered":"Video Tutorial: Timing Music To Your Video Edits"},"content":{"rendered":"<table width=\"498\" cellspacing=\"3\" cellpadding=\"2\" bgcolor=\"#EFEFEF\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><em>This is a guest post by <strong>Brent Pierce of <a title=\"Cineblur - Filmmaking, Video Production\" href=\"http:\/\/cineblur.com\/\" target=\"_blank\" data-wpel-link=\"external\">Cineblur.com<\/a><\/strong>,<br \/>\n<\/em><em>an online resource for filmmakers &amp; editors.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Ever struggled to <strong>get your music to match the length of your video edit<\/strong>? In this video tutorial, cinematographer and video editor <a title=\"Cineblur.com\" href=\"http:\/\/cineblur.com\/\" target=\"_blank\" data-wpel-link=\"external\">Brent Pierce<\/a> shares a technique that can be used to seamlessly shorten or\u00a0lengthen\u00a0most music tracks. \u00a0Using this handy trick you can time out your music so that it sounds like it was <strong>custom made for your video edit<\/strong>. \u00a0Proper audio editing is important for a professional and polished product. \u00a0Never \u00a0just &#8220;fade out&#8221; your audio again!<\/p>\n<p>(<em>Full transcript below<\/em>)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/48923350\" width=\"500\" height=\"313\" frameborder=\"0\"><\/iframe><\/p>\n<table width=\"498\" cellspacing=\"3\" cellpadding=\"5\" bgcolor=\"#EFEFEF\">\n<tbody>\n<tr>\n<td style=\"text-align: left;\"><em><strong>&#8220;<a title=\"Cineblur\" href=\"http:\/\/cineblur.com\/\" target=\"_blank\" data-wpel-link=\"external\">Brent Pierce<\/a><\/strong> is a cinematographer and editor based out of Austin, TX. He works mainly in the church video-production world, creating content for live-environment productions. He has experience shooting short films, documentaries and way too many weddings to count.&#8221;<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 id=\"video-transcript\">\u00a0Video Transcript<\/h3>\n<p>Hey what&#8217;s up? This is Brent Pierce for <a title=\"Premiumbeat.com\" href=\"http:\/\/www.premiumbeat.com\/\" target=\"_blank\" data-wpel-link=\"external\">Premiumbeat.com<\/a>, and I&#8217;m going to\u00a0talk a little bit about editing audio to a desired length. Like if you get\u00a0a full length song and you want to trim it down to about half the length,\u00a0how do you go about doing that? Well, this is the technique that I use and\u00a0it works pretty good.<\/p>\n<p>If you go to PremiumBeat.com, you&#8217;ll see that they have various download\u00a0lengths for their songs. You have 15 second, 30 second, a 60 second and\u00a0then you have the full length track right there. So I usually download the\u00a0full length track, and then I&#8217;ll shorten it to my desired length. Now I&#8217;m\u00a0going to be doing this in Final Cut Pro 7, but the basic technique can be\u00a0carried on through Premiere Pro, Vegas, Abbot or whatever you&#8217;re using.\u00a0Basically what I&#8217;m going to do, if we look at the song in here, in our\u00a0viewer, you can see the wave forms, and you can see the different sections\u00a0of the song very visual. You can tell that this loud part right here is\u00a0probably the chorus, and then it repeats over there. So basically what\u00a0we&#8217;re going to do is we&#8217;re going to go through and listen to it and put<br \/>\nmarkers in the different spots at the beginning of each section to kind of\u00a0get a clearer view, when we do place it down here on the timeline, to get a<br \/>\nclearer view of exactly what it is we&#8217;re looking at and what we can take\u00a0out and what will work seamless between edits.<\/p>\n<p>Let&#8217;s listen to it here. I&#8217;m going to play some markers. Now to place a\u00a0marker in Final Cut Pro you can do different things. You can press end, you\u00a0can press the tilda key, or you can do shift one and that will all give you\u00a0a red marker. You could also, in Final Cut Pro 7, you could do color\u00a0markers which is pretty cool. If you do shift and use the one through eight\u00a0up at the top, you can do different colors. So shift two will be orange,\u00a0shift three yellow, shift four, and it will keep going through various\u00a0colors all the way to eight which is pink. Now if you&#8217;re in Premiere Pro\u00a0they don&#8217;t do color markers, but you can still do the gray markers and just\u00a0mark it out the same way. It just won&#8217;t be as clear of a representation\u00a0because they&#8217;re not different colors, but that&#8217;s all right.<\/p>\n<p>Let&#8217;s start at the beginning. Let&#8217;s place a marker there because that&#8217;s the\u00a0intro and then we&#8217;ll hop into the verse here, chorus, and we&#8217;ll go on\u00a0through and I&#8217;ll be placing markers as I&#8217;m listening to it and yeah, so,\u00a0let&#8217;s do it. [music] Okay, so I just placed one for the verse. I&#8217;m going to\u00a0jump ahead right before the chorus and I&#8217;m going to get ready to place a\u00a0third color for the beginning of the chorus. [music] So I placed a yellow\u00a0one there for the chorus. I&#8217;m going to go towards the end of the chorus to\u00a0get ready for this little drop right here, and I&#8217;m going to put a fourth\u00a0color on there. [music] Okay, now I&#8217;m going to get ready for the next\u00a0section which will be&#8230;since it&#8217;s probably a verse, I&#8217;m going to use the\u00a0same color that I used for this verse which is orange, so that&#8217;s shift two. \u00a0[music] Okay, place one there.<\/p>\n<p>Let&#8217;s get ready for this chorus again. Now since that is the chorus coming\u00a0up, I&#8217;m going to do a yellow marker so it matches that chorus right there,\u00a0which is shift three. [music] Okay, now there&#8217;s two sections of chorus\u00a0right there. So towards the end of the chorus, I&#8217;m going to do another\u00a0color which I think I left off on shift five. So I&#8217;m going to do shift five\u00a0at the end of this chorus. And then for that last beat, I will zoom in\u00a0there and do another color. [music]<\/p>\n<p>Okay, so we basically have the whole song mapped out with markers. Now\u00a0another thing, if you placed a marker and you realized you wanted a\u00a0different color, you can navigate through the markers with shift up and\u00a0down, and that will kind of put your current time indicator on the various\u00a0markers. And if you press &#8220;M&#8221; on top of those markers, you can see that it\u00a0will bring this little window up and you can change the color, you can even\u00a0rename it. Like if you want to go to yellow ones and you want to name it\u00a0chorus one and then you want to go to the second yellow one and call this\u00a0chorus two to keep it a little more organized, you can. I usually don&#8217;t\u00a0because it takes a while. But you can do that and you can go in here in\u00a0your browser, and you&#8217;ll see that you have your various markers with the\u00a0different names. There&#8217;s chorus one that we made, there&#8217;s chorus two that\u00a0we made.<\/p>\n<p>Anyway, what we&#8217;re going to do is we&#8217;re going to take this whole song, and\u00a0we&#8217;re going to overlay it in our time line. We&#8217;re just going to drag that\u00a0in there. And let&#8217;s zoom in on it a little bit. And now, if you don&#8217;t have\u00a0your wave forms up in Final Cut, you click this little arrow down here and\u00a0go up to show audio wave forms and make sure that is checked. If it&#8217;s not\u00a0checked, it will show up like that. So, if you want to see them, I usually\u00a0like seeing my wave forms to give me a better guidance on it, so.<\/p>\n<p>Let&#8217;s say you want to drop this to about, right now it&#8217;s at 3:30. Let&#8217;s say\u00a0we want to take a couple of minutes out, maybe go to about 1:30. So an easy\u00a0thing to do right off the bat that I can think of would be to take the\u00a0beginning of that chorus, that&#8217;s the yellow one, you can cut that. In the\u00a0beginning of the second chorus we cut that and then this whole middle\u00a0section right here we take that out. So let&#8217;s right click it, ripple\u00a0delete, and that will shorten it down. Now we&#8217;re at 1:55. So if we take out\u00a0another 20 to 25 seconds, that will get us down to 1:30.<\/p>\n<p>Another thing you can do is you can cut sections in half. So since this\u00a0chorus is long, you could listen through here and you could cut it in half\u00a0and then cut that last section out. So let&#8217;s go ahead and do that right\u00a0now. Let&#8217;s play it from the beginning of the chorus, and then whenever it\u00a0hits the halfway mark I&#8217;m going to stop it and cut it. [music] Okay, so I\u00a0think that was it. I think I missed it, let me listen to it again and I&#8217;ll\u00a0try to stop it there. [music] Okay, right there. So let&#8217;s go ahead and cut\u00a0it. I&#8217;m going to press B to get the slice tool there and cut it. Now we&#8217;ll\u00a0go to the end of the chorus which we marked the end of that chorus, and\u00a0we&#8217;ll cut it there and then we&#8217;ll ripple delete, and that will drop us down\u00a0to 1:28 which is about 1:30 which is good.<\/p>\n<p>Now one thing you want to make sure is that your edits right here are\u00a0seamless. So let&#8217;s go ahead and listen to one and make sure that they&#8217;re\u00a0seamless, that there&#8217;s not a jump in the beat, that the tempo stays the\u00a0exact same. [music] Okay, now there was a double beat there, which means it\u00a0was hitting the downbeat from this track and the downbeat from that track\u00a0at the same time. So we&#8217;re going to take one out. Now if we get the ripple\u00a0tool, click one side and you can use the brackets to go either left or\u00a0right in Final Cut Pro. So I&#8217;m going to go left one just to shorten that\u00a0first clip one frame and then let&#8217;s listen to it and see what it sounds\u00a0like. [music] Okay, that&#8217;s perfect. So let&#8217;s go to this next cut over here\u00a0and see what, if I can get it, see what that sounds like. [music] Okay,\u00a0it&#8217;s the same thing. We&#8217;ve got two different downbeats from the different\u00a0clips. So let&#8217;s do the same thing. Let&#8217;s click it with ripple and then\u00a0let&#8217;s bring it in one frame. Now that&#8217;s the same as getting it with the\u00a0ripple tool and going over one frame like that. But instead of doing this\u00a0and having to do it with the mouse, I simply did it with the bracket tool.So let&#8217;s listen to this and see how that sounds. [music] All right, there\u00a0we go. That was clean. So there&#8217;s 1:30, say, we want 1:30.<\/p>\n<p>Now you can also do different things. You can cut the verse in half. There\u00a0are different sections inside the chorus that would be easy to cut into\u00a0other sections. So just listen to that, and every song is going to be\u00a0different, but this is kind of the basic technique. Put markers so you can\u00a0see where the verses are, where the choruses are, where the same sections\u00a0are in the song and just cut them, and it will make a lot more sense.<\/p>\n<p>So, anyway, I hoped that helped. Again, my name is Brent Pierce for\u00a0<a title=\"Premiumbeat.com\" href=\"http:\/\/www.premiumbeat.com\/\" target=\"_blank\" data-wpel-link=\"external\">Premiumbeat.com<\/a>, and thanks for watching.<\/p>\n<div class=\"zemanta-pixie\" style=\"margin-top: 10px; height: 15px;\"><img decoding=\"async\" class=\"zemanta-pixie-img\" style=\"border: none; float: right;\" src=\"https:\/\/img.zemanta.com\/pixy.gif?x-id=72d79efd-743f-4dfc-9157-655ec1812df9\" alt=\"\" \/><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Discover a trick for trimming your audio files to perfectly fit the length of your video editing projects. A must-know technique for creating a polished and professional \u2026<\/p>\n","protected":false},"author":10,"featured_media":13330,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[41,714,21,39],"tags":[178,218,1231,590,5377,87,517,5374,43,47,5376,844],"class_list":["post-class-post-13314","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-avid","post-class-category-premiere-2","post-class-category-tutorials","post-class-category-video-editing","post-class-tag-adobe-premiere-pro","post-class-tag-audio-editing","post-class-tag-brent-pierce","post-class-tag-cineblur","post-class-tag-final-cut-pro","post-class-tag-music","post-class-tag-premiumbeat-com","post-class-tag-royalty-free-music","post-class-tag-tips","post-class-tag-tricks","post-class-tag-video-editing","post-class-tag-video-tutorial"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Video Tutorial: Timing Music To Your Video Edits - The Beat: A Blog by PremiumBeat<\/title>\n<meta name=\"description\" content=\"Discover a trick for trimming your audio files to perfectly fit the length of your video editing projects. 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