In reviewing the career filmography of cinematographer and director Reed Morano<\/a>, one feels a very intimate relationship with the characters in her films, as well as a deep and personal connection with the emotions, themes, and motifs of her projects. This is the hallmark of great cinematography \u2014 and a perfect example of how Morano works behind the lens.<\/p>\n Morano has established herself as one of the premiere cinematographers and directors in the business, and her accomplishments are myriad.<\/p>\n She’s the first woman in history to win both the Emmy and Directors Guild Award, thanks to her work on Hulu\u2019s The Handmaid\u2019s Tale<\/em><\/a>.<\/em> Before that, Morano got her start as the DP for numerous indie features like Frozen River<\/em><\/a> and Little Birds<\/em><\/a>.<\/em> She tackled the cinematography of Shut Up and Play the Hits<\/em><\/a>, the documentary about LCD Soundsystem\u2019s final performance. Recent directorial achievements include I Think We\u2019re Alone Now<\/em><\/a> and The Rhythm Section<\/em><\/a>. <\/em><\/p>\n Let’s explore the eye-catching, stylized looks Morano creates with her up-close lens choices, her dark color palettes, and her beautifully shaped bokeh. If you\u2019re looking for filmmaking inspiration and tips from one of the modern masters, just keep reading.<\/p>\n
\nBecome a Character in the Scene<\/h3>\n