{"id":136652,"date":"2020-08-13T10:26:21","date_gmt":"2020-08-13T15:26:21","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=136652"},"modified":"2020-08-13T10:39:26","modified_gmt":"2020-08-13T15:39:26","slug":"exploring-8k-video","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/exploring-8k-video\/","title":{"rendered":"Exploring 8K: Does It Matter? Yes. Should You Embrace It? Maybe."},"content":{"rendered":"

Move over 4K, 8K is the way of the future. But the question remains, does it matter today? Should you start shooting videos in 8K? Let’s talk about that.<\/h2>\n

Believe it or not, there will come a day when filmmakers and video professionals look back at 8K and laugh. Not because 8K was such a hot topic, but because we\u2019ll have moved on to 16K or higher! Seriously, if you look back at how the news of 4K cameras was handled, you\u2019d think the video world was about to collapse under the weight of the increased pixels and file sizes.<\/p>\n

Instead, we\u2019ve all largely learned to embrace 4K, as it has truly been a game-changer in how video professionals and filmmakers frame their shots, manage their workflows, and handle post-production. Now, thanks in part to Canon for introducing a relatively affordable 8K mirrorless camera with the newly announced EOS 5R<\/a>, we\u2019re looking down the barrel of a new 8K revolution.<\/p>\n

So, before you pull the trigger on the R5<\/a>, or perhaps the Blackmagic URSA Mini Pro 12K<\/a>, or even just a Samsung S20 Series<\/a>, let\u2019s ask ourselves: Does 8K actually matter?<\/p>\n

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A Look at 8K<\/h3>\n
\"4K<\/a>

People have a hard time differentiating\u00a0between 4K and 8K televisions. Image via Proxima Studio<\/a>.<\/em><\/p><\/div>\n

As PremiumBeat writer Lewis McGregor points out in his article<\/a> on how the industry may have reached its threshold for sub-$3,000 cameras, the 4K digital camera revolution began with the Canon EOS-1D C<\/a> back in 2012\/2013. This paved the way\u00a0 for high-quality, yet quite affordable options like the Blackmagic Pocket Cinema Camera 4K<\/a>, the Panasonic Lumix DC-GH5<\/a>, the Sony Alpha a7 III<\/a>, and many more.<\/p>\n

But 8K has long been the next frontier, albeit not necessarily for the reasons you may think. Compared to 4K, 8K is still new and not nearly the norm \u2014 not just for the video industry, but also for video itself.<\/p>\n

Even though the first 8K televisions were unveiled in 2019, 4K television is only recently starting to find its footing \u2014 sort of. The technology has been adopted by half the households in the US<\/a>, and according to an article in Forbes<\/em><\/a>, most people can\u2019t tell the difference between 4K and 8K televisions in the first place.<\/p>\n

Yet, in 2020, we have several cameras available that can shoot 8K UHD (7680\u2009\u00d7\u20094320) \u2014 which is literally the highest resolution defined in Rec. 2020 (UHDTV) standard. These cameras include the high-end RED Digital Cinema Cameras<\/a>, the new Blackmagic URSA Mini Pro 12K, the Canon R5, and even several smartphones that can push versions of 8K.<\/p>\n

And, while more and more companies are undoubtedly going to start chasing 8K in the months and years ahead, it will likely have less to do with recording video for 8K and more to do with shooting for 4K.<\/p>\n

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The Upsides of 8K<\/h3>\n
\"TV<\/a>

The upside of shooting 8K footage expressly to create a 4K video is that you’re getting more information to work with. Image via REDPIXEL.PL<\/a>.<\/em><\/p><\/div>\n

Arguably, unless you\u2019re using a high-end cinema camera to shoot feature films for the biggest of screens, the best reason to shoot 8K today is to improve 4K videos. And that’s because shooting 8K footage with the expressed purpose of creating a 4K video gives you a lot more information to work with.<\/p>\n

While it’s debatable if these added pixels actually add clarity over 4K, they do certainly add more coverage options, shooting flexibility, and more information for working on framing, stabilization, and effects in your edits.<\/p>\n

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The Challenges of 8K<\/h3>\n
\"8K<\/a>

Many in the industry won’t be able to handle the new file sizes when transitioning from 4K to 8K. Image via gnepphoto<\/a>.<\/em><\/p><\/div>\n

On the other hand, 8K comes with plenty of challenges, as well. The majority of these challenges have to do with file sizes and the amount of processing power you\u2019ll need at every part of your video production workflow.<\/p>\n

These issues are all similar to when the industry had to adapt from Full HD (as the standard go-to) to 4K. However, in terms of technology adoption rate<\/a>, the 4K-to-8K move is happening way faster than previous transitions, which means many going to 8K aren\u2019t going to be ready to handle these new file sizes right off the bat.<\/p>\n

Because of the sheer amount of information that needs to be processed with 8K video recording, many of these early 8K cameras are going to have several issues and limitations.<\/p>\n

These will \u2014 and do \u2014 include issues with recording time (just how long you can continuously record 8K), recording space (how much can your cards or SSDs handle before filling up), and overheating (which has actually already been a reported problem with the new EOS R5<\/a>, which Canon is working hard to update).<\/p>\n

Along with challenges in recording 8K, many turnkey videographers and editors will experience new issues with their post-production workflows, starting from the first stages of uploading, archiving, and backing up footage.<\/p>\n

In terms of file sizes and storage, 8K is not double 4K, it\u2019s four times<\/em> \u2014 which means very large files. Luckily, many editors have already adapted processes for working with large file sizes with proxies and downsampling. Again, if your end goal is shooting 8K videos for 4K projects, your editing timelines and exports shouldn\u2019t be overtaxed too much \u2014 for now.<\/p>\n

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8K for Visual Effects<\/h3>\n
\"Digital<\/a>

One of the advantages for 8K film professionals comes from the extra bandwidth and flexibility in digital effects. Image via DC Studio<\/a>.<\/em><\/p><\/div>\n

The biggest advantages for 8K film and video professionals are perhaps going to come from the extra bandwidth and flexibility for those interested in digital effects. More information is always better for motion, stabilization, color grading, and visual effects.<\/p>\n

However, while video editors and motion graphic artists are going to encounter many of the same issues with increased file sizes as before, ideally, they\u2019ve already been operating with increased processing power.<\/p>\n

For your everyday filmmakers and videographers that dabble in motion graphics and visual effects, if you can push your current setups and workflows to their max, you should be able to get much better basic effects out of your 8K footage as you work with it to create your 4K videos.<\/p>\n

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Should You Shoot 8K?<\/h3>\n
\"Canon<\/a>

The 8K-capable Canon EOS R5. Image via Canon.<\/em><\/p><\/div>\n

So, the question is this: Should you shoot 8K?<\/p>\n

I\u2019m going to have to ultimately say: Yes! But only because this article is going to be up for a long time and, eventually, you\u2019ll have no choice but to embrace 8K as it becomes the new norm. As of today, shooting 8K for your 4K videos is a suitable option, but only if you\u2019re ready and set up to handle it.<\/p>\n

There\u2019s nothing wrong with sitting and waiting as the technology continues to advance. After all, it took almost eight years between the first mainstream 4K cameras and when the resolution finally reached its peak in terms of performance and price.<\/p>\n

Undoubtedly, 8K will move quicker, but you still have several years to follow the trend and watch the technology evolve before you’re forced to make the jump and invest in 8K for your video production.<\/p>\n

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For more tech news and video production advice, check out these articles below.<\/p>\n