{"id":137857,"date":"2020-09-09T07:50:09","date_gmt":"2020-09-09T12:50:09","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=137857"},"modified":"2020-09-09T07:50:09","modified_gmt":"2020-09-09T12:50:09","slug":"rachel-morrison-cinematographer","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/rachel-morrison-cinematographer\/","title":{"rendered":"The Precise and Expressive Cinematography of Rachel Morrison"},"content":{"rendered":"<h2 id=\"with-a-keen-eye-for-detail-rachel-morrisons-cinematography-brought-the-dark-realities-of-the-mississippi-delta-and-the-majesty-of-wakanda-to-life\">With a keen eye for detail, Rachel Morrison\u2019s cinematography brought the dark realities of the Mississippi Delta and the majesty of Wakanda to life.<\/h2>\n<p>It\u2019s been several years since we highlighted <a href=\"https:\/\/www.imdb.com\/name\/nm1121126\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Rachel Morrison<\/a> as one of <a href=\"https:\/\/www.premiumbeat.com\/blog\/11-up-and-coming-cinematographers\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">the best up-and-coming cinematographers<\/a> to watch (back in 2016), when the AFI MFA graduate was coming off the heels of her first acclaimed trio of films:<em>\u00a0<a href=\"http:\/\/www.imdb.com\/title\/tt2334649\/?ref_=nm_flmg_cin_16\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Fruitvale Station<\/a><\/em>, <em><a href=\"http:\/\/www.imdb.com\/title\/tt3442006\/?ref_=nm_flmg_cin_8\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Cake<\/a>,<\/em> and <em><a href=\"http:\/\/www.imdb.com\/title\/tt3850214\/?ref_=nm_flmg_cin_6\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Dope<\/a><\/em>. She\u2019s since gone on to earn an Academy Award nomination for Best Cinematography for her work on <a href=\"https:\/\/www.imdb.com\/title\/tt2396589\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Mudbound<\/em><\/a> (making her the first woman ever to receive the distinction).<\/p>\n<p>Oh, and she was also tasked by Director <a href=\"https:\/\/www.imdb.com\/name\/nm3363032\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Ryan Coogler<\/a> to helm the cinematography for the highly acclaimed mega-blockbuster <a href=\"https:\/\/www.imdb.com\/title\/tt1825683\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Black Panther<\/em><\/a>, so it\u2019s probably safe to say that Rachel Morrison is no longer an up-and-comer \u2014 she\u2019s arrived.<\/p>\n<p>But, how has Rachel Morrison\u2019s cinematography evolved over the years? From a photography background, to her first foray into indie filmmaking, and into her recent success on some of the biggest features and franchises currently spotlighted, let\u2019s dive into the hallmarks, traits, and looks of Rachel Morrison\u2019s unique craft and style.<\/p>\n<hr \/>\n<h3 id=\"a-photographers-mindset\">A Photographer\u2019s Mindset<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bCkr1APSp0w?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<blockquote><p>I sort of grew up with a camera in my hand. I always felt comfortable behind the lens. And, I would take the family photos. Then, I would take photos of my friends. But, then, also became very interested in the concept of cinematography and sort of a more complete narrative and twenty-four frames a second and being able to tell a story, not just in a static image, but in a moving image.<\/p><\/blockquote>\n<p>In a sit-down interview with <a href=\"https:\/\/www.youtube.com\/channel\/UCtdsiPRhmJoOrhvnFOyVxeQ\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">ARRIChannel<\/a>, Morrison gives a bit of history into how she got her start in cinematography and how her photography roots have helped to shape her eye and mindset.<\/p>\n<p>While attending NYU (along with fellow acclaimed cinematographer <a href=\"https:\/\/www.imdb.com\/name\/nm1543747\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Reed Morano<\/a>), Morrison found her photography work as a perfect segue into telling stories at twenty-four frames per second.<\/p>\n<p>You can see this photographer\u2019s mindset in how she chooses to frame and capture the intricate moments of her subjects in her early documentary and reality projects. These initial one-frame-at-a-time sensibilities would go on to influence her first indie features, like the hyperreal and expressive <em>Fruitvale Station<\/em>, which was her first collaboration with Director Ryan Coogler.<\/p>\n<hr \/>\n<h3 id=\"a-lens-focused-on-emotion\">A Lens Focused on Emotion<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/NOub-uu9vDY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>When you look through Morrison\u2019s filmography \u2014 mostly at her early documentary work \u2014 you begin to notice just how much focus Morrison puts, not on the events or action of a sequence or scene, but on the faces and subtle emotion-based movements of the characters.<\/p>\n<p>The video essay above (by <a href=\"https:\/\/www.youtube.com\/channel\/UCkeBOIrsgk0EyJwg-hHs7MA\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Fandor<\/a>) offers examples of the signature looks and techniques that Morrison employs to shoot in a variety of styles and shot angles, from complex wides and POV shots to the intense, emotive close-ups for which she is revered.<\/p>\n<hr \/>\n<h3 id=\"working-with-the-best\">Working with the Best<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OZwVF2OT5wE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>While Morrison received plenty of accolades for her early work, it was the Sundance hit <em>Mudbound<\/em> \u2014 one of Netflix\u2019s earliest major indie pickups \u2014 that really put her on the map.<\/p>\n<p>As you can see in the above featurette, director <a href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Rees\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Dee Rees<\/a> picked Morrison to take on the challenge of capturing the harshness so important to a historical drama set in the rural south. Morrison\u2019s tight lenses and signature emotion-motivated framing in <em>Mudbound\u2019s<\/em> tortured, desaturated looks truly brought the full intensity of the narrative to life.<\/p>\n<hr \/>\n<h3 id=\"bringing-indie-to-the-mainstream\">Bringing Indie to the Mainstream<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VDbIxnigzPc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>One of the coolest aspects of Morrison\u2019s cinematography and style is that it actually scales quite well, as she admits in the above <a href=\"https:\/\/www.youtube.com\/channel\/UC-Ya9gBlwOhRwtloTn1hvbA\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">CookeOpticsTV<\/a> interview about applying her indie sensibilities to the world of Marvel blockbusters.<\/p>\n<p>For <em>Black Panther<\/em>, the slates became much bigger, and the needs for different coverage styles (multi-camera instead of single cam, for example) changed.<\/p>\n<p>Morrison was able to bring many of her same emotion-capturing tools and tricks to the language of comic book and spectacle-focused storytelling. Which, to her and Director Ryan Coogler\u2019s credit, is certainly one of the reasons why <em>Black Panther<\/em> stands out as one of the best superhero movies of all time \u2014 and the only Marvel film to receive an Academy Award nomination for Best Picture.<\/p>\n<hr \/>\n<h3 id=\"finding-your-voice-in-the-art-of-cinematography\">Finding Your Voice in the Art of Cinematography<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/m6fzZWP6XgE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Finally, in one of the best examples of how her cinematography has been recognized for its emotional understanding and technical precision, Morrison was invited by <a href=\"https:\/\/www.youtube.com\/channel\/UCZ8Sxmkweh65HetaZfR8YuA\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">The Hollywood Reporter<\/a> to sit down for a roundtable discussion with fellow standout cinematographers <a href=\"https:\/\/www.imdb.com\/name\/nm0001405\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Janusz Kaminski<\/a>, <a href=\"https:\/\/www.imdb.com\/name\/nm0005683\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Roger Deakins<\/a>, <a href=\"https:\/\/www.imdb.com\/name\/nm0005696\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Robert Elswit<\/a>, <a href=\"https:\/\/www.imdb.com\/name\/nm0491565\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Dan Laustsen<\/a>, and <a href=\"https:\/\/www.imdb.com\/name\/nm0887227\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Hoyte Van Hoytema<\/a>.<\/p>\n<p>In one particular exchange with the <a href=\"https:\/\/www.imdb.com\/title\/tt0469494\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>There Will Be Blood<\/em><\/a> cinematographer Robert Elswit, Morrison talks about how it\u2019s the \u201chappy accidents\u201d of shooting celluloid, often in run-and-gun indie situations, that the best \u2014 and most memorable \u2014 shots and sequences are captured.<\/p>\n<p>For more cinematographer profiles and filmmaking insight, check out the following resources:<\/p>\n<ul>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/framing-shots-for-vertical-cinema\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">A Master Class in Framing Shots for Vertical Cinema<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/reed-morano-cinematography\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">How Reed Morano\u2019s Cinematography Turns the Camera into a Character<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/janusz-kaminski-cinematography\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Analyzing the Vast and Versatile Cinematography of Janusz Kami\u0144ski<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/robert-richardson-illuminating-cinematography\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Exploring the Illuminating Cinematography of Robert Richardson<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/bradford-young-cinematography\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">A Look into the Cinematography Stylings of Bradford Young<\/a><\/li>\n<\/ul>\n<hr \/>\n<p><em>Cover image via <a href=\"https:\/\/www.rollingstone.com\/movies\/movie-features\/black-panther-rachel-morrison-cinematographer-interview-796902\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Rolling Stone<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With a keen eye for detail, Rachel Morrison\u2019s cinematography brought the dark realities of the Mississippi Delta and the majesty of Wakanda to life.<\/p>\n","protected":false},"author":76,"featured_media":138424,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4519],"tags":[1093],"class_list":["post-class-post-137857","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-tag-cinematography"],"acf":[],"yoast_head":"<!-- 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