{"id":139107,"date":"2020-09-21T12:12:41","date_gmt":"2020-09-21T17:12:41","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=139107"},"modified":"2020-09-21T12:50:18","modified_gmt":"2020-09-21T17:50:18","slug":"how-to-create-successful-youtube-videos","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/how-to-create-successful-youtube-videos\/","title":{"rendered":"Roundtable Interview: Creating Successful YouTube Videos"},"content":{"rendered":"<h2 id=\"creating-a-successful-youtube-channel-is-the-easiest-thing-ever-and-its-the-hardest-thing-ever-here-are-some-insights-from-four-youtubers-who-are-making-it-happen\">Creating a successful YouTube channel is the easiest thing ever, and it&#8217;s the hardest thing ever. Here are some insights from four YouTubers who are making it happen.<\/h2>\n<p>There&#8217;s more than one way to define success when it comes to your YouTube videos. Maybe you simply want views and subscribers. Maybe you want engagement and discussion about your latest art piece. Maybe you&#8217;re working on some brand evangelism, and you&#8217;re just trying to keep a campaign on target. Whatever you&#8217;re trying to do, the parameters for success will vary, but generally speaking, views and likes and subscribers are the name of the game.<\/p>\n<p>It&#8217;s hard enough to actually produce your video content \u2014 we&#8217;ll cover some tips on that below \u2014 but that&#8217;s only half the battle. You can spend just as much time working on your presentation and metadata as you spent making the video itself. It can feel like you&#8217;re shouting into the void when you upload your precious creation, and . . . no one watches. So how do you make your drop stand out in the YouTube bucket?<\/p>\n<p>We asked four of our favorite YouTubers to get real with us about how they do what they do. These guys have all been instrumental in the success of our <a href=\"https:\/\/www.youtube.com\/c\/PremiumBeat\/videos\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">YouTube channel<\/a> \u2014 and our sister channel <a href=\"https:\/\/www.youtube.com\/c\/shutterstocktutorials\/videos\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Shutterstock Tutorials<\/a>. But, each of these filmmakers have channels of their own, where they&#8217;re free to get as creative as they want about . . . whatever they want to get creative about.<\/p>\n<p>Here&#8217;s what they had to say about idea generation, metadata, pre-production, post-production, and equipment.<\/p>\n<hr \/>\n<h3 id=\"idea-generation\">Idea Generation<\/h3>\n<p>Sometimes, coming up with what kind of video to make can feel completely immobilizing. Maybe you have the kernel of an idea, but once you start thinking it through, it just sounds uninteresting. Maybe you wonder why you should even bother in the first place. Are you making this content so you can monetize it? Are you making it because you&#8217;ve got the impulse to <em>create? <\/em>Are you making it for someone else so you can earn money and eat? No matter why you&#8217;re making it, you&#8217;re bound to end up on the wrong end of creator&#8217;s block at some point or another.<\/p>\n<p>So we asked our YouTubers to take us through their idea generation process. We wanted to know how they go from nothing to inspiration to creating content that others want to watch. Here&#8217;s what they had to say.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/c\/BooneLovesVideo\/videos\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><strong>Jason Boone<\/strong><\/a>: Most of the inspiration is driven around topics that interest me, such as creating map animations, working with expressions in After Effects, or reviewing interesting AE plugins and tools from other creators. I find that if I&#8217;m passionate and interested enough about an idea, it&#8217;s worth making a video about that idea. I also try to provide as much value to the audience as possible, such as giving away presets, templates, and project files. I have a Google Doc where I list out all of my ideas as they pop up. I find that my best ideas come at weird times, so I have the Google Docs app on my phone ready to list out my thoughts whenever lightning strikes. Sometimes this is a single word while other times it&#8217;s a fully fleshed out idea. Then I&#8217;ll take some time to look over the list and see if I can combine ideas into something interesting and original.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/EyvYsjF0THw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/channel\/UCMUAF1zxF2kC1mW1cgf6SHA\/videos\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><strong>Logan Baker<\/strong><\/a>: The first inkling of an idea usually comes from watching a movie, seeing a photograph, or seeing another YouTube video. While I&#8217;m working on other projects, videos, articles, I usually stop what I&#8217;m doing if I have an idea or see something that inspires me and write it down immediately. So, for the most part I have a list of about 30-40 different topics\/subjects to make videos on, then I pick whichever one makes sense at that time.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OQjtKwQiXDE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/c\/ZachRamelan\/videos\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><strong>Zach Ramelan<\/strong><\/a>: I&#8217;m always shooting something. Every day. All day. I&#8217;m sure it gets annoying to most of my friends. From photos to vlogs, to short doc pieces about scuba diving \u2014 most of this stuff will never see the light of day, but I think continually creating is one of the best ways to stay sharp. On these journeys of creating, I&#8217;ll come across a problem that leads to a creative solution that I know someone will find valuable. Then I share it!<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/r0ihCCBPCJw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/c\/UglyMcGregor\/videos\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><strong>Lewis McGregor<\/strong><\/a>: My channel has no formal identity; it\u2019s very much the epitome of a mixed bag. There\u2019s no structure outside the channel revolving around moving images \u2014 from software tutorials to mood reels to short films. It&#8217;s somewhat limiting as it doesn\u2019t allow me to build a regular audience because there\u2019s no set style of content, but it&#8217;s also non-restrictive because I can publish whatever without my subscribers thinking it\u2019s weird.<\/p>\n<p>With that, however, I\u2019ll focus on mood reels as they are the most popular content on my channel. I have eight reels on my channel, and they are just shy of 50,000 views to cross the (combined) million milestone.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5uw4M_Z4A5I?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Typically when I create a video like this, it\u2019s because I\u2019m trying to figure out how to replicate a style I\u2019ve seen on screen. I adored the indie-inspired cinematography in <a href=\"https:\/\/www.imdb.com\/title\/tt0770828\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Man of Steel<\/em><\/a>, and I loved that cold palette found at the start of the film. Trying to replicate that cinematography from <a href=\"https:\/\/www.imdb.com\/name\/nm0596360\/?ref_=fn_al_nm_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Amir Mokri<\/a> was the basis of my Pocket 4K reel. <a href=\"https:\/\/www.imdb.com\/name\/nm0000517\/?ref_=nv_sr_srsg_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Terrence Malick<\/a>\u2019s <a href=\"https:\/\/www.imdb.com\/title\/tt0478304\/?ref_=nm_knf_i3\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><i>The Tree of Life<\/i><\/a>\u00a0is another huge inspiration of mine, and that\u2019s been the basis of two videos.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gOIusx-9DHs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>It can break down to the following:<\/p>\n<ul>\n<li>I like this style.<\/li>\n<li>How can I achieve this?<\/li>\n<li>Film.<\/li>\n<li>Upload results.<\/li>\n<\/ul>\n<hr \/>\n<h3 id=\"metadata\">Metadata<\/h3>\n<p>If you&#8217;ve played the Get YouTube Views game for any time at all, you know that making the video is only the first step in building an audience. Just as much work goes into properly presenting your video so it will stand out in the morass of content. This is decidedly the unglamorous side of successful YouTube content creation, but it&#8217;s critical, and there are tools that can help.<\/p>\n<p>So, we asked our YouTubers how important they think metadata is for a YouTube video. We asked them the secrets behind descriptions, thumbnails, and any other details that every video creator needs to know.<\/p>\n<p>Here&#8217;s what we found out.<\/p>\n<p><strong>Jason Boone<\/strong>: I still haven&#8217;t mastered the metadata game, but it&#8217;s clear that thumbnails and titles are the two most important features of any YouTube video. My thumbnail game certainly isn&#8217;t the best, so I&#8217;ve been experimenting with A\/B testing via <a href=\"https:\/\/www.tubebuddy.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">TubeBuddy<\/a>. I&#8217;ve also been translating the titles and descriptions of my videos into the most popular languages of my viewers. While at first I found this process to be tiring, drawing me away from the fun of content creation, I now look at it as fun experimentation. YouTubing is a lot like gardening. You really have to try and have fun with this part of the process, because it takes a lot of time, and if you aren&#8217;t careful, your soul might accidentally leave your body.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YtBg0BOifZY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Logan Baker<\/strong>: As much as I&#8217;d like to say I focus on the story\/creativity, I focus quite a bit on strategy. What is everybody watching? Whose videos are popular? Why are they popular? What thumbnails and titles work on YouTube for this type of content? So, I&#8217;ll use that sometimes as a starting point, and then will try to add my own originality to it. My channel is tiny right now, but I&#8217;ve seen some good growth after presenting the videos in a way that&#8217;s common for this community (title, tags, description, and thumbnail). So we&#8217;ll see if the growth continues as I upload more videos in the coming months.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5aNcJKkyBpw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Zach Ramelan<\/strong>: Thumbnails are the bane of my existence! Sometimes it takes the same amount of time to develop a thumbnail as it does the video that it&#8217;s for \u2014 I wish this were a joke. The reality is that YouTube is a platform where every consumer judges you and your content by your cover. They have to! The book might be great, but in an ocean of clickbait titles and catchy images, your video&#8217;s micro-second representation is paramount. My most successful videos usually have simple thumbnails that either create curiosity in the viewer or support the title with very obvious imagery that parallels it.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MI3_ZyPLZFM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Lewis McGregor<\/strong>: <span style=\"font-weight: 400;\">For the Pocket 6K mood reel, I initially had the money shot as the thumbnail. It was a gorgeous wide shot with the pink evening sky hitting the seascape, and a horseback rider prancing through the frame. Unfortunately, while the video shot works well, the click-through rate wasn\u2019t that high on the initial day of release.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As soon as I changed the thumbnail to one of the actors who appeared in the video, it started to shoot up. Even when the video is primarily landscape shots, having a person featured in the thumbnail still prevails.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you\u2019re creating content to promote the image a camera can create specifically, it\u2019s essential to cover all grounds with the keywords on YouTube. For example, the Blackmagic Pocket Cinema Camera 6K has several nicknames, so I populated them in the tags. I would use the following:\u00a0<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Blackmagic Pocket Cinema Camera 6K<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Blackmagic Pocket 6K<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Pocket 6K<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">BMPCC6K\u00a0<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">And while you shouldn\u2019t weigh down your video with tags that are irrelevant to the camera you\u2019re using, it wouldn\u2019t hurt also to mention the sister camera such as the BMPCC4K, as, usually, viewers are looking to compare the models.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While I would love to give these videos a poetic title, in most cases it works best just to title the video with the name of the camera and what you are doing<\/span><span style=\"font-weight: 400;\">: \u201cPanasonic S1H \u2013 City break.\u201d <\/span><\/p>\n<hr \/>\n<h3 id=\"pre-production\">Pre-production<\/h3>\n<p>Once you have an idea locked in, and you know what you need to do to present it upon completion, what does pre-production look like? Everyone is different, of course, but some kinds of different can make your life a little easier than other kinds of different. So, we asked our panel about their pre-production processes. We wanted to know if the process is the same for every video, or if they have different approaches for different kinds of videos?<\/p>\n<p>Here&#8217;s what they had to say.<\/p>\n<p><strong>Jason Boone<\/strong>: Once I select an idea from my list, I&#8217;ll create a new document and then just perform a quick brain dump of everything about the topic. That eventually gets hammered out into an outline, which sometimes can serve as a loose shooting script. I&#8217;ll spend some time experimenting with the idea, whether it&#8217;s an animation or a cinematography trick. Other times I&#8217;ll completely finish a script prior to shooting or recording anything. If it&#8217;s a plugin or gear review, it&#8217;s pretty straightforward. The most interesting and exciting part of the process is when you discover something new, and your initial idea spawns three or four even better ideas for future projects.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/fogUGWclpsc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Logan Baker<\/strong>: Pre-production usually consists of me purchasing the film stock, scouting potential compositions around town, and then looking at my weather app to determine which day will have the best lighting. Since my channel is about photography, lighting and colors are everything, so I really have to prepare in the right way. All in all, I&#8217;ll usually take a week to make sure everything is good to go.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QNhwh4GPawA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Zach Ramelan<\/strong>: Every video I make, I try to challenge myself differently; this could be a new talk-to-camera setup or a different storytelling structure. YouTube is my one platform where I can experiment with stuff clients won&#8217;t allow me to. It challenges my creative expression with experimentation, which usually develops a pretty cool outcome \u2014 usually.<\/p>\n<p>Sliding over to the writing process, I&#8217;ll usually break down my idea into chicken-scratched jot notes in my journal \u2014 essential bullet points I can draw off of when I&#8217;m on camera. Funny enough, the best movies I&#8217;ve ever made have been heavily scripted, and the best YouTube videos I&#8217;ve ever made have been unscripted. I&#8217;ll begin with a motive, a message \u2014 for example: <em>How to be authentic<\/em>. Then I&#8217;ll plug that title into TubeBuddy (an SEO generator that helps you Frankenstein together the best title for your video, using common keywords, popular search results, and channel analytics). I&#8217;ll circle a primary title that jives with me (i.e., &#8220;You&#8217;re Too Inspired by Big Influencers \u2014 How to Be Authentic&#8221;) and then use that as a springboard for my next stage of ideating. From there, I&#8217;ll create several bullet points that support that message:<\/p>\n<ul>\n<li>Influence circle<\/li>\n<li>Overconsumption<\/li>\n<li>Inspire yourself<\/li>\n<li>Bad memories make great stories<\/li>\n<\/ul>\n<p>When the camera rolls, I&#8217;ll pull from these bullets points, and usually magic flows out. But it can sometimes take several tries. I&#8217;ll riff and then run out of fuel, so then I&#8217;ll restart. And restart and restart. Until I&#8217;ve done a take with little to no stutters, full energy, and that supports my bullet points, I keep going!<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3IxuqJWB9oE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Lewis McGregor<\/strong>: <span style=\"font-weight: 400;\">Regarding the mood reels, there is no pre-production so to speak outside of looking for inspiration. I don\u2019t plan shots, map movement, or think about the outcome. I have a vague idea of what I would like to capture, and I hope that my skills and the weather can help capture the idea when I\u2019m on location. Creating these tonal reels, for myself, is very much an organic process.\u00a0While I seek to get inspired by other imagery, I\u2019ve found that once I start intricately planning the shoot, the material becomes too much like the source material.\u00a0\u00a0<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MH3TaCW-ZeI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"post-production\">Post-production<\/h3>\n<p>Everybody&#8217;s got a favorite NLE, and everybody likes to tell everybody else why they&#8217;re wrong. That&#8217;s part of the fun. (We saw a decided trend toward Resolve among our panelists \u2014 feel free to fight with them on their channels about this. Though I wouldn&#8217;t.) Everybody makes their motion graphics at different stages of the process, customizes their lower thirds, grades the footage, etc.<\/p>\n<p>Just like pre-production, every creator is different, but, again, we wanted to know which kinds of different are just making life difficult and which work for a cluster of YouTubers with total view counts (for us, and otherwise) in the millions.<\/p>\n<p>So, we asked what tools they favor in their post-production processes, and why. We wanted to know if they create assets and motion graphics after the edit or before, and we straight-up asked for tricks that make post-production easier.<\/p>\n<p>Here&#8217;s the scoop.<\/p>\n<p><strong>Jason Boone<\/strong>: I try to do most of the work in pre-production and production, as this makes editing a breeze. I&#8217;ve been capturing a lot of projects in 4K and RAW lately, which takes up a lot of hard drive space. This costs money. For this reason I&#8217;ve found myself performing more takes during my shoots and screen recordings. I&#8217;ll mark and import only the good takes, and then delete the rest. I also used to record audio separate from my video, but to speed things up, I&#8217;ve now combined that during shooting via a lav mic connected to my main camera.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3N9iNrsaujU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Logan Baker<\/strong>: Lately I&#8217;ve been using DaVinci Resolve to edit my videos. I&#8217;m new to the program, but my videos are pretty simple in terms of layout. Just like everybody else, the main reason why I switched to Resolve is for color grading. I was skeptical to jump on this particular train seeing as everyone else seems to be doing it, but it&#8217;s clear there&#8217;s\u00a0a reason for the move as the tools are superior to Premiere in almost every way. For this channel, I don&#8217;t use many motion graphics aside from the occasional title card animation. In a typical edit, I&#8217;ll create the animations during the editing process. But, my post-production process in general is all over the place. I usually have to wait for the film to get back from the lab, or to find the motivation to develop it myself. So I usually build the edit with gaps throughout the timeline that I&#8217;ll fill in later on with photos.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YU0EYiRForM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Zach Ramelan<\/strong>: French chefs use the culinary term <em>mise en place, <\/em>which translates to &#8220;everything in its place.&#8221; Before diving into cooking their dish, the chef will organize and prepare all of his\/her key ingredients, making sure everything in place. This organized approach to preparation speeds up workflow and productivity.<\/p>\n<p>I&#8217;ve crafted my own of <em>mise en place<\/em> method, where I have a folder that lives on my desktop that contains all my most-used assets like sound effects, music, transitions, graphics, and title cards. After assembling my first cut, I drag and drop this folder into Premiere Pro and piece in my critical assets. Usually, it starts with a music pass, applying the perfect track (from <a href=\"http:\/\/premiumbeat.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/Premiumbeat.com&amp;source=gmail&amp;ust=1600638883893000&amp;usg=AFQjCNGoefK-h0rcSsTY8gH_0piLuCsV7A\" data-wpel-link=\"external\">Premiumbeat.com<\/a>), then goes into trimming scenes to that new track, then it goes to applying transitions, and then finalizes with a pass on sound effects.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bEQmRPL9JHg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Lewis McGregor<\/strong>: Mood reels rely heavily on pretty images, and I don\u2019t think I would be getting far without DaVinci Resolve. It\u2019s become the one-stop workhorse for both editing and color grading. However, the deconstruction of my grade has vastly changed with my recent camera the <a href=\"https:\/\/na.panasonic.com\/us\/audio-video-solutions\/broadcast-cinema-pro-video\/cinema-cameras\/lumix-s1h-full-frame-mirrorless\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">S1H<\/a>.<\/p>\n<p>I think it might be the first time in many years that I\u2019ve changed my shooting style. I\u2019ve always loved the versatility of manipulating colors in post-production, and with the addition of RAW, being able to tweak settings that were initially baked into the image. But more recently, I\u2019ve taken a liking to simply returning the LOG footage to the REC709 color space with a REC709 LUT and leaving it there.<\/p>\n<p>Previously my node trees would look something like this:<\/p>\n<div id=\"attachment_139112\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139112\" class=\"wp-image-139112 size-full\" title=\"Lewis McGregor Node Tree\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg\" alt=\"Lewis McGregor Node Tree\" width=\"755\" height=\"400\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-1-NODE.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-139112\" class=\"wp-caption-text\">Lewis McGregor&#8217;s previous node tree.<\/p><\/div>\n<p>But more recently they have evolved (or de-evolved), toward a more basic structure with only simple color tweaks.<\/p>\n<div id=\"attachment_139113\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139113\" class=\"wp-image-139113 size-full\" title=\"Lewis McGregor's Current Node Tree\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg\" alt=\"Lewis McGregor's Current Node Tree\" width=\"755\" height=\"400\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2020\/09\/IMAGE-2-NODE.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><p id=\"caption-attachment-139113\" class=\"wp-caption-text\">Lewis McGregor&#8217;s Current Node Tree<\/p><\/div>\n<p>With my mood reels, I like the landscapes to speak for themselves, and I often find when I try to overly populate the image with color grades, it looses the essence of what it looked like while I was out filming, and the reason why I recorded that image.<\/p>\n<hr \/>\n<h3 id=\"equipment\">Equipment<\/h3>\n<p>Gear. Let&#8217;s be real \u2014 this is why most of us are even here. We know our posts on gear are what most of you come here for. And for good reason. Gear is cool \u2014 and, well, it&#8217;s essential to this entire conversation. It&#8217;s the one conversation that can unite a crew, no matter which job they&#8217;re doing. Everybody&#8217;s got opinions about gear \u2014 how much you should have, how often you should upgrade, what sucks and what doesn&#8217;t.<\/p>\n<p>So, this conversation wouldn&#8217;t be complete without talking about what our panelists use and how they use it. We asked them to walk us through their loadouts and to tell us what they do in-camera for shots that are particularly good on YouTube.<\/p>\n<p>Here&#8217;s what they had to say.<\/p>\n<p><strong>Jason Boone: <\/strong>I have a partnership with Blackmagic Design, and I use their <a href=\"https:\/\/www.blackmagicdesign.com\/products\/blackmagicpocketcinemacamera\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Pocket Cinema Camera<\/a> 6K as my main tutorial setup in my office, as well as the <a href=\"https:\/\/www.blackmagicdesign.com\/products\/blackmagicursaminipro\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">URSA Mini Pro G2<\/a> for field work. I was really shocked at how good the quality of the image is on those cameras. Especially when I look at old tutorials that I shot on my <a href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/products\/details\/cameras\/eos-dslr-and-mirrorless-cameras\/dslr\/eos-7d-mark-ii\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Canon 7D MII<\/a>. I also have one of their Video Assist monitors, which allows me to frame my shots up and trigger recording on my camera. For audio I have a <a href=\"https:\/\/www.deitymic.com\/products\/deity-connect-2x-bp-tx-duo-rx\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Deity Wireless Connect lav<\/a> that I hook to the BMPCC6K. When I&#8217;m doing screen recording tutorials, I use a <a href=\"https:\/\/www.bluemic.com\/en-us\/products\/yeti\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Blue Yeti<\/a> on a <a href=\"https:\/\/www.bluemic.com\/en-us\/products\/yeticaster\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Yeticaster boom arm<\/a> for audio, and <a href=\"https:\/\/www.techsmith.com\/video-editor.html\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Camtasia<\/a> for the screen recordings. I edit everything on Premiere Pro and do quite a bit of work in Adobe After Effects.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QPQP3hYVxO0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Logan Baker<\/strong>: Because I don&#8217;t have anybody to film me for the majority of the time, I usually keep the setup pretty light as I have to carry it around everywhere with me in addition to my film camera and lenses. For this channel, I use a BMPCC4K with an old Canon FD 24mm lens. Typically I&#8217;ll use this one lens for the whole video. If I need something longer, I&#8217;ll bring my <a href=\"http:\/\/www.slrmagic.info\/product\/HyperPrime+CINE+5095MFT\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">SLR Magic HyperPrime Cine 50mm T0.95 lens<\/a>. For these lenses, I use a <a href=\"https:\/\/hoyafilter.com\/product\/variable_neutral_density\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">HOYA Variable ND filter<\/a> and have a <a href=\"https:\/\/tiffen.com\/products\/black-pro-mist-filter\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Black Pro Mist filter<\/a> on hand if I ever feel like I need it. I carry around a <a href=\"https:\/\/www.manfrotto.com\/us-en\/collections\/supports\/055-series\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Manfrotto 055 tripod<\/a>, which starts to feel pretty heavy after a few hours carrying around, but it&#8217;s sturdy and does the job. Almost all of my shots these days are taken in the morning or around golden hour. The Blackmagic handles these colors and tones better than anything else on the market in my opinion.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BLdE1Xi5qAc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Zach Ramelan<\/strong>: I use whatever is around usually. Sometimes it&#8217;s my cellphone, most times it&#8217;s my <a href=\"https:\/\/www.sony.com\/electronics\/interchangeable-lens-cameras\/ilce-7m3-body-kit\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sony A7III<\/a>. For talk-to-camera setups, I use my sony A7III paired with a <a href=\"https:\/\/en-us.sennheiser.com\/lavalier-microphones\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Sennheiser lav mic<\/a>, which is all attached to my $300 <a href=\"https:\/\/neewer.com\/products\/video-camera-supports-10094861\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Neewer motorized slider system<\/a>. Usually, I shoot with either a 16-35 at an F2.8, but recently I&#8217;ve shifted this to a 50mm at an F2.8 and been digging it!<\/p>\n<p>My key lighting comes from a <a href=\"https:\/\/www.falconeyeshk.com\/post\/falcon-eyes-bl-30td-led-studio-light\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Falcon Eye BL 30TD<\/a> light with a china ball lantern attached for diffusion. I pair this with two small pocket-sized LEDs that I&#8217;ve picked up over the years. If those tools aren&#8217;t around, then I&#8217;ll position myself toward a window.<\/p>\n<p>I usually set the camera settings to auto, from Auto ISO to Auto Focus. I&#8217;ll set my WB to one of the in-camera presets (I never mess with Kelvin levels).<\/p>\n<p>Finally (for Sony users), my picture profile is set to PP5.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/uNmv4vCHAas?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Lewis McGregor: <\/strong>I rarely stay partnered with one camera long enough to give it scratches. I wouldn\u2019t say this is because I have &#8220;gear acquisition syndrome&#8221; (as phrased by the internet), but because I love experimenting with new tools. However, for the longest time, I have been using the BMPCC4K, but more recently, I have shifted to the <a href=\"https:\/\/na.panasonic.com\/us\/audio-video-solutions\/broadcast-cinema-pro-video\/cinema-cameras\/lumix-s1h-full-frame-mirrorless\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">S1H<\/a>.<\/p>\n<p>While I don\u2019t think someone inherently needs to film in 4K given that so many people watch YouTube through their phone (which streams at 1080p or 720p), the clarity 4K yields is pivotal for mood reels, and to be honest, YouTube in general. The reason for this is downsampling. I previously touched on this topic with the <a href=\"https:\/\/www.premiumbeat.com\/blog\/gh5-1080p-vs-4k\/\" data-wpel-link=\"internal\">GH5:<\/a><\/p>\n<blockquote><p>When you downscale from 4K to Full HD, you\u2019re essentially oversampling the image to have 4x the data for every pixel. Therefore, when you have 4K footage and downscale it to 1080p (Full HD), the image will look better than it would at native 1080p. You\u2019ll find the picture is a lot sharper, the colors more vivid, and (depending on the properties of the image), you\u2019ll also see less noise.<\/p><\/blockquote>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/qgOAkJreZJc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>If you\u2019ve watched the videos littered throughout these answers, you\u2019ll notice that I\u2019m always out in the wilderness, and as a result, I don\u2019t like carrying much. While I would love to be able to give you a breakdown of all the equipment I use, in most circumstances, it\u2019s nothing more than me holding my camera, very patiently trying not to sway in the Welsh wind.<\/p>\n<hr \/>\n<p>So there you have it. Four different YouTube worldviews from four creators who&#8217;ve done the work \u2014 and are doing it again. Make your life easier by learning from those who&#8217;ve gone before you \u2014 that way you can devote your energies to making good content (and metadata).<\/p>\n<p>Looking for more on making videos for YouTube? Check out these articles.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/make-engaging-cooking-video\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">5 Secret Ingredients of Deliciously Engaging YouTube Cooking Videos<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/make-money-with-youtube-videos\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">5 Solid Ways to Make Money on Your YouTube Videos<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/starting-youtube-channel-deep-analysis\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">What I\u2019ve Learned From Starting a YouTube Channel in 2020<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/lighting-and-shooting-product-shots\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Efficiently Lighting and Shooting Product Shots for YouTube<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/youtube-mid-roll-ad-change\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">YouTube Creators Set to Earn Extra Income with Change to Ads<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Creating a successful YouTube channel is the easiest thing ever, and it&#8217;s the hardest thing ever. Here are some insights from four YouTubers who are making it \u2026<\/p>\n","protected":false},"author":102,"featured_media":139126,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4519,3843,583],"tags":[1093,536,472,75],"class_list":["post-class-post-139107","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-filmmaking-2","post-class-category-video-production-2","post-class-tag-cinematography","post-class-tag-filmmaking","post-class-tag-video-production","post-class-tag-youtube"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Roundtable Interview: Creating Successful YouTube Videos<\/title>\n<meta name=\"description\" content=\"Creating a successful YouTube channel is the easiest thing ever, and it&#039;s the hardest thing ever. 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