{"id":147995,"date":"2021-01-21T08:00:00","date_gmt":"2021-01-21T14:00:00","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=147995"},"modified":"2021-01-20T17:12:29","modified_gmt":"2021-01-20T23:12:29","slug":"documentary-filming-undercover-and-undetected","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/documentary-filming-undercover-and-undetected\/","title":{"rendered":"Documentary Tips for Filming Undercover and Undetected"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-from-hidden-action-cameras-to-improvised-espionage-tips-use-this-run-and-gun-guide-to-filming-documentary-projects-on-the-sly\"><span id=\"from-hidden-action-cameras-to-improvised-espionage-tips-use-this-run-and-gun-guide-to-filming-documentary-projects-on-the-sly\">From hidden action cameras to improvised espionage tips, use this run-and-gun guide to filming documentary projects on the sly.<\/span><\/h2>\n\n\n\n<p>Just as in great investigative journalism, documentary filmmaking is about filming the very things that powerful people and subjects want to have filmed the least. That means, for those interested in careers as <a href=\"https:\/\/www.premiumbeat.com\/blog\/how-to-with-john-wilson-comedy\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">documentarians<\/a>, that you\u2019ll need to get used to filming undercover and undetected.&nbsp;<\/p>\n\n\n\n<p>But, how do these filmmakers pull off such a sneaky filmmaking style and, more importantly, how do they do it without getting caught? From <a href=\"https:\/\/www.premiumbeat.com\/blog\/tutorials-and-hacks-for-filmmakers\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">DIY gear<\/a> to hidden cameras to inconspicuous techniques, let\u2019s explore the world of undercover documentary filmmaking.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-research-and-have-a-plan\"><span id=\"research-and-have-a-plan\">Research and Have a Plan<\/span><\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"501\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg\" alt=\"Have a Plan of Action\" class=\"wp-image-148069\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg?resize=300,199 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg?resize=277,184 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg?resize=359,238 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg?resize=543,360 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg?resize=560,372 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/01\/cameraman-1.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>No matter the scenario, do your research and have a plan. Image by <a href=\"https:\/\/www.shutterstock.com\/image-photo\/cameraman-digital-cinema-camera-1667231356\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Jonas Torres<\/a>.<\/em><\/figcaption><\/figure>\n\n\n\n<p>From my own experience working in documentary filmmaking\u2014usually as a one man \u201c<a href=\"https:\/\/www.premiumbeat.com\/blog\/shoot-produce-edit-the-rise-of-the-pro-shreditor\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Shreditor<\/a>\u201d (<a href=\"https:\/\/www.premiumbeat.com\/blog\/shreditor-guide-shooting-video-solo\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">shooter<\/a>, <a href=\"https:\/\/www.premiumbeat.com\/blog\/shreditor-guide-video-pre-production\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">producer<\/a>, <a href=\"https:\/\/www.premiumbeat.com\/blog\/ultimate-guide-becoming-shreditor-editor-part-3\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">editor<\/a>)\u2014you\u2019ll often find yourself in situations that can be best described as \u201cgray areas\u201d in regards to whether you should be filming or not. These come about for a variety of reasons, all mostly having to do with communication. Often, you\u2019ve been granted permission to film by one person in charge of an event or company, but that has either not been passed along or not yet approved by the manager or person on the ground.<\/p>\n\n\n\n<p>Regardless of how you find yourself in one of these incognito or gray areas, your best bet is simply to do your research and have a plan. Unless you\u2019re working with a large team and on a super official project, I assume that you\u2019re going to have to work without much help or hand-holding. This makes doing your research and having a plan that much more important. Here are the three biggest factors to consider:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Location<\/strong>: Where do you need to shoot? What&#8217;s the space like for lighting, sound, and other elements?<\/li><li><strong>Subjects<\/strong>: Who do you need to film? What type of interaction and footage do you need\u2014interviews, B-roll, both?<\/li><li><strong>Time<\/strong>: How long do you have to shoot? How long do you have with the subject? How will the environment change over time?<\/li><\/ul>\n\n\n\n<p>Ideally, your best option would be to schedule out an entire shoot. But, as <a href=\"https:\/\/www.premiumbeat.com\/blog\/documentary-filmmaking-principles\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">documentary filmmaking<\/a> goes, you\u2019ll often have to work without an exact schedule. However, if you can do your research and make sure you can confirm those three elements, you should be off to a good start.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-the-right-tools-for-the-job\"><span id=\"the-right-tools-for-the-job\">The Right Tools for the Job<\/span><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/o1IZuW6Xe-E?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Honestly, in documentary and film\/video circles in general, there\u2019s a lot of debate for the \u201c<a href=\"https:\/\/www.premiumbeat.com\/blog\/what-camera-videographer-should-have\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">best camera<\/a>\u201d for this purpose or that. And, while we can definitely recommend a \u201cbest\u201d camera for documentary filmmaking (here\u2019s a great article supporting the <a href=\"https:\/\/www.premiumbeat.com\/blog\/canon-c500-mark-ii-best-documentary-camera\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Canon C500 Mk II<\/a>), for our purposes of undetected filmmaking, you really have to find the right tools for the job.<\/p>\n\n\n\n<p>So, while the C500 might be one of the more powerful cinema cameras out there, it might be a bit too large and cumbersome for filming on the sly. Instead, when looking to film documentary projects without being noticed, you really want to go as small as possible with your camera <em>and<\/em> gear.<\/p>\n\n\n\n<p>Take <a href=\"https:\/\/www.premiumbeat.com\/blog\/creating-documentary-films-in-conflict-zones\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">this interview<\/a> with the filmmaker behind the documentary <em><a href=\"https:\/\/www.imdb.com\/title\/tt7719454\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Hurdle<\/a><\/em>, who had to sneak cameras and equipment into heavily contested conflict zones. Documentarian <a href=\"https:\/\/www.imdb.com\/name\/nm9471220\/?ref_=tt_ov_dr\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Michael Rowley<\/a> chose to work with a minimal setup, which only included \u201ca <a href=\"https:\/\/www.sony.com\/electronics\/interchangeable-lens-cameras\/ilce-7sm2\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Sony a7S II<\/a> with lapel mics attached to the cage, a rail system on the camera, a 4-channel audio recorder to receive those lapels, and a <a href=\"http:\/\/www.rode.com\/microphones\/ntg-2\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">R\u00d8DE NTG2 shotgun mic<\/a>\u201d for his entire kit.<\/p>\n\n\n\n<p>The trick is to find a camera, gear, and setup that will allow you the most flexibility to record with as little impact as possible, while still striving for quality footage, solid recording time, and enough dynamic range to work in a variety of lighting situations.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-inconspicuous-filming-techniques\"><span id=\"inconspicuous-filming-techniques\">Inconspicuous Filming Techniques<\/span><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/LNkmnVd9wHM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Similarly, another popular technique for many documentary filmmakers looking to remain undercover is to shoot with many of the popular DSLR or mirrorless cameras that can often pass as simple photography cameras. As you can see in <a href=\"https:\/\/www.premiumbeat.com\/blog\/assassins-cinematographer-john-benam\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">this interview<\/a> with the cinematographer of the recent Sundance documentary <em><a href=\"https:\/\/www.imdb.com\/title\/tt11394276\/?ref_=fn_al_tt_2\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Assassins<\/a><\/em>, while DP <a href=\"https:\/\/www.imdb.com\/name\/nm2404577\/?ref_=ttfc_fc_cr12\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">John Benam<\/a> shot with a <a href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/products\/details\/cameras\/cinema-eos\/eos-c300-mark-ii\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Canon C300 Mk II<\/a> for the majority of their interviews, he would also employ using a smaller camera\u2014like a <a href=\"https:\/\/www.premiumbeat.com\/blog\/breaking-sony-a7s-iii-is-here-and-youre-probably-going-to-buy-it\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Sony a7S II<\/a>\u2014so he \u201ccould look like a tourist, but still shoot decent video with what can be portrayed as a \u2018stills\u2019 camera.\u201d<\/p>\n\n\n\n<p>The Oscar-winning documentary <em><a href=\"https:\/\/www.imdb.com\/title\/tt1313104\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">The Cove<\/a><\/em> also employed this technique. In order to capture a critical scene where the filmmakers were clearly not allowed to film, the team camouflaged prosumer hybrid cameras in a similar fashion. They even went as far as to leave the cameras recording while walking around with them dangling from their necks, as any tourist would do with a photo camera.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-diy-equipment-and-hidden-cameras\"><span id=\"diy-equipment-and-hidden-cameras\">DIY Equipment and Hidden Cameras<\/span><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FYSyT-VfeUs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Another approach you can take for your documentary espionage is to use hidden cameras or other DIY spy equipment. The video above includes a nice step-by-step walkthrough for creating your own spy cameras out of old mobile phones. But, you can also use any variety of new and incognito cameras and gear like these:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.insta360.com\/product\/insta360-go\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Insta360 Go<\/a><\/li><li><a href=\"https:\/\/www.fredicctv.com\/hidden-camera-amazon\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Fredi Mini Hidden Camera<\/a><\/li><li><a href=\"https:\/\/www.dickssportinggoods.com\/p\/bear-grylls-waterproof-video-eyewear-19lksubrgryllsvdyesc\/19lksubrgryllsvdyesc\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Waterproof Action Camera Glasses<\/a><\/li><\/ul>\n\n\n\n<p>I wouldn\u2019t recommend using any of these cameras or methods as your primary means of documentary filmmaking. But, if you\u2019re ever in a pinch and want to really stretch just how undercover you can go, these will certainly help you remain undetected.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-be-ready-to-record-and-improvise\"><span id=\"be-ready-to-record-and-improvise\">Be Ready to Record and Improvise<\/span><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RGNGDds80Po?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Finally, as it is with any documentary project, you&#8217;ll need to be ready to record and improvise on a moment\u2019s notice. Take, for example, the documentary filmmaking team behind the <a href=\"https:\/\/www.premiumbeat.com\/blog\/interview-cinematographer-matt-porwoll-sundance\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Sundance 2019 documentary <em>Tigerland<\/em><\/a>, who were tasked with the ultimate \u201cdon\u2019t get noticed\u201d challenge of filming dangerous tigers and other wildlife. They had to work undercover while relying on camouflage and long lenses to stay undetected and safe.<\/p>\n\n\n\n<p>However, if you can stay patient and flexible, the right moments will most likely find their way to you. This is a common theme when talking with many documentary filmmakers who, often, have to record thousands of hours of footage to complete ambitious projects. For example, interdisciplinary documentary director <a href=\"http:\/\/www.hervecohen.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Herv\u00e9 Cohen<\/a> shot countless hours of undetected footage of unsuspecting subway riders across the globe for his <a href=\"https:\/\/www.premiumbeat.com\/blog\/sxsw-life-underground-interactive-documentary\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">SXSW interactive documentary<\/a> exhibit <em><a href=\"https:\/\/www.life-underground.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Life Underground<\/a><\/em>.<\/p>\n\n\n\n<p>I\u2019ve personally found that the best shots come from spontaneous situations and from simply being quick on-the-draw, so to speak. Working on projects where you need to remain out of sight will stretch you even further to really push what your focus, gear, and expertise can handle.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>For more documentary filmmaking tips, tricks, and insights, check out these articles :<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/6-types-of-documentary-film\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">The 6 Types of Documentary Films<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/4k-cameras-under-1000-dollars\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Picking a 4K B Camera for a Documentary Project for Around $1000<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/documentary-filmmaking-principles\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">5 Principles of Documentary Filmmaking to Use on Your Next Film<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/cinema-verite-documentary-filmmaking\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">The Rules of Cinema V\u00e9rit\u00e9 Documentary Filmmaking<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/diy-documentary-during-covid-pandemic\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">How Music Helped to Motivate This DIY Coronavirus Documentary<\/a><\/li><\/ul>\n\n\n\n<p><em>Cover image by&nbsp;<a href=\"https:\/\/www.shutterstock.com\/image-photo\/male-photographer-takes-photo-digital-camera-1690188082\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Nicole Glass Photography<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From hidden action cameras to improvised espionage tips, use this run-and-gun guide to filming documentary projects on the sly.<\/p>\n","protected":false},"author":76,"featured_media":148076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4519,3843,79,5340],"tags":[2365,754,5125,5251,6423,6422],"class_list":["post-class-post-147995","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-filmmaking-2","post-class-category-inspiration","post-class-category-video-gear","post-class-tag-documentaries","post-class-tag-documentary","post-class-tag-documentary-film","post-class-tag-documentary-filmmaking","post-class-tag-investigative-journalism","post-class-tag-undercover"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Documentary Tips for Filming Undercover and Undetected<\/title>\n<meta name=\"description\" content=\"From hidden action cameras to improvised espionage tips, use this run-and-gun guide to filming documentary projects on the sly.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.premiumbeat.com\/blog\/documentary-filming-undercover-and-undetected\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Documentary Tips for Filming Undercover and Undetected\" \/>\n<meta property=\"og:description\" content=\"From hidden action cameras to improvised espionage tips, use this run-and-gun guide to filming documentary projects on the sly.\" 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