{"id":149865,"date":"2021-02-19T06:00:00","date_gmt":"2021-02-19T12:00:00","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=149865"},"modified":"2021-02-16T17:24:49","modified_gmt":"2021-02-16T23:24:49","slug":"ya-no-estoy-aqui-important-film-about-mexico","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/ya-no-estoy-aqui-important-film-about-mexico\/","title":{"rendered":"Here&#8217;s Why &#8220;Ya No Estoy Aqu\u00ed&#8221; Is an Important Film About Mexico"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-ya-no-estoy-aqu-offers-an-honest-look-into-an-unknown-part-of-mexico-exploring-the-impact-of-culture-on-identity-and-the-mexican-diaspora\"><span id=\"ya-no-estoy-aqui-offers-an-honest-look-into-an-unknown-part-of-mexico-exploring-the-impact-of-culture-on-identity-and-the-mexican-diaspora\"><em>Ya No Estoy Aqu\u00ed<\/em> offers an honest look into an unknown part of Mexico, exploring the impact of culture on identity and the Mexican diaspora. <\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In <em><a href=\"https:\/\/www.imdb.com\/title\/tt4323594\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Ya No Estoy Aqu\u00ed<\/a><\/em>, or <em>I\u2019m No Longer Here<\/em> for the English-speaking audience, the film follows Ulises\u2019 journey from Monterrey to New York and back again to his hometown. It\u2019s the story of an immigrant fleeing the country due to violence, only to find themselves living in a strange, sometimes hostile, environment. It\u2019s a story that many Latinxs have either experienced first-hand or heard second-hand. Though the film uses tropes popular in media about Mexico\u2014cartel violence, extreme poverty, being undocumented\u2014it\u2019s much more nuanced, exploring the complexities of living in Mexico\u2019s poverty-stricken borderlands, the ties between culture and identity, and the diaspora of Mexicans and Mexican-Americans in the United States.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I highly recommend watching the film before continuing, as there are spoilers throughout, but a brief summary follows. Ulises and his friends form a group called <em>Los Terkos<\/em>\u2014<em>terko<\/em> is slang for <em>terco<\/em>, meaning stubborn, i.e., The Stubborn Ones\u2014and their identity revolves around the <em>Kolombia <\/em>counterculture movement that was popular in that part of Mexico in the mid- to late-2000s. In the <em>Kolombian<\/em> movement, they dance to remixed versions of Colombian <em>Cumbia<\/em> songs called <em>Cumbias Rebajadas<\/em>, or slowed-down <em>cumbias<\/em>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ieeZ0mviFKc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In their pursuit to get the money together to buy an MP3 player full of Cumbias Rebajadas, Los Terkos have a run-in with the cartel. Ulises witnesses the cartel shoot members of a local gang, who mistake Ulises for being a co-conspirator in the drive-by because he\u2019s holding a walkie-talkie belonging to the cartel. A survivor of the shooting threatens to kill Ulises and his whole family, which leads to the family leaving their home in a rush. Ulises is then sent to New York by his mom. In New York, he struggles to hold onto his identity, eventually ending up back home, where everything, including him, has changed.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.imdb.com\/name\/nm3305020\/?ref_=tt_ov_dr\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Fernando Fr\u00edas<\/a>\u2019 direction and storytelling make the film compelling, telling Ulises\u2019 story and using Mexico\u2019s tumultuous and ongoing war between the government and the cartels as a backdrop throughout the film, which eventually ends with citizens in open revolt on the streets. In <a href=\"https:\/\/www.youtube.com\/watch?v=1CvtE0BLzqU\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">this talk <\/a>between <a href=\"https:\/\/www.imdb.com\/name\/nm0190859\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Alfonso Cuar\u00f3n<\/a> and <a href=\"https:\/\/www.imdb.com\/name\/nm0868219\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Guillermo del Toro<\/a>, Cuar\u00f3n says Fernando Fr\u00edas is one of the most important new directors in the world. However, I also appreciated the cinematography of <a href=\"https:\/\/www.imdb.com\/name\/nm1449904\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Dami\u00e1n Garc\u00eda<\/a>, who captures the beauty of the languishing neighborhoods in Monterrey\u2019s outskirts.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"445\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg\" alt=\"Capturing Mexican Culture\" class=\"wp-image-150012\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg?resize=300,177 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg?resize=277,163 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg?resize=359,212 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg?resize=543,320 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg?resize=560,330 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Mexican-culture2-1.jpg?resize=150,88 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>The film captured the essence of the region&#8217;s particular dialect and aesthetics. Image via <a href=\"https:\/\/www.netflix.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Netflix<\/a>.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">However, what stuck with me the most was the film\u2019s spot-on use of the region\u2019s particular Spanish patois, which I&#8217;m extremely familiar with. I grew up right on the border of Mexico in Brownsville, Texas, and I spent many weekends in my youth across the border in Matamoros. Monterrey is a little under four hours west by road. The Spanish patois of northern Mexico uses a lot of slang and phrases that are highly regional and may be hard for other Spanish speakers (not from the area) to understand. Don\u2019t get me wrong, if you speak Spanish, you can enjoy this film without subtitles, but you may miss out on certain words or phrases.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The film leans into the regional Spanish, choosing authenticity over widespread appeal, which works in their favor. I love their attention to detail in this regard, casting locals in the film to maintain a level of accuracy so authentic that it made me emotional. It\u2019s one thing to see a fellow Mexican like <a href=\"https:\/\/www.imdb.com\/name\/nm0526019\/?ref_=tt_ov_st_sm\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Diego Luna<\/a> in <em><a href=\"https:\/\/www.imdb.com\/title\/tt3748528\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Rogue One: A Star Wars Story<\/a><\/em>\u2014which is, to be clear, the best <em>Star Wars<\/em> film\u2014and it\u2019s another to see someone who looks and speaks like you in a film. For most of the actors in the film, <em>Ya No Estoy Aqu\u00ed<\/em> was their first time on camera, and I&#8217;d have never known if I hadn\u2019t looked up the film on IMDb. The fact that it isn\u2019t obvious upon watching is a testament to the actors\u2019 first-hand understanding of the source material, local culture, and language.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/v3pITfzyMqo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">When it comes to the setting, the film captures a specific and ephemeral moment in time in the run-down neighborhoods of Monterrey, that the outside world may have never had the chance to see. Through the lens of Ulises\u2019 story, we see Mexico\u2019s inequality, the struggle of being undocumented in a strange land, and the impact that culture has on our identity. <em>Ya No Estoy Aqu\u00ed<\/em> cares deeply about that culture, but it also accurately portrays the complex dichotomy within every part of the Mexican diaspora. It\u2019s that feeling of living in this country and trying to assimilate, while fearing that, by doing so, you&#8217;ll lose who you are as you inevitably drift away from your culture.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although this film <em>is <\/em>about immigration, corrupt political systems, cartel violence, wealth inequality, and cyclical poverty, it\u2019s also about something more that we can all relate to. Ulises\u2019 story is about the interconnectedness of identity and culture and finding out who you are when you&#8217;re no longer here. Ulises\u2019 identity is relative to his culture, existing solely within his group of friends, his neighborhood, and the music and particular fashion of the <em>Kolombia <\/em>movement. Without his crew and away from all he\u2019s ever known, UIises is unbuoyed, adrift in a sea of millions of New Yorkers, as he grapples with his new reality. By moving to New York, he loses those parts of his life that form who he is, and he tries to hold onto his past to remember himself.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/ulises-1.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"427\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/ulises-1.jpg\" alt=\"Ulises in New York\" class=\"wp-image-150024\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/ulises-1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/ulises-1.jpg?resize=300,170 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/ulises-1.jpg?resize=277,157 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/ulises-1.jpg?resize=359,203 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/ulises-1.jpg?resize=543,307 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/ulises-1.jpg?resize=560,317 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/ulises-1.jpg?resize=150,85 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>Ulises finding himself in a strange land, absent of cultural familiarities. Image via Netflix.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The one silver lining is that he meets Lin, who takes a lot of interest in him because of his distinct hairstyle and dancing. He teaches her about <em>Los Terkos<\/em> and<em> Cumbias Rebajadas<\/em>, and she begins to dress and do her hair in the <em>Kolombian <\/em>fashion, which gets the attention of her schoolmates, who invite her to a party for the first time. But, her intake of the <em>Kolombian <\/em>counterculture\u2014at first is done in earnest\u2014borders on cultural appropriation and exploitation by the end of their friendship. Once she\u2019s cool and has the attention of her peers, she forgets about Ulises. As Ulises stands at the door in her last scene, Lin\u2019s grandfather asks who\u2019s there, and she says with finality that nobody is there before closing the door on him. For anyone that has experienced something like this, this scene is a reminder that, while others may love your culture, they won\u2019t want you\u2014e.g., this country may love Mexican food, but keeps deporting Mexicans.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Immediately after that rejection, he gets high and cuts off his signature hairstyle, which was the last bit of himself that reminded him of the old Ulises. Homeless and on the street, the cops arrest him for sleeping outside. Given the option between going home or fighting to stay in the states, he chooses the former, spending months in those horrible detainment facilities you hear about in the news. Months pass by until he\u2019s deported, and on his arrival to his homeland, he stands at the funeral of one of<em> Los Terkos<\/em>, who joined up with the cartel after Ulises left. As Ulises comes full circle and goes back home, everything has changed so much that he no longer feels like he belongs there either.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bptE15mTcSc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">His story resonates with many Latinxs because we\u2019ve felt stuck between two places, never knowing where our home is or if we even have one. The phrase \u201c<em>ni de aqui, ni de alla\u201d<\/em> encapsulates this feeling perfectly, meaning \u201cneither from here, nor from there.\u201d For many Latinxs, the phrase is an acknowledgment of the ambivalent nature of our identities. The conclusion of the story is a reminder that, while our identity is tied to our cultural heritage in some way, it doesn\u2019t and shouldn\u2019t define us.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There&#8217;s no happy ending because that&#8217;s the reality of someone like Ulises. Sometimes things don\u2019t work out, and if you\u2019re poor, or Mexican, or undocumented, then it\u2019s multiplied. The raw honesty is hard to swallow, but it\u2019s no less important, helping a wider audience understand the hardships of living in Mexico and why so many flock to this side of the border. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ulises may have chosen to go home, but for every other immigrant living in America, the choice to go back is just as hard as the one to stay. It\u2019s up for the individual to decide where the \u201chere\u201d in <em>I\u2019m No Longer Here <\/em>is. Is it where you came from or where you traveled to? For Ulises, it&#8217;s the latter, but he&#8217;s stubborn. He is, after all, a <em>terko <\/em>for life. Unfortunately, that part of Monterrey he wished he could go back to ceases to exist, leaving him adrift once again with a crisis of identity.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ya No Estoy Aqu\u00ed<\/em> is available to stream on Netflix. The film is Mexico\u2019s submission for the 93rd Academy Awards\u2019 Best International Feature Film category. If it wins, the film would be Mexico\u2019s second-ever win in the category after Alfonso Cuar\u00f3n\u2019s <em><a href=\"https:\/\/www.imdb.com\/title\/tt6155172\/?ref_=nv_sr_srsg_2\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Roma<\/a><\/em>, which won the award in 2019.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cover image via <a href=\"https:\/\/www.netflix.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Netflix<\/a>.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For more behind-the-scenes articles on films and filmmaking, check these out:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.premiumbeat.com\/blog\/plot-structure-for-films-and-screenplays\/\" target=\"_blank\" data-wpel-link=\"internal\">Understanding and Implementing Plot Structure for Films and Screenplays<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.premiumbeat.com\/blog\/lgbtq-films-and-filmmakers-that-are-making-history\/\" target=\"_blank\" data-wpel-link=\"internal\">LGBTQ+ Films and Filmmakers That Are Making History<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.premiumbeat.com\/blog\/legends-behind-chinese-martial-arts-films\/\" target=\"_blank\" data-wpel-link=\"internal\">Honoring the Legends Behind Chinese Martial Arts Films<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.premiumbeat.com\/blog\/shoot-like-quentin-tarantino\/\" target=\"_blank\" data-wpel-link=\"internal\">Untethered Territory: How to Shoot Films Like Quentin Tarantino<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/iconic-cinematography-darius-khondji\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Iconic Cinematography: Our 5 Favorite Shots from Darius Khondji<\/a><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Ya No Estoy Aqu\u00ed offers an honest look into an unknown part of Mexico, exploring the impact of culture on identity and the Mexican diaspora.<\/p>\n","protected":false},"author":168,"featured_media":150014,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3843],"tags":[6479,4707,6480],"class_list":["post-class-post-149865","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-filmmaking-2","post-class-tag-im-no-longer-here","post-class-tag-mexican-film","post-class-tag-ya-no-estoy-aqui"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Here&#039;s Why &quot;Ya No Estoy Aqu\u00ed&quot; 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