{"id":150130,"date":"2021-02-26T11:56:02","date_gmt":"2021-02-26T17:56:02","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=150130"},"modified":"2021-02-26T12:14:32","modified_gmt":"2021-02-26T18:14:32","slug":"iconic-cinematography-bradford-young","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/iconic-cinematography-bradford-young\/","title":{"rendered":"Iconic Cinematography: Our 5 Favorite Shots from Bradford Young"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-take-a-look-back-at-the-best-cinematography-shots-and-sequences-from-the-indie-turned-blockbuster-dp-bradford-young\"><span id=\"take-a-look-back-at-the-best-cinematography-shots-and-sequences-from-the-indie-turned-blockbuster-dp-bradford-young\">Take a look back at the best cinematography shots and sequences from the indie-turned-blockbuster DP Bradford Young.<\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">There\u2019s a lot to learn from <a href=\"https:\/\/www.premiumbeat.com\/blog\/bradford-young-cinematography\/?pl=PPC_GOO_US_PB-478888760138&amp;cr=bc&amp;kw=&amp;gclsrc=aw.ds&amp;&amp;gclid=CjwKCAiAmrOBBhA0EiwArn3mfOH1pA25kRY-Sptb9_yA-sTnqKsWXjtdG2zXhTEVteLkSaoZx1UfPhoCCusQAvD_BwE\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">studying the cinematography stylings<\/a> of <a href=\"https:\/\/www.imdb.com\/name\/nm2284226\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Bradford Young<\/a>. First and foremost, Young is a perfect example of how an aspiring cinematographer can make one\u2019s way up in the industry. Young\u2019s ascension from shorts to indie features to big-budget blockbusters is inspiring and quite attainable for anyone with the right mix of talent, skills, and energy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But, what really makes the cinematography of Bradford Young stand out? Let\u2019s explore some of the best showcases of Young\u2019s astute eye for composition, focus, and character, with examples from some of his best works over the years.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-1-ain-t-them-bodies-saints-2013\"><span id=\"1-aint-them-bodies-saints-2013\">1. <em>Ain&#8217;t Them Bodies Saints<\/em> (2013)<\/span><\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"316\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg\" alt=\"Ain't Them Bodies Saints\" class=\"wp-image-150131\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg?resize=300,126 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg?resize=277,116 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg?resize=359,150 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg?resize=543,227 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg?resize=560,234 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg?resize=600,250 600w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Aint-Them-Bodies-Saints.jpg?resize=150,63 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>A beautiful example of Young&#8217;s up-close and intimate cinematography on <\/em><a href=\"https:\/\/www.imdb.com\/title\/tt2388637\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Ain&#8217;t Them Bodies Saints<\/a><em>. Image via <a href=\"https:\/\/www.ifcfilms.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">IFC Films<\/a><\/em>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">One of my favorite films of Bradford Young\u2019s career is one of his earliest\u2014<em>Aint Them Bodies Saints<\/em>. Directed by <a href=\"https:\/\/www.imdb.com\/name\/nm1108007\/?ref_=tt_ov_dr\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">David Lowrey<\/a>, the Texas filmmaker worked with Young to create a look and style evocative of <a href=\"https:\/\/www.imdb.com\/name\/nm0000517\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Terrence Malick<\/a>\u2019s work with <a href=\"https:\/\/www.imdb.com\/name\/nm0523881\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Emmanuel Lubezki<\/a> on films like <em><a href=\"https:\/\/www.imdb.com\/title\/tt0478304\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">The Tree of Life<\/a><\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ga0c0v-stK0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">As you can see in this shot above, Young\u2019s cinematography is up-close and personal. You can see more of the clip in the trailer, but it\u2019s incredibly naturalistic, relying on natural light and natural movement. There&#8217;s seldom use of a tripod or static camera in Young\u2019s films, but this one early on defines his organic look and approach.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 id=\"2-a-most-violent-year-2014\" class=\"wp-block-heading\">2. <em>A Most Violent Year<\/em> (2014)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"311\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg\" alt=\"A Most Violent Year\" class=\"wp-image-150132\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg?resize=300,124 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg?resize=277,114 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg?resize=359,148 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg?resize=543,224 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg?resize=560,231 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/A-Most-Violent-Year.jpg?resize=150,62 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>Bradford Young demonstrates his masterful control of light and darkness with this cinematic silhouette from <\/em><a href=\"https:\/\/www.imdb.com\/title\/tt2937898\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">A Most Violent Year<\/a><em>. Image via <a href=\"https:\/\/a24films.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">A24<\/a>.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Following up <em>Ain&#8217;t Them Bodies Saints<\/em>, Young partnered with another up-and-coming director, <a href=\"https:\/\/www.imdb.com\/name\/nm1170855\/?ref_=tt_ov_dr\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">J.C. Chandor<\/a>, on his feature <em>A Most Violent Year<\/em>. While similar to <em>Saints<\/em> in his naturalistic approach and nostalgic vibe, the film was a different style, overall, for Young to create. Check out some examples of Young and Chandor\u2019s cinematography and direction style in this behind-the-scenes vignette:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FEAFGgjxNKU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Overall, Young was tasked with creating a much more stable look, allowing audiences to follow the narrative through the framing and the actors\u2019 performances. He uses less handheld or unsteady movement. However, the shots are still full of naturalized light and compositions. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/o87gG7ZlEAg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The most cinematic elements in <em>A Most Violent Year<\/em>, which you can find throughout Young\u2019s filmography, is his penchant for darkness and adding negative fill. Young works hard to create as much darkness as possible on many of his subjects against the brighter backdrops of 1980s New York City.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 id=\"3-selma-2014\" class=\"wp-block-heading\">3. <em>Selma<\/em> (2014)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"313\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg\" alt=\"Selma\" class=\"wp-image-150133\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg?resize=300,124 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg?resize=277,115 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg?resize=359,149 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg?resize=543,225 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg?resize=560,232 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg?resize=600,250 600w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Selma-Shot.jpg?resize=150,62 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>A powerful image from one of Young&#8217;s most poignant works, this image from <\/em><a href=\"https:\/\/www.imdb.com\/title\/tt1020072\/?ref_=nv_sr_srsg_3\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Selma<\/a><em> conveys both character and emotion with its composition and lighting. Image via <a href=\"https:\/\/www.paramount.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Paramount Pictures<\/a>.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">One of the most important films of Young\u2019s cinematographic career (so far) has been <em>Selma<\/em>, directed by <a href=\"https:\/\/www.imdb.com\/name\/nm1148550\/?ref_=tt_ov_dr\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Ava DuVernay<\/a>, telling the story of Martin Luther King Jr.\u2019s famous voting rights marches in Alabama. Tasked with capturing both historic moments and intense emotional drama, Young did not disappoint, with cinematography that proved to be historically accurate as well as up-close-and-personal.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/x6t7vVTxaic?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">As you can see in another one of my favorite shots of Young\u2019s career, we can see Young\u2019s preference for staying in the close-up, while developing compositions that speak deeply to the characters\u2014their emotions and beliefs. You can hear Young talk a bit more about this process below, including why he chose to go with close-ups over long shots for capturing these important cinematic moments.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BKwMD_OmtAk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=116&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 id=\"4-arrival-2016\" class=\"wp-block-heading\">4. <em>Arrival<\/em> (2016)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Arrival.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"311\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Arrival.jpg\" alt=\"Arrival\" class=\"wp-image-150134\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Arrival.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Arrival.jpg?resize=300,124 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Arrival.jpg?resize=277,114 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Arrival.jpg?resize=359,148 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Arrival.jpg?resize=543,224 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Arrival.jpg?resize=560,231 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Arrival.jpg?resize=150,62 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>One of the more creative compositions from Young&#8217;s signature, yet intimate, shots from the movie <\/em><a href=\"https:\/\/www.imdb.com\/title\/tt2543164\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Arrival<\/a><em>. Image via Paramount Pictures.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Finally, moving on to a movie I could&#8217;ve written an entire article on in regards to Young\u2019s cinematography, we have <em>Arrival<\/em>. Directed by <a href=\"https:\/\/www.imdb.com\/name\/nm0898288\/?ref_=tt_ov_dr\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Denis Villeneuve<\/a>, the cinematography in <em>Arrival<\/em> is some of the best of Young\u2019s career\u2014and actually resulted in Young receiving a nomination for an Oscar. <em>Arrival<\/em> was one of his first films that relied heavily on VFX and <a href=\"https:\/\/www.premiumbeat.com\/blog\/gear-guide-buy-green-screen-kit\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">green screens<\/a> (or in this case, <a href=\"https:\/\/www.premiumbeat.com\/blog\/blue-screen-vs-green-screen\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">blue screens<\/a>), as part of his cinematographic concerns.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gSbbtSdf500?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">However, as you can see in the compilation above, many of the best shots and compositions aren&#8217;t filled with heavy effects or aliens, but instead, showcase the more intimate side of Young\u2019s cinematography. This is perhaps Young\u2019s greatest work, as he truly shines by finding that right balance between naturalistic lighting and negative fill. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And, despite being a bigger-budget project with CGI aliens, as you can see in the vignette below, he still utilized plenty of everyday cinematography tips and tricks\u2014like bounce boards and light diffusion\u2014to help create his soft, yet sharp, images.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ATkfFDdzsWs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 id=\"5-solo-a-star-wars-story-2018\" class=\"wp-block-heading\">5) <em>Solo: A Star Wars Story<\/em> (2018)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Solo.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"351\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/02\/Solo.jpg\" alt=\"Solo: A Star Wars Story\" class=\"wp-image-150136\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Solo.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Solo.jpg?resize=300,139 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Solo.jpg?resize=277,129 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Solo.jpg?resize=359,167 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Solo.jpg?resize=543,252 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Solo.jpg?resize=560,260 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/02\/Solo.jpg?resize=150,70 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>It&#8217;s fantastic shots like this that help to ground the high concept narrative into a darker world. Image via <a href=\"https:\/\/www.disney.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Disney<\/a>.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Wrapping up our top five shots of Young\u2019s career, we have a perfect example of how the indie cinematographer was able to become a blockbuster DP with his work on <em><a href=\"https:\/\/www.imdb.com\/title\/tt3778644\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Solo: A Star Wars Story<\/a><\/em>. Originally, Young was partnered up with directors <a href=\"https:\/\/www.imdb.com\/name\/nm0520488\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Phil Lord<\/a> and <a href=\"https:\/\/www.imdb.com\/name\/nm0588087\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Christopher Miller<\/a>, who somewhat controversially left the project, which was then finished by director <a href=\"https:\/\/www.imdb.com\/name\/nm0000165\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Ron Howard<\/a>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jPEYpryMp2s?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">However, despite a change in directorship, Young\u2019s cinematography remained steady and consistent throughout, as he was pretty much tasked with the challenge of grounding the fantastical elements of a <a href=\"https:\/\/www.premiumbeat.com\/blog\/genre-breakdown-sci-fi-films\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">sci-fi<\/a> universe into a darker, more real world.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/LMEUYq17150?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">From a gear perspective, Young was asked to shoot this big-budget feature on the <a href=\"https:\/\/www.premiumbeat.com\/blog\/inside-the-arri-alexa-65\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">ARRI ALEXA 65<\/a> with a mix of ARRI Prime DNA lenses, Zeiss Super Speed, and CamTec Falcon Full Frame lenses on setups with the <a href=\"https:\/\/www.premiumbeat.com\/blog\/new-arri-alexa-mini-lf\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">ARRI ALEXA Mini<\/a> and ARRI ALEXA XT Plus. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As you can see in one of my favorite shots above, as well as in the mashup video, Young was able to use the bigger format to create tight and grounded images, relying more on muted lighting versus high-key compositions to create stark images more akin to gritty westerns of French New Wave than fantastical space operas.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cover image via <a href=\"https:\/\/www.paramount.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Paramount Pictures<\/a>.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For more cinematographer profiles and filmmaking insights, check out these additional articles below.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/iconic-cinematography-darius-khondji\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Iconic Cinematography: Our 5 Favorite Shots from Darius Khondji<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/tips-from-cinematography-masters\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Tips from Renowned Cinematographers for Your Next Film<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/realtime-digital-sets-vs-green-screen\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Will Real-Time Digital Sets Replace Green Screens?<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-used-at-sundance-2021\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">A Look into the Cameras Used at Sundance Film Festival 2021<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/john-alcott-cinematographer\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Behind the Lens of Stanley Kubrick\u2019s Cinematographer John Alcott<\/a><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Take a look back at the best cinematography shots and sequences from the indie-turned-blockbuster DP Bradford 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