{"id":161544,"date":"2021-11-15T15:29:26","date_gmt":"2021-11-15T21:29:26","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=161544"},"modified":"2021-11-15T15:31:59","modified_gmt":"2021-11-15T21:31:59","slug":"sony-announces-venice-2","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/sony-announces-venice-2\/","title":{"rendered":"Breaking News: Sony Announces the VENICE 2 with 8.6K"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-the-venice-2-features-a-compact-body-design-with-the-ability-to-swap-sensors-for-higher-frame-rates-here-s-an-in-depth-look\"><span id=\"the-venice-2-features-a-compact-body-design-with-the-ability-to-swap-sensors-for-higher-frame-rates-heres-an-in-depth-look\">The VENICE 2 features a compact body design with the ability to swap sensors for higher frame rates. Here&#8217;s an in-depth look.<\/span><\/h2>\n\n\n\n<p>The original Sony VENICE helped capture films like the <a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-behind-oscar-nominated-films\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Oscar award-winning <em>The Father<\/em><\/a>, <a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-behind-golden-globe-winners-nominees\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">popular series including<em> The Flight Attendant<\/em>, <em>The Crown<\/em>, and <em>Ozark<\/em><\/a>, and <a href=\"https:\/\/www.premiumbeat.com\/blog\/nfl-madden-style-live-broadcasts\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">even NFL broadcasts<\/a>. <\/p>\n\n\n\n<p>The new VENICE 2 camera seeks to elevate performance with its streamlined body, interchangeable 8.6K and 6K sensors, 8-stops of built-in <a href=\"https:\/\/www.premiumbeat.com\/blog\/the-best-variable-nd-filters\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">ND filters<\/a>, and more. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6bfXjhxr6QE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 id=\"interchangeable-sensors\" class=\"wp-block-heading\">Interchangeable Sensors<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"425\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg\" alt=\"Sony Camera Parts \" class=\"wp-image-161594\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg?resize=300,169 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg?resize=277,156 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg?resize=359,202 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg?resize=543,306 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg?resize=560,315 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-Parts-1.jpg?resize=150,84 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>Sony&#8217;s interchangeable accessories. Image via <a href=\"https:\/\/www.sony.com\/ug\/electronics\/cameras\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Sony<\/a>.<\/em><\/figcaption><\/figure>\n\n\n\n<p>The Sony VENICE 2 debuts a new 8.6K (8640&#215;5760) full-frame sensor with 16 stops of dynamic range. It has a dual base ISO of 800\/3200 to capture clean images in most lighting conditions. Dropped down to 4K, the camera still supports full-frame, full-frame anamorphic, and Super35. <\/p>\n\n\n\n<p>8.6K Sensor Modes<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>8.6K&nbsp;<\/td><td>3:2&nbsp;<\/td><td>30fps&nbsp;<\/td><td>Full-Frame<\/td><\/tr><tr><td>8.2K&nbsp;<\/td><td>17:9&nbsp;<\/td><td>60fps<\/td><td>Full-Frame<\/td><\/tr><tr><td>5.8K&nbsp;<\/td><td>6:5&nbsp;Anamorphic<\/td><td>48fps<\/td><td>Super35<\/td><\/tr><tr><td>5.8K&nbsp;<\/td><td>17:9&nbsp;<\/td><td>90fps<\/td><td>Super35<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>To shoot at higher frame rates, the camera can use the original 6K sensor, which is completely swappable. <\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 id=\"footage-and-reactions\" class=\"wp-block-heading\">Footage and Reactions<\/h3>\n\n\n\n<p>Director of Photography <a href=\"https:\/\/www.imdb.com\/name\/nm0592073\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Claudio Miranda<\/a> tested the low-light capabilities and the camera&#8217;s ability to capture <a href=\"https:\/\/www.premiumbeat.com\/blog\/light-different-skin-tones-in-the-same-shot\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">skin tones<\/a> and <a href=\"https:\/\/www.premiumbeat.com\/blog\/video-lighting-shot-with-fire\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">fire<\/a> in the desert. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/kea3fiwUjI8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Claudio Miranda explains,<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>How does the highlight roll off? How does the low-light go into the black? Does it go red? Does it get too saturated? That&#8217;s my personal bias of what this test was about.<\/p><cite>&#8211; Claudio Miranda, DP<\/cite><\/blockquote>\n\n\n\n<p>The results, in Miranda\u2019s own words, are . . . <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Freaking stunning . . . It&#8217;s clean. The noise, if you do hit it, is organic. It doesn&#8217;t feel overly electronic. And, I just like the way it feels. I shot a fire shot at 3200 ASA that&#8217;s intentionally overexposed, and I just thought it had this natural, organic feel. The low-light footage is really amazingly clean.<\/p><cite>&#8211; Claudio Miranda, DP <\/cite><\/blockquote>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ayRWr5nZjKU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>On the simplicity of features like the built-in ND filters, DP <a href=\"https:\/\/www.imdb.com\/name\/nm0572123\/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Rob McLachlan<\/a> says:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Something as simple as those built-in NDs can add up to just an incredible amount of time savings. Those time savings add up to extra shots, extra setups, and that adds up to potentially a better scene, and a better movie or TV show. <\/p><p>If you add it up, let&#8217;s say, even an average size TV series, which has probably got a 12-hour per day shooting budget around $300,000. Some might be more, some less. Just break that down into the minutes of the day and how much one minute costs. <\/p><\/blockquote>\n\n\n\n<p>(<strong>Side note:<\/strong> <a href=\"https:\/\/www.premiumbeat.com\/blog\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">PremiumBeat<\/a> did the math\u2014it\u2019s $416 per minute for a $300,000, 12-hour day.) <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>If you save ten minutes changing ND filters so that you can be consistent in your depth of field as you change lenses, or lighting conditions change, over the course of a four-month project, that&#8217;s a massive amount of money, and that&#8217;s a lot of extra shots. So, apart from the fact that it makes absolutely gorgeous cinematic pictures, that alone is another reason to love the VENICE.<\/p><cite>&#8211; Rob McLachlan, DP <\/cite><\/blockquote>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3Hr2vTkGFLQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 id=\"camera-specs\" class=\"wp-block-heading\">Camera Specs<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Sony PL or E Lens Mount<ul><li>Removable PL mount, Cooke \/i Protocol<\/li><li>Sony E-mount with electronic contacts<\/li><\/ul><\/li><li>8.6K Sensor<ul><li>8.6K: 1 to 30fps<\/li><li>8.2K: 1 to 60fps<\/li><li>7.6K: 1 to 60fps<\/li><li>5.8K Anamorphic: 1 to 48fps<\/li><li>5.8K: 1 up to 90fps<\/li><li>5.4K: 1 up to 90fps<\/li><\/ul><\/li><li>X-OCN Internal Recording<\/li><li>4K ProRes 4444\/422HQ Internal Recording<\/li><li>Built-in ND Filter Mechanical Filter Wheel <ul><li>Clear, 1 stop (1\/2), 2 stop (1\/4), 3 stop (1\/8), 4 stop (1\/16), 5 stop (1\/32), 6 stop (1\/64), 7 stop (1\/128), 8 stop (1\/256) ND filters<\/li><\/ul><\/li><li>ISO Sensitivity 800 \/ 3200 (Native)<\/li><li>Rolling Shutter<\/li><li>16 Stops Dynamic Range<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 id=\"availability\" class=\"wp-block-heading\">Availability<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"324\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg\" alt=\"Sony Camera\" class=\"wp-image-161601\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg?resize=300,129 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg?resize=277,119 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg?resize=359,154 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg?resize=543,233 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg?resize=560,240 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2021\/11\/Sony-Camera-1.jpg?resize=150,64 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption><em>Available in early 2022. Image via <a href=\"https:\/\/www.sony.com\/ug\/electronics\/cameras\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Sony<\/a>.<\/em><\/figcaption><\/figure>\n\n\n\n<p>The VENICE 2 camera with 8.6K image sensor is scheduled to start shipping in February 2022 and the VENICE 2 camera with 6K image sensor in March 2022.\u202f&nbsp;<\/p>\n\n\n\n<p>The price is currently unknown. The original Sony VENICE was released with a starting price point around $40,000. <\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>A few more gear reviews, tips, and advice for you:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/ursa-g2-realtime-capture-workhorse\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">URSA G2: The New Workhorse for Realtime Capture and Indie Filmmakers<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/best-audio-interfaces-bonus-video\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">The 7 Best Audio Interfaces of 2021 + Bonus Video<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/budget-friendly-field-recorders\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">High-End Audio in Budget-Friendly Field Recorders<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/lumix-bs1h-sony-fx6\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">LUMIX BS1H\/Sony FX6: Pros and Cons of a Camera in a Box<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/dji-ronin-4d-camera-gimbal-reveal\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Breaking News: DJI\u2019s New Ronin 4D All-in-One Camera\/Gimbal<\/a><\/li><\/ul>\n\n\n\n<p><em>Cover image via <a href=\"https:\/\/www.sony.com\/ug\/electronics\/cameras\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Sony<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The VENICE 2 features a compact body design with the ability to swap sensors for higher frame rates. Here&#8217;s an in-depth look.<\/p>\n","protected":false},"author":143,"featured_media":161591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4519,5340],"tags":[3983,1315,4832,6745],"class_list":["post-class-post-161544","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-video-gear","post-class-tag-camera-news","post-class-tag-sony","post-class-tag-sony-camera","post-class-tag-venice-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Breaking News: Sony Announces the VENICE 2 with 8.6K<\/title>\n<meta name=\"description\" content=\"The VENICE 2 features a compact body design with the ability to swap sensors for higher frame rates. 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