{"id":169730,"date":"2022-06-10T10:55:39","date_gmt":"2022-06-10T15:55:39","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=169730"},"modified":"2022-06-21T03:14:52","modified_gmt":"2022-06-21T08:14:52","slug":"cinematographer-jessica-lee-gagne-on-shooting-severance","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/cinematographer-jessica-lee-gagne-on-shooting-severance\/","title":{"rendered":"Cinematographer Jessica Lee Gagn\u00e9 on Shooting Severance"},"content":{"rendered":"\n

We venture inside Lumon Industries with Cinematographer Jessica Lee Gagn\u00e8 to learn more about her vision for the unique look and feel of Apple TV’s Severance.\u00a0<\/span><\/h2>\n\n\n\n

It may take two to tango, but in Dan Erickson<\/a> and Ben Stiller’s<\/a> sterile, corporate psychological nightmare, <\/em>Severance<\/em><\/a>, you’re dancing with yourself. This breakout drama from Apple TV+ follows Adam Scott’s Mark, who has willingly undergone a procedure that separates his workday consciousness from his outside world. The office might be brightly lit, but it’s a dark emotional place full of secrets. When new arrival Helly (Britt Lower<\/a>) joins the interior team, she questions the status quo and so begins a ripple effect that takes the characters on a dangerous journey of self-discovery. <\/p>\n\n\n\n

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